Sam Mitchell's ' "Let Me Play It First Before I Aloha" was released on its scheduled release date, January 1, 1991. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "The Art Of Bottleneck/Slide Guitar". In this album, this song's track order is #12. In terms of popularity, Let Me Play It First Before I Aloha is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Let Me Play It First Before I Aloha by Sam Mitchell having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Strange Pleasure (Modern Backporch Duende) | Jimmie Vaughan | F Major | 2 | 7B | 117 BPM | ||
| Blake's Breakdown | Stefan Grossman | A Major | 2 | 11B | 109 BPM | ||
| Easy Go | Otis Rush | D Minor | 5 | 7A | 146 BPM | ||
| Rain On My Mind | Joe Louis Walker | D Major | 5 | 10B | 99 BPM | ||
| Sweet Magnolia Rain | The EvenTunes | A Major | 3 | 11B | 94 BPM | ||
| Bright Light Big City | Luther Johnson | D Major | 5 | 10B | 110 BPM | ||
| Blues de Santa Fe | Don Vilanova Botafogo, Pappo | G Minor | 1 | 6A | 182 BPM | ||
| Kodak | Sheib | F♯ Minor | 1 | 11A | 94 BPM | ||
| Death Row | Mike Zito | D Major | 6 | 10B | 141 BPM | ||
| My Baby's Gone | Robert Belfour | D♭ Major | 5 | 3B | 159 BPM | ||
| Guitar Rag | Sylvester Weaver | G Minor | 3 | 6A | 170 BPM | ||
| Part Time Love | Sam Mitchell | D Major | 7 | 10B | 140 BPM | ||
| Stop That Train, Conductor | Carey Bell | C Major | 3 | 8B | 110 BPM | ||
| So Different Blues | Mance Lipscomb | F Minor | 3 | 4A | 79 BPM | ||
| Katie May | Arthur "Big Boy" Crudup | B♭ Major | 1 | 6B | 89 BPM | ||
| Mose’s Blues | Eddie Pennington | D Major | 2 | 10B | 135 BPM | ||
| Talk to Your Daughter | J.B. Lenoir | G Major | 6 | 9B | 126 BPM | ||
| Big Boss Man | Satan & Adam | G Major | 9 | 9B | 97 BPM | ||
| Too Wet to Plow | Johnny Shines | F Major | 3 | 7B | 184 BPM | ||
| Dark Was The Night, Cold Was The Ground | Sam Mitchell | E Major | 0 | 12B | 72 BPM | ||
| Ntohin' Left To Stimulate | The Kilborn Alley Blues Band | E Major | 6 | 12B | 100 BPM | ||
| Don´t Go No Further | Hoochie Coochie Blues Band | B Minor | 7 | 10A | 135 BPM | ||
| Hey, Hey | Big Walter Horton's Blues Harp Band | B Minor | 4 | 10A | 68 BPM | ||
| I'll Be Home On Tuesday - Take 1 | Hubert Sumlin | C Major | 6 | 8B | 134 BPM | ||
| I Got The Blues | Larry Johnson, Nat Riddles | B Major | 5 | 1B | 82 BPM |