Ruth Gipps, Peter Cigleris, Gareth Hulse, John Mills, Lydia Lowndes-Northcott, Bozidar Vukotic's ' "Quintet for Oboe, Clarinet & String Trio, Op. 16: III. Energico" was released on its scheduled release date, September 17, 2021. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ruth Gipps, Peter Cigleris, Duncan Honeybourne, Gareth Hulse, Tippett Quartet's "Gipps: Clarinet Chamber Music" album is number 5 out of 11. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Quintet for Oboe, Clarinet & String Trio, Op. 16: III. Energico is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Quintet for Oboe, Clarinet & String Trio, Op. 16: III. Energico by Ruth Gipps, Peter Cigleris, Gareth Hulse, John Mills, Lydia Lowndes-Northcott, Bozidar Vukotic to be Vivace (lively and fast) because the track has a tempo of 166 BPM, a half-time of 83BPM, and a double-time of 332 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 5, Op. 50: Ia. Tempo giusto | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | C Major | 1 | 8B | 96 BPM | ||
| Suite No. 3, Op. 19 No. 1: II. Pantomim: Moderato | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | E Minor | 1 | 9A | 76 BPM | ||
| Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | ||
| Pictures and Tales Suite: IV. Sleep, Baby, Sleep | Karl Weigl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Jurgen Bruns | B Major | 0 | 1B | 119 BPM | ||
| A Downland Suite (Arr. for String Orchestra): III. Minuet. Allegretto grazioso | John Ireland, Richard Hickox, City of London Sinfonia | A Minor | 1 | 8A | 138 BPM | ||
| Symphony No. 5, Op. 64: IVa. Missa brevis. Kyrie eleison | Ruth Gipps, BBC Philharmonic, Rumon Gamba | F♯ Minor | 1 | 11A | 81 BPM | ||
| Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
| Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela | Jean Sibelius, Finnish Radio Symphony Orchestra, Hannu Lintu | F Minor | 1 | 4A | 100 BPM | ||
| Hindemith: Flute Sonata: I. Heiter bewegt | Paul Hindemith, Emmanuel Pahud, Eric Le Sage | F♯ Major | 0 | 2B | 71 BPM | ||
| The Seasons, Op. 67: XIV. Petit Adagio | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 1 | 11B | 87 BPM | ||
| Piano Concerto, FP 146: 3. Rondo à la Française | Francis Poulenc, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | D♭ Major | 1 | 3B | 96 BPM | ||
| Oboe Concerto, Op. 20: II. Andante | Ruth Gipps, Juliana Koch, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 67 BPM | ||
| Dies Natalis, Op. 8 - Arr. Sheppard: 5. The Salutation - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | G Major | 1 | 9B | 112 BPM | ||
| Variations on a Hungarian Folksong "The Peacock": Moderato | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra | C Minor | 0 | 5A | 69 BPM | ||
| English Suite: Meditation | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 61 BPM | ||
| Pelléas et Mélisande, Op. 80 (Arr. C. Koechlin): V. Sicilienne. Allegretto molto moderato | Gabriel Fauré, Radio Sinfonieorchester Stuttgart des SWR, Heinz Holliger | G Minor | 0 | 6A | 91 BPM | ||
| Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 2, Tropical Noon | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | A Major | 1 | 11B | 134 BPM | ||
| English Suite: Jig | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | ||
| Prelude | William Alwyn, Ashley Wass | G Minor | 0 | 6A | 169 BPM | ||
| Song to the moon | Antonín Dvořák, Ophélie Gaillard, Tim Redmond, Royal Philharmonic Orchestra | B♭ Major | 2 | 6B | 79 BPM | ||
| 2 Pieces, Op. 12: No. 1, Petite ballade | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | G Major | 1 | 9B | 90 BPM | ||
| Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo | Amy Beach, Ambache | D♭ Major | 0 | 3B | 60 BPM | ||
| Roumanian Folk Dances for Orchestra, BB 76 (Sz. 68): 4. Horn Dance (from Bisztra) | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 1 | 10B | 170 BPM | ||
| On hearing the first Cuckoo in Spring | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 80 BPM | ||
| Violin Concerto In D Major, Op. 35: II. Romance: Andante | Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 1 | 9B | 87 BPM |