Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 8, Lamento by Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks Song Details

"Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 8, Lamento" by Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks had its release date on January 1, 2016. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 8, Lamento's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Peter Kiesewetter, Heinz Rühmann's "Kiesewetter: Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble)" album is number 5 out of 25. On top of that, Germany appears to be the country where this track was created. The popularity of Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 8, Lamento is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 8, Lamento by Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.

Music Key

This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -25.132 dB
Acousticness: 96%
Danceability: 26%
Energy: 2%
Instrumentalness: 2%
Liveness: 22%
Loudness: 58%
Speechiness: 5%
Valence: 8%

Recommendations

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Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 2, —	Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks	A Major	1	11B	38 BPM
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Piano Quartet No. 2 in G Minor, Op. 45: III. Adagio non troppo	Gabriel Fauré, Trio Wanderer, Antoine Tamestit	B♭ Major	2	6B	104 BPM
Chopin: Cello Sonata in G Minor, Op. 65: II. Scherzo	Frédéric Chopin, Gautier Capuçon, Yuja Wang	D Major	0	10B	88 BPM
Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso	Henri Vieuxtemps, Alexander Markov, Lawrence Renes, Monte-Carlo Philharmonic Orchestra	B♭ Major	1	6B	98 BPM
Arpeggione Sonata in A Minor, D. 821: II. Adagio	Franz Schubert, Charles Owen, Natalie Clein	G Major	1	9B	58 BPM
Violin Concerto No. 1 in D Major, Op. 19: I. Andantino	Sergei Prokofiev, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä	G Major	2	9B	90 BPM
Piano Trio in G Minor, Op. 17: II. Scherzo. Tempo di Menuetto	Clara Schumann, Nash Ensemble	D Major	0	10B	66 BPM
Piano Concerto in A Minor, Op. 7: I. Allegro maestoso	Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein	A Minor	1	8A	112 BPM
Mendelssohn-Hensel, F: String Quartet in E-Flat Major: III. Romanze	Fanny Mendelssohn, Quatuor Ébène	C Minor	1	5A	97 BPM
Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto	Max Bruch, George Hanson, Sinfonieorchester Wuppertal	E♭ Major	0	5B	87 BPM
Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo, con Grazia	Clara Schumann, Ragna Schirmer, Staatskapelle Halle, Ariane Matiakh	A♭ Major	0	4B	176 BPM
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 7, Canzonetta	Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks	B♭ Major	0	6B	83 BPM
Violin Sonata in E Minor, P. 85: IV. Giga. Vivace assai (After J.S. Bach's BWV 1023)	Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz	E Minor	0	9A	121 BPM
Carmen Fantasy, Op. 25: II. Lento assai	Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine	A Minor	1	8A	82 BPM
Rachmaninoff: 14 Romances, Op. 34, No. 14, Vocalise (Arr. for Cello and Piano)	Sergei Rachmaninoff, Gautier Capuçon, Gabriela Montero	E Minor	0	9A	84 BPM
No. 1, Prélude. Moderato	César Franck, Jean-Pierre Armengaud	B Minor	0	10A	70 BPM
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Gesang No. 8, —	Peter Kiesewetter, Symphonieorchester des Bayerischen Rundfunks, Heinz Rühmann	D♭ Major	2	3B	106 BPM
Sonata for Violin and Piano No. 1 in G Major, Op. 78: I. Vivace ma non troppo	Johannes Brahms, Anne-Sophie Mutter, Lambert Orkis	G Major	5	9B	160 BPM
Quatuor en Fa Majeur, M. 35: I. Allegro moderato	Maurice Ravel, Jerusalem Quartet	F Major	1	7B	92 BPM