Alain Lefèvre's ' "Lefèvre: Mati, Pt. 2" was released on its scheduled release date, February 19, 2021. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Opus 7: Préludes". In this album, this song's track order is #13. In terms of popularity, Lefèvre: Mati, Pt. 2 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Lefèvre: Mati, Pt. 2 by Alain Lefèvre having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gluck / Arr. Kreisler: Mélodie (From Orfeo ed Euricide, Wq. 30) | Christoph Willibald Gluck, Vilde Frang | D Minor | 0 | 7A | 164 BPM | ||
| Mahler Adagietto Variation (From Symphony No. 5 in C-Sharp Minor, Arr. for Violin and Piano by Jan-Peter Klöpfel) | Gustav Mahler, Gabriele Bagnati, Esther Abrami | F Major | 2 | 7B | 82 BPM | ||
| 3 Compositions for Violin and Piano, Op. 40: No. 1, La Captive | Amy Beach, Alessandro Clerici, Elena Brunello | A Minor | 0 | 8A | 79 BPM | ||
| 11 Chorale Preludes, Op. 122: No. 10, Herzlich tut mich verlangen II (Arr. Mandyczewski for Piano 4 Hands) | Johannes Brahms, Lucas Jussen, Arthur Jussen | A Major | 0 | 11B | 106 BPM | ||
| Piano Sonata in A Major, D. 664: II. Andante | Franz Schubert, Martin Helmchen | D Major | 0 | 10B | 69 BPM | ||
| L'elisir d'amore / Act II: "Una furtiva lagrima" (Adapt. for Cello and Orchestra) | Gaetano Donizetti, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B♭ Minor | 1 | 3A | 169 BPM | ||
| Massenet: 10 Pièces de genre, Op. 10: No. 5, Mélodie "Élégie" | Jules Massenet, Shani Diluka | F Major | 2 | 7B | 123 BPM | ||
| Cello Sonata in D Major, Op. 17: II. Andante tranquillo | Luise Adolpha Le Beau, Raphaela Gromes, Julian Riem | C Major | 1 | 8B | 69 BPM | ||
| Étude No. 3: Ballade | Marie Awadis | D♭ Major | 0 | 3B | 127 BPM | ||
| Valse mélancolique | Vladimir Rebikov, Gabriele Bagnati | F Major | 0 | 7B | 173 BPM | ||
| Bach, JS: Cello Suite No. 6 in D Major, BWV 1012: IV. Sarabande (Arr. Thomas for Cello & String Orchestra) | Abel Selaocoe, Manchester Collective | D Major | 1 | 10B | 80 BPM | ||
| Requiem, Op. 48: VII. In Paradisum (Arr. for Piano by Émile Naoumoff) | Gabriel Fauré, Lucas Debargue | C Major | 3 | 8B | 84 BPM | ||
| Larghetto | Victoria Yagling, Raphaela Gromes, Julian Riem | A Minor | 1 | 8A | 69 BPM | ||
| Hier encore (Arr. for Cello and Orchestra by Mathieu Herzog) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | D Minor | 1 | 7A | 100 BPM | ||
| Mademoiselle de Paris (Arr. Goss for Guitar & String Ensemble) | Paul Durand, Alexandra Whittingham, Carducci String Quartet, Thea Sayer | D Major | 3 | 10B | 180 BPM | ||
| 3 Songs, Op. 7: No. 1 "Après un rêve" (Arr. for Piano by Lucas Debargue) | Gabriel Fauré, Lucas Debargue | F Minor | 0 | 4A | 95 BPM | ||
| Monteverdi: Sì dolce è'l tormento, SV 332 (Arr. Diluka for Piano) | Claudio Monteverdi, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| 3 Romances, Op. 22: 1. Andante molto | Clara Schumann, Elena Urioste, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 168 BPM | ||
| The Seasons, Op. 37a: VI. June. Barcarolle - Edit | Pyotr Ilyich Tchaikovsky, Bruce Liu | G Minor | 0 | 6A | 133 BPM | ||
| Intermezzos, Op. 117: No. 1 in E-Flat Major. Andante moderato | Johannes Brahms, Stephen Hough | B♭ Minor | 0 | 3A | 76 BPM | ||
| Soir et matin, Op. 76: I. Soir | Mel Bonis, Neave Trio | E Minor | 0 | 9A | 63 BPM | ||
| Losing a Puppy | Jean-Michel Bernard | D Minor | 1 | 7A | 138 BPM | ||
| D Flat Major Nocturne | Rosey Chan | D♭ Major | 1 | 3B | 95 BPM | ||
| Richter: Written on the Sky | Dalal | D♭ Major | 0 | 3B | 73 BPM | ||
| Rusalka, Op. 114, Act I: Song to the Moon | Antonín Dvořák, Pablo Ferrandez, Martin Fröst, Swedish Chamber Orchestra | D Minor | 1 | 7A | 109 BPM |