Ivor Gurney, Benjamin Appl, James Baillieu's 'The Apple Orchard' had a release date set for June 23, 2023. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 4 out of 41 in Forbidden Fruit by Benjamin Appl, James Baillieu. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, The Apple Orchard is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Apple Orchard by Ivor Gurney, Benjamin Appl, James Baillieu is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act 3: "Thy Hand, Belinda" (Dido) | Henry Purcell, Maxim Emelyanychev, Il Pomo D'oro, Joyce DiDonato | F♯ Minor | 0 | 11A | 172 BPM | ||
| Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | G Minor | 1 | 6A | 162 BPM | ||
| 4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM | ||
| Miserere mei Deus, C. 116: I. Miserere mei Deus | Louis-Nicolas Clérambault, La Néréide, Emmanuel Arakelian | D♭ Major | 1 | 3B | 71 BPM | ||
| Messa di Gloria: Kyrie eleison | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | G Major | 1 | 9B | 92 BPM | ||
| Chansons pour les oiseaux: No. 4, Le petit serin en cage | Louis Beydts, Julie Roset, Susan Manoff | G Minor | 1 | 6A | 162 BPM | ||
| Liederkreis, Op. 39: 5. Mondnacht | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | E Major | 0 | 12B | 88 BPM | ||
| Strauss, R: 6 Lieder, Op. 56: No. 6, Die heiligen drei Könige (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 1 | 8B | 175 BPM | ||
| Lorelei, Op. 7 | Hans Sommer, Constance Heller, Gerold Huber | A♭ Minor | 2 | 1A | 73 BPM | ||
| Misatango, Misa a Buenos Aires: III. Gloria | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 82 BPM | ||
| Sleep | Ian Bostridge, Julius Drake | B♭ Minor | 0 | 3A | 99 BPM | ||
| Stabat Mater, FP 148: X. Fac ut portem Christi mortem | Francis Poulenc, Carolyn Sampson, Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss | D♭ Minor | 1 | 12A | 81 BPM | ||
| Magnificat: I. Magnificat anima mea Dominum | MartÍn Palmeri, Aleksandra Turalska, Chór Astrolabium, Elżbieta Biskupska, Mario Stefano Pietrodarchi, Capella Bydgostiensis, Kinga Litowska | G Major | 1 | 9B | 112 BPM | ||
| Viens, mon bien-aimé | Cécile Chaminade, Sivan Goldman, Shira Shaked | G Major | 1 | 9B | 168 BPM | ||
| Petite messe solennelle: Credo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | B Major | 1 | 1B | 135 BPM | ||
| Sleep | Marshall McGuire, Ivor Gurney, Jane Edwards | D♭ Major | 0 | 3B | 120 BPM | ||
| Berlioz: Les nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b | Hector Berlioz, Véronique Gens, Louis Langrée, Orchestre De L'Opéra National De Lyon | A Major | 1 | 11B | 134 BPM | ||
| Zingarelli: Salve Regina: V. O clemens, o pia | Niccolò Antonio Zingarelli, Bruno de Sá, Jarosław Thiel, Wrocław Baroque Orchestra, NFM Choir | B♭ Major | 1 | 6B | 120 BPM | ||
| Mendelssohn: Elias, Op. 70, MWV A25, Pt. 2: No. 28, Terzett. "Hebe deine Augen auf zu den Bergen" | Felix Mendelssohn, Kurt Masur, Andrea Pitt, Christiane Schwarz, Dorothea Schmidt, Israel Philharmonic Orchestra | D Major | 2 | 10B | 120 BPM | ||
| Je t'aime ! | Isabelle Aboulker, Julie Roset, Susan Manoff | G Minor | 1 | 6A | 162 BPM | ||
| Canente: Sombre déesse du silence | Antoine Dauvergne, Véronique Gens, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | G Minor | 1 | 6A | 162 BPM | ||
| Desdemona | Hans Sommer, Constance Heller, Gerold Huber | B♭ Minor | 1 | 3A | 130 BPM | ||
| Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
| Oh pourquoi donc, S. 301a | Franz Liszt, Katharina Konradi, Daniel Heide | E Major | 0 | 12B | 67 BPM |