"4 Characteristic Waltzes, Op. 22: No. 2 Valse Rustique" by Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper had its release date on July 25, 1995. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 18 in Coleridge-Taylor: Hiawatha Overture / Petite Suite by Samuel Coleridge-Taylor. In terms of popularity, 4 Characteristic Waltzes, Op. 22: No. 2 Valse Rustique is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 Characteristic Waltzes, Op. 22: No. 2 Valse Rustique by Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adoration | Florence Beatrice Price, Randall Goosby, Zhu Wang | D Major | 1 | 10B | 75 BPM | ||
| Fantasia on Greensleeves | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 89 BPM | ||
| Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo con grazia - Radio Edit | Clara Schumann, Alexandra Dariescu, Philharmonia Orchestra, Tianyi Lu | A♭ Major | 0 | 4B | 175 BPM | ||
| Preludes, Op. 31: No. 15 Dans le genre gothique | Charles-Valentin Alkan, Mao Fujita | G Major | 1 | 9B | 82 BPM | ||
| Three Visions: II. Summerland | William Grant Still, Jeneba Kanneh-Mason | A♭ Minor | 2 | 1A | 112 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: IIe. Var. 4. Allegretto – Tempo I. Andante | Alexander Scriabin, Julius Asal, Danish National Symphony Orchestra, Fabio Luisi | B Major | 0 | 1B | 138 BPM | ||
| Brahms: 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major | Johannes Brahms, Martin James Bartlett | B♭ Major | 1 | 6B | 129 BPM | ||
| Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 175 BPM | ||
| Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 3, Silk Hat and Walking Cane | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | F Major | 1 | 7B | 140 BPM | ||
| A Downland Suite: II. Elegy | John Ireland, Sinfonia Of London, John Wilson | E♭ Major | 0 | 5B | 57 BPM | ||
| By the Still Waters, Op. 114 | Amy Beach, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 76 BPM | ||
| The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
| Three Jamaican Dances: No. 2 | Oswald Russell, William Chapman Nyaho | E Major | 0 | 12B | 117 BPM | ||
| Pavane pour une infante défunte, M. 19 | Maurice Ravel, Seong-Jin Cho | E Minor | 0 | 9A | 66 BPM | ||
| Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
| Rusalka, Op. 114, Act I: Song to the Moon | Antonín Dvořák, Pablo Ferrandez, Martin Fröst, Swedish Chamber Orchestra | D Minor | 1 | 7A | 109 BPM | ||
| Ma mère l'oye, M. 62: Apothéose. Le jardin féerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 62 BPM | ||
| Prélude, Fugue et Variation, Op. 18: I. Prélude. Andantino | César Franck, Mao Fujita | A Major | 3 | 11B | 80 BPM | ||
| Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
| Sospiri, Op. 70 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 177 BPM | ||
| Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 148 BPM | ||
| Tra Bo Dau (Arr. Huws for Harp) | Alis Huws | E♭ Major | 0 | 5B | 78 BPM | ||
| Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | E♭ Major | 0 | 5B | 128 BPM | ||
| Irish Tune from County Derry (Arr. Siloti) | Percy Grainger, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
| Valse lente | Germaine Tailleferre, Dario Müller | G Major | 0 | 9B | 66 BPM |