Cipriano de Rore, Cappella Mediterranea, Leonardo García-Alarcón's 'Ancor che col partire' had a release date set for March 23, 2015. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Ancor che col partire's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 19 in Cipriano de Rore: Ancor che col partire by L'Achéron, Cappella Mediterranea, Vox Luminis, Doulce Mémoire. Ancor che col partire is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ancor che col partire by Cipriano de Rore, Cappella Mediterranea, Leonardo García-Alarcón is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Il desiderio: No. 3, Morir non può il mio cuore | Maddalena Casulana, Singer Pur | E♭ Major | 1 | 5B | 139 BPM | ||
| S'io sedo a l'ombra, Amor | Marchetto Cara, Carolyn Sampson, Robert Meunier | C Major | 0 | 8B | 50 BPM | ||
| La bella netta ignuda e bianca mano - harpsichord | Cipriano de Rore, Elam Rotem | D♭ Minor | 1 | 12A | 105 BPM | ||
| Belle qui tiens ma vie | Thoinot Arbeau, Matthias Gerchen, Katharina Bauml, Capella De La Torre | F Major | 1 | 7B | 92 BPM | ||
| Justorum animae | Orlande de Lassus, The Monteverdi Choir, John Eliot Gardiner | A Major | 1 | 11B | 80 BPM | ||
| Sinfonia | Biagio Marini, Odhecaton, Paolo da Col | A Minor | 1 | 8A | 115 BPM | ||
| Ave Maria a 6 voci | Francesco Usper, The Marian Consort, The Illyria Consort, Rory McCleery, Bojan Čičić | F♯ Major | 2 | 2B | 86 BPM | ||
| Veu que du tout (Ps. 11) | Paschal de l'Estocart, Dominique Visse, Ensemble Clément Janequin | D♭ Minor | 2 | 12A | 115 BPM | ||
| Miserere: II. Tibi soli peccavi | Gregorio Allegri, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 84 BPM | ||
| L'Orfeo, SV 318, Act 2: No. 8, Ritornelli - Vi ricorda, o bosch’ombrosi | Claudio Monteverdi, Valerio Contaldo, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Major | 5 | 5B | 82 BPM | ||
| A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
| Dowland: First Book of Songs or Ayres: No. 9, Go Crystal Tears | John Dowland, Thomas Dunford, Lea Desandre, Jupiter, Alex Rosen, Jess Dandy, Laurence Kilsby | F♯ Major | 1 | 2B | 77 BPM | ||
| A Belén Me Llego, Tío | Gaspar Fernandez, Chœur De Chambre De Namur, Cappella Mediterranea, Clematis, Leonardo García-Alarcón | G Minor | 2 | 6A | 141 BPM | ||
| Alla caccia: Alla caccia | Giovanni Girolamo Kapsberger, Les Kapsber'girls, Alice Duport-Percier, Axelle Verner | E Major | 0 | 12B | 107 BPM | ||
| O Rex gloriae, a 8 | Sebastián de Vivanco, Capilla Flamenca, Oltremontano, Dirk Snellings | E Minor | 2 | 9A | 93 BPM | ||
| V. 1539 Muerte de la Esposa de Carlos V: "Mille Regretz" (Chanson) | Josquin des Prez, Pascal Bertin, Josep Hernández, Lambert Climent, Daniele Carnovich | A Minor | 0 | 8A | 75 BPM | ||
| In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
| Messe vidi turbam magnam: No. 6, Sanctus | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 172 BPM | ||
| Nabucco: Vola la Fama e con alate piume | Michelangelo Falvetti, Cappella Mediterranea, Leonardo García-Alarcón, Chœur De Chambre De Namur, Alejandro Meerapfel | C Major | 3 | 8B | 105 BPM | ||
| Lasciatemi | Francesca Caccini, Shannon Mercer, Luc Beauséjour, Sylvain Bergeron, Amanda Keesmaat | D Minor | 0 | 7A | 54 BPM | ||
| Palestrina: Missa Papae Marcelli - 4a. Sanctus | The Tallis Scholars, Peter Phillips | F♯ Major | 1 | 2B | 86 BPM | ||
| Vespro della Beata Vergine, SV 206: XIIIj. Magnificat "Sicut locutus est" | Claudio Monteverdi, Philippe Herreweghe, Alexander Schneider, Bart Uvyn, Collegium Vocale Gent | B♭ Minor | 1 | 3A | 82 BPM | ||
| Agimus tibi gratias | Cipriano de Rore, The Brabant Ensemble, Stephen Rice | B♭ Minor | 1 | 3A | 120 BPM | ||
| Parfons regretz, NJE 29.19 | Josquin des Prez, Graindelavoix, Björn Schmelzer | D Minor | 1 | 7A | 136 BPM | ||
| Ah, alas you salt sea gods | Richard Farrant, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 96 BPM |