Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey's '21. He yields! He yields!' had a release date set for January 1, 1993. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. 21. He yields! He yields!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey's "Gilbert & Sullivan: Ruddigore" album is number 7 out of 35. On top of that, United Kingdom appears to be the country where this track was created. The popularity of 21. He yields! He yields! is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 21. He yields! He yields! by Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | ||
| Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara) | George Gershwin, Ira Gershwin, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 153 BPM | ||
| Giordano: Andrea Chénier, Act I: "O pastorelle, addio!" | Umberto Giordano, Bernard Haitink, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | A Major | 0 | 11B | 137 BPM | ||
| 127 - Meu bom Jesus, Contigo almejo estar | Orquestra Sacra | A Minor | 3 | 8A | 79 BPM | ||
| 7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
| The Kingdom, Op. 51: Ia. In The Upper Room (Seek first the kingdom) | Edward Elgar, Francesca Chiejina, Sarah Connolly, Benjamin Hulett, Ashley Riches, Crouch End Festival Chorus, London Mozart Players, David Temple | D Minor | 2 | 7A | 62 BPM | ||
| Hänsel und Gretel, Act I: Suse, liebe Suse (Gretel, Hänsel) | Engelbert Humperdinck, Donald Runnicles, Jennifer Larmore, Ruth Ziesak, Symphonieorchester des Bayerischen Rundfunks | F Major | 1 | 7B | 89 BPM | ||
| H.M.S. Pinafore / Act 2: A joy! Oh rapture unforseen | Arthur Sullivan, The D'Oyly Carte Opera Company, Joyce Wright, Thomas Round, Donald Adams, Jeffrey Skitch, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 3 | 7B | 200 BPM | ||
| Hativkah | London Festival Orchestra, The London Festival Chorus, Stanley Black | E Minor | 2 | 9A | 80 BPM | ||
| Puccini: Madama Butterfly, Act 1: "Ah! Ah! quanto cielo! quanto mar!" (Chorus, Butterfly, Goro) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Gregory Bonfatti, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 1 | 3B | 52 BPM | ||
| The Mikado: I've Got a Little List | Eric Idle | E♭ Major | 1 | 5B | 119 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 1: "Yet doth the Lord see it not" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | C Major | 2 | 8B | 99 BPM | ||
| Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM | ||
| Sullivan: The Mikado or The Town of Titipu, Act 2: No. 17, Song with Chorus, "A more humane Mikado" (Mikado, Nobles) | Arthur Sullivan, Owen Brannigan/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | A Major | 3 | 11B | 102 BPM | ||
| Puccini: Messa di Gloria: Gloria in excelsis Deo - In terra pax - Laudamus te | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | A♭ Major | 2 | 4B | 108 BPM | ||
| Saint-Saëns: Samson et Dalila, Op. 47, Act 2: "Amour, viens aider ma faiblesse" (Dalila) | Camille Saint-Saëns, Rita Gorr, Orchestre du Théâtre National de l'Opéra de Paris, André Cluytens | A Minor | 3 | 8A | 79 BPM | ||
| The Mikado / Act 1: 8. As someday it may happen that a victim... | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 2 | 5B | 148 BPM | ||
| Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
| Carmen / Act 3: Si tu m'aimes, Carmen... | Georges Bizet, Christine Barbaux, Agnes Baltsa, Jane Berbié, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | B♭ Minor | 1 | 3A | 85 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Stay, We Must Not Lose Our Senses | The Pirates Of Penzance | G Major | 5 | 9B | 137 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.2: Dispossessed, aside thrust | Edward Elgar, Hallé, Sir Mark Elder | C Minor | 2 | 5A | 116 BPM | ||
| Emily — No Prisoner Be: No. 15, The Props assist the House | Kevin Puts, Time For Three, Joyce DiDonato | A Minor | 3 | 8A | 79 BPM | ||
| Gloria, FP 177: I. Gloria in excelsis Deo | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge | A Minor | 3 | 8A | 95 BPM | ||
| Porgy And Bess: Oh, Nobody Knows When de Lord Is Gonna Call | George Gershwin, Bernard Thacker, Larry Marshall, Alexander B. Smalls, Wilma Shakesnider, Glover Parham, Hartwell Mace, Houston Grand Opera Men's Ensemble, Betty Lane, John DeMain, Houston Grand Opera Orchestra | D Major | 2 | 10B | 163 BPM |