"Piano Sonata No. 3: III. Scherzando" by Ned Rorem, Thomas Lanners had its release date on October 5, 2010. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Rorem: The Three Piano Sonatas". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Piano Sonata No. 3: III. Scherzando is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Sonata No. 3: III. Scherzando by Ned Rorem, Thomas Lanners having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3 Romances sans paroles (from Six Romances sans paroles, Op. 76): No. 3, Idylle. Allegro moderato | Cécile Chaminade, Eric Parkin | E Minor | 0 | 9A | 123 BPM | ||
| Neon Waves | Lumi Risto | D Major | 1 | 10B | 130 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Caprice & Elegy, RT VII/8 (Version for Cello & Piano): No. 1, Caprice | Frederick Delius, Gerald Peregrine, Antony Ingham | C Major | 0 | 8B | 125 BPM | ||
| A Mother's prayer | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Kristin Mulders, Thomas Berg-Juul | F♯ Minor | 0 | 11A | 71 BPM | ||
| Janáček: In the Mists: I. Andante | Leoš Janáček, Leif Ove Andsnes | D♭ Minor | 0 | 12A | 137 BPM | ||
| Le roi d'Ys, Act III: Vainement, ma bien-aimiee, "Aubade" (arr. J. Szigeti for violin) | Joseph Szigeti, Édouard Lalo, Livia Sohn, Benjamin Loeb | D Major | 0 | 10B | 82 BPM | ||
| Improvisations on Themes of Clara Schumann | Stewart Goodyear, Alexander Shelley, Canada's National Arts Centre Orchestra | E Minor | 1 | 9A | 106 BPM | ||
| To the Willow Tree | Ned Rorem | A Minor | 2 | 8A | 69 BPM | ||
| Concierto para Piano y Orquesta No. 2, "de los Lienzos Olvidados": II. Anegados de Luz en Giverny - Live | Ramón Paus, Eduardo Fernandez, Orquesta de Extremadura, Iván López Reynoso | B♭ Minor | 1 | 3A | 85 BPM | ||
| Love | Ned Rorem, Thomas Lodge, Aaron Parks, Almaz Yebio | F Major | 1 | 7B | 134 BPM | ||
| Phantasy Quintet: IV. Burlesca: Allegro moderato | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | A Major | 1 | 11B | 70 BPM | ||
| Autumn Gardens: II. Tranquillo | Einojuhani Rautavaara, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Major | 0 | 8B | 78 BPM | ||
| Emily — No Prisoner Be: No. 10, I reason, Earth is short | Kevin Puts, Time For Three, Joyce DiDonato | D♭ Major | 1 | 3B | 134 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | D♭ Major | 1 | 3B | 134 BPM | ||
| Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Nacht (2) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | F♯ Minor | 3 | 11A | 129 BPM | ||
| Our Town, Act I: Opening | Ned Rorem, Matthew DiBattista, Gil Rose | D Minor | 2 | 7A | 85 BPM | ||
| Come to Me in My Dreams, H. 71 - Musical Moments | Frank Bridge, Theodore Platt, Keval Shah | D♭ Major | 1 | 3B | 134 BPM | ||
| Our Town, Act III: "Seen Enough?" | Ned Rorem, Matthew DiBattista, Margot Rood, Gil Rose | A Minor | 2 | 8A | 87 BPM | ||
| Piano Quartet No. 2 in G Minor, Op. 45: III. Adagio non troppo | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
| Suite, Op. 157b: II. Divertissement | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | F♯ Major | 0 | 2B | 82 BPM | ||
| Trois pièces pour violoncelle et piano: No. 2, Sans vitesse et à l'aise | Nadia Boulanger, Lidy Blijdorp, Tobias Borsboom | D♭ Major | 1 | 3B | 134 BPM | ||
| Clarinet Sonata No. 1 in F Minor, Op. 120: II. Andante un poco adagio (Arr. L. Berio for Clarinet & Orchestra) | Thomas Selle, Veronika Winter, Stephanie Petitlaurent, Simone Eckert, Ulrich Wedemeier, Michael Fuerst | A♭ Major | 0 | 4B | 111 BPM | ||
| Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | D♭ Major | 1 | 3B | 134 BPM |