- BPM
- 136
- Key
- C Major
- Camelot
- 8B
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 9, Adagio by Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks Song Details
"Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 9, Adagio" by Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks had its release date on January 1, 2016. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Peter Kiesewetter, Heinz Rühmann's "Kiesewetter: Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble)" album is number 7 out of 25. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 9, Adagio's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 9, Adagio by Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
Music Key
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -28.405 dB
- Acousticness
- 93%
- Danceability
- 20%
- Energy
- 0%
- Instrumentalness
- 1%
- Liveness
- 11%
- Loudness
- 53%
- Speechiness
- 5%
- Valence
- 3%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Shostakovich: Piano Quintet in G Minor, Op. 57: IV. Intermezzo. Lento | Dmitri Shostakovich, Borodin Quartet, Elisabeth Leonskaja | G Major | 1 | 9B | 90 BPM | |
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 | Reflection No. 2 | Camille Thomas, Julien Brocal | A♭ Major | 1 | 4B | 65 BPM | |
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 | Piano Quintet in G Minor, Op. 34: 1. Allegro | Juliusz Zarebski, Władysław Szpilman, Warsaw Quintet | E♭ Major | 2 | 5B | 90 BPM | |
 | Rachmaninoff: 14 Romances, Op. 34: No. 14, Vocalise (Arr. Parhamovsky for Violin and Ensemble) | Sergei Rachmaninoff, Maxim Vengerov, Vag Papian, Virtuosi, Mikhail Parhamovsky | E Minor | 1 | 9A | 93 BPM | |
| Bartók: Romanian Folk Dances, Sz. 56: No. 4, Horn Dance (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | |
 | Enescu: Octet in C Major, Op. 7: IV. Mouvement de valse bien rythmée | George Enescu, Vilde Frang | F Major | 3 | 7B | 112 BPM | |
 | 2 Pieces for Cello and Piano: I. Langsam | Anton Webern, Thomas Demenga, Thomas Larcher | D Major | 0 | 10B | 94 BPM | |
 | Clarinet Quintet in B Minor, Op. 115: III. Andantino - Presto non assai, ma con sentimento | Johannes Brahms, Martin Fröst, Janine Jansen, Boris Brovtsyn, Maxim Rysanov, Torleif Thedéen | D Major | 2 | 10B | 105 BPM | |
 | Clarinet Quintet in B Minor, Op. 115: Clarinet Quintet in B Minor, Op. 115: IV. Con moto | Johannes Brahms, Jerusalem Quartet, Sharon Kam | D Major | 1 | 10B | 70 BPM | |
 | Violin Sonata, FP 119: Allegro con fuoco | Francis Poulenc, Graf Mourja, Alexandre Tharaud | B♭ Minor | 1 | 3A | 124 BPM | |
 | Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 8, Lamento | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | C Minor | 0 | 5A | 170 BPM | |
 | Nin: 20 Cantos Populares Españoles: No. 6, Granadina, Chant D'Espagne Pour Violoncelle Et Piano (Arr. Kochanski for Cello and Piano) | Joaquin Nin, Paul Tortelier, John Newmark | D Major | 1 | 10B | 84 BPM | |
 | Korngold: Piano Quintet in E Major, Op. 15: II. Adagio. Mit größter Ruhe, stets äußerst gebunden und ausdrucksvoll | Erich Wolfgang Korngold, Alexander Mogilevsky, Alissa Margulis, Lucia Hall, Mark Drobinsky, Nora Romanoff-Schwarzberg | A♭ Major | 1 | 4B | 65 BPM | |
 | Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | |
 | Piano Quartet in E-Flat Major, Op. 47: IV. Finale (Vivace) | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | A Major | 0 | 11B | 88 BPM | |
 | Piano Concerto in F-Sharp Minor, Op. 20: IIIa. Allegro moderato – Molto meno mosso | Alexander Scriabin, Julius Asal, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | |
 | Mendelssohn-Hensel, F: String Quartet in E-Flat Major: III. Romanze | Fanny Mendelssohn, Quatuor Ébène | C Minor | 1 | 5A | 97 BPM | |
 | 12 Études for Piano, Op. 8: XI. Etude in B-Flat Minor (Arr. for Cello and Piano by Gregor Piatigorsky) | Alexander Scriabin, Mischa Maisky, Lily Maisky | F♯ Major | 1 | 2B | 78 BPM | |
 | Piano Trio in G Minor, Op. 17: IV. Allegretto | Clara Schumann, Ragna Schirmer, Iason Keramidis, Benedict Kloeckner | G Minor | 1 | 6A | 86 BPM |
- ISRC
- DEB958411019
- Label
- L-M Records/RCA Records