- BPM
- 79
- Key
- A Minor
- Camelot
- 8A
3 Compositions for Violin and Piano, Op. 40: No. 1, La Captive by Amy Beach, Alessandro Clerici, Elena Brunello Song Details
"3 Compositions for Violin and Piano, Op. 40: No. 1, La Captive" by Amy Beach, Alessandro Clerici, Elena Brunello had its release date on December 13, 2024. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Beach: 3 Compositions for Violin and Piano, Op. 40: No. 1, La Captive and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. 3 Compositions for Violin and Piano, Op. 40: No. 1, La Captive is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of 3 Compositions for Violin and Piano, Op. 40: No. 1, La Captive by Amy Beach, Alessandro Clerici, Elena Brunello is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 25%
- Loudness
- -30.75 dB
- Acousticness
- 99%
- Danceability
- 8%
- Energy
- 2%
- Instrumentalness
- 97%
- Liveness
- 8%
- Loudness
- 49%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Orgelbüchlein, BWV 599-644: Alle Menschen müssen sterben, BWV 643 (Arr. Thomas for Piano Trio) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | G Major | 0 | 9B | 128 BPM | |
 | Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | F Minor | 1 | 4A | 108 BPM | |
 | Samson et Dalila Op. 47, Act II, Scene III: “Mon coeur s’ouvre à ta voix” | Philippe Quint, Lily Maisky | G Major | 1 | 9B | 110 BPM | |
 | Paradis: Sicilienne 파라디스 시실리안느 | 김준영 | E♭ Major | 0 | 5B | 137 BPM | |
 | 3 Songs, Op. 7, No. 1. Après un rêve: 3 Songs, Op. 7: No. 1, Après un rêve (Arr. For cello and piano) | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | A♭ Major | 1 | 4B | 91 BPM | |
 | Wiegenlied, AV 41 | Richard Strauss, James Ehnes, Andrew Armstrong | D Major | 1 | 10B | 88 BPM | |
 | 24 Preludes, Op. 11: No. 11 in B Major - Allegro assai | Alexander Scriabin, Jeneba Kanneh-Mason | B Major | 0 | 1B | 61 BPM | |
 | Falla / Arr. Llobet & Pujol: 7 Canciones populares españolas: No. 5, Nana | Thibaut García, Edgar Moreau | A Minor | 0 | 8A | 50 BPM | |
 | String Quartet in F Major, 2nd Movement | Maurice Ravel, vision string quartet | F Minor | 1 | 4A | 108 BPM | |
 | Three Compositions, Op. 40: II. Berceuse | Amy Beach, Elena Urioste, Tom Poster | G Major | 1 | 9B | 174 BPM | |
 | Romance, Op. 23: Violin Romance, Op. 23 | Amy Beach, Rachel Barton Pine, Matthew Hagle | A Major | 1 | 11B | 87 BPM | |
 | Canto della Buranella (From "Il Casanova di Federico Fellini") | Nino Rota, Anastasia Kobekina | F♯ Major | 2 | 2B | 142 BPM | |
 | Langsamer Satz | Anton Webern, Leonkoro Quartet | F Minor | 1 | 4A | 108 BPM | |
 | Concerto for Violin and Orchestra (To the memory of my mother): I. Lento, ma non troppo | Ina Boyle, Esther Abrami, Vienna Radio Symphony Orchestra, Irene Delgado-Jiménez | A Minor | 2 | 8A | 80 BPM | |
 | Lloyd Webber: The Gardens at Eastwell "A Late Summer Impression" (Arr. Soudoplatoff for Violin and Strings) | William Lloyd Webber, Vilde Frang, Robin Ticciati, Deutsches Symphonie-Orchester Berlin | E Minor | 1 | 9A | 99 BPM | |
 | Bal masque, Op. 22 | Amy Beach, Moravian Philharmonic Orchestra, Hector Valdivia | G Major | 2 | 9B | 175 BPM | |
 | Waldszenen, Op. 82: No. 9, Abschied (Transcr. Soltani for Cello and Piano) | Robert Schumann, Kian Soltani, Julien Quentin | E♭ Minor | 2 | 2A | 81 BPM | |
 | “Imitazione delle Campane” | Johann Paul Von Westhoff, Lina Tur Bonet, Jadran Duncumb | A Major | 1 | 11B | 163 BPM | |
 | Du bist wie eine Blume (From Myrthen Op. 25, Arr. For Cello and Piano by Simon Velthuis) | Robert Schumann, Simon Velthuis | A♭ Major | 0 | 4B | 94 BPM | |
 | From Jewish Life: I. Prayer (Arr. for Cello & Orchestra) | Ernest Bloch, Harriet Krijgh, Gustavo Gimeno, Deutsche Staatsphilharmonie Rheinland-Pfalz | F Minor | 1 | 4A | 91 BPM | |
 | Melody, Op. 21, No. 9 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | B♭ Major | 1 | 6B | 79 BPM | |
 | Bach, JS: Matthäus-Passion, BWV 244: Arie. "Erbarme dich" (Instrumental Version) | Johann Sebastian Bach, Lucienne Renaudin Vary, Deborah Nemtanu, Sascha Goetzel, Orchestre de chambre de Paris | B Minor | 1 | 10A | 105 BPM | |
 | A Dark Waltz | Michael Berkeley, Hyeyoon Park, Benjamin Grosvenor | G Minor | 1 | 6A | 98 BPM | |
 | Tissue No. 6 | Philip Glass, Camille Thomas, Julien Brocal | C Major | 0 | 8B | 85 BPM | |
 | Zwei Stimmungen, Op. 32: No. 1 in D Minor (Arr. B. A. Smith for Cello & Piano) | Joseph Achron, Brinton Averil Smith, Evelyn Chen | D Minor | 1 | 7A | 86 BPM |
- ISRC
- ITD542401847
- Label
- L-M Records/RCA Records