"Tribal War" by Hans Zimmer had its release date on January 15, 2002. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Tribal War's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 15 in Black Hawk Down (Original Motion Picture Soundtrack) by Hans Zimmer. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Tribal War's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Tribal War by Hans Zimmer is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Dark Knight | L'Orchestra Cinematique | D Minor | 2 | 7A | 128 BPM | ||
| Long Live Sacred Germany | John Ottman | A Minor | 0 | 8A | 171 BPM | ||
| Draconian Dream | Audiomachine | D Major | 7 | 10B | 170 BPM | ||
| Ashes To Ashes | Hans Zimmer | D Major | 4 | 10B | 100 BPM | ||
| From Beneath | Blake Neely | B♭ Minor | 4 | 3A | 90 BPM | ||
| The Punisher | John Paesano | A Major | 4 | 11B | 75 BPM | ||
| Command (feat. G.E. Smith & Larry Saltzman) | Howard Shore, G.E. Smith, Larry Saltzman | A Minor | 2 | 8A | 120 BPM | ||
| Soccer Game | Jóhann Jóhannsson | E Minor | 2 | 9A | 87 BPM | ||
| By Sea | Antonio Pinto | D Major | 6 | 10B | 89 BPM | ||
| End Credit - Final Chronicle | Graeme Revell | C Minor | 7 | 5A | 92 BPM | ||
| The End Run | Jack Wall | D Minor | 7 | 7A | 117 BPM | ||
| Ballade in C# Minor: Coronation | Nicholas Britell | D♭ Major | 2 | 3B | 80 BPM | ||
| 10,000 BC/End Credits | Harald Kloser, Thomas Wander | E Minor | 5 | 9A | 84 BPM | ||
| To Know My Enemy | Hans Zimmer | G Minor | 2 | 6A | 71 BPM | ||
| Leaving Earth | Clint Mansell | E Minor | 3 | 9A | 39 BPM | ||
| Dunn's Down | Johan Skugge, Jukka Rintamäki | F Minor | 3 | 4A | 100 BPM | ||
| The Calling | Zack Hemsey | C Minor | 7 | 5A | 80 BPM | ||
| Gotham's Reckoning | Hans Zimmer | C Major | 4 | 8B | 144 BPM | ||
| Clean House | Sarah Schachner | B♭ Major | 3 | 6B | 171 BPM | ||
| Ethos | Nathan Furst | A Minor | 3 | 8A | 68 BPM | ||
| Highway | Sarah Schachner | E Major | 7 | 12B | 100 BPM | ||
| Soccent Attack | Steve Jablonsky | D Major | 6 | 10B | 150 BPM | ||
| Welcome to Lunar Industries | Clint Mansell | F♯ Minor | 3 | 11A | 112 BPM | ||
| Valor | Sarah Schachner | B Minor | 6 | 10A | 112 BPM | ||
| Swat Team Attack - Remastered 2017 | Brad Fiedel | A♭ Major | 7 | 4B | 179 BPM |