Arthur Sharpe's 'Colours Theme' had a release date set for April 4, 2016. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 8 in Flowers (Original Soundtrack) by Arthur Sharpe. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Colours Theme's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Colours Theme by Arthur Sharpe is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| girando | Asmr para tus Sueños | C Minor | 2 | 5A | 120 BPM | ||
| The Stygian | Arthur Sharpe | F Major | 4 | 7B | 116 BPM | ||
| Wolf Hall | Debbie Wiseman | G Major | 2 | 9B | 105 BPM | ||
| The Beginning | Arthur Sharpe | F Major | 2 | 7B | 72 BPM | ||
| False Hope | Isabella Summers | C Major | 2 | 8B | 69 BPM | ||
| It Wasn't Always Like This | Hoshiko Yamane, Library Tapes | A Minor | 1 | 8A | 78 BPM | ||
| Window To The World | Warren Ellis | G Major | 3 | 9B | 78 BPM | ||
| The Magic Place | Julianna Barwick | E♭ Major | 2 | 5B | 61 BPM | ||
| Entirely Beloved | Debbie Wiseman | E Minor | 2 | 9A | 105 BPM | ||
| Overture | Emilie Levienaise-Farrouch | B Minor | 2 | 10A | 89 BPM | ||
| Splitscreen - A Love Story | Lennert Busch | A Minor | 0 | 8A | 140 BPM | ||
| Lavender Oil | Nicholas Britell | G Major | 0 | 9B | 71 BPM | ||
| Memories (Someone We'll Never Know) | Clint Mansell | A Minor | 0 | 8A | 73 BPM | ||
| The Wider Sun | Jon Hopkins | E♭ Major | 2 | 5B | 87 BPM | ||
| Colours Theme | Arthur Sharpe | F Major | 0 | 7B | 134 BPM | ||
| Haar over Hamnavoe - Bill Ryder-Jones Rework | Erland Cooper, Bill Ryder-Jones | A♭ Major | 1 | 4B | 165 BPM | ||
| A Friend | Joel P West | E♭ Minor | 1 | 2A | 75 BPM | ||
| Emer's Dream (Aisling Eimear) | Colm Mac Con Iomaire | D Major | 2 | 10B | 139 BPM | ||
| Asleep on a Train - Piano | Radical Face | D Major | 3 | 10B | 95 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| Loneliness #3 (Night Talking) | Arcade Fire, Owen Pallett | F♯ Minor | 0 | 11A | 76 BPM | ||
| Wain's World | Arthur Sharpe | E Major | 0 | 12B | 130 BPM | ||
| Plan & Elevation: V. The Beech Tree | Caroline Shaw, Attacca Quartet | G Major | 2 | 9B | 117 BPM | ||
| Negative Capability (feat. Abbie Cornish & Ben Whishaw) | Mark Bradshaw, Abbie Cornish, Ben Whishaw | G Major | 2 | 9B | 70 BPM | ||
| I Felt Guilty | Ólafur Arnalds | F♯ Minor | 0 | 11A | 68 BPM |