- BPM
- 70
- Key
- F Major
- Camelot
- 7B
Choral Prelude on "Heinlein" by Harold Darke, Jonathan Rennert Song Details
"Choral Prelude on "Heinlein"" by Harold Darke, Jonathan Rennert had its release date on September 18, 1991. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Choral Prelude on "Heinlein"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "The Organ Works of Harold Darke". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Choral Prelude on "Heinlein" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Choral Prelude on "Heinlein" by Harold Darke, Jonathan Rennert having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Music Key
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -39.332 dB
- Acousticness
- 69%
- Danceability
- 6%
- Energy
- 0%
- Instrumentalness
- 97%
- Liveness
- 8%
- Loudness
- 34%
- Speechiness
- 4%
- Valence
- 10%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Praise My Soul | The Choir of St. Mary's Episcopal Cathedral | D Major | 1 | 10B | 76 BPM | |
 | Curoo Curoo | Elaine Agnew, Desmond Earley, The Choral Scholars of University College Dublin, Irish Chamber Orchestra | D Minor | 0 | 7A | 114 BPM | |
 | Tantum ergo, WAB 32 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | |
 | Be Merciful unto Me, O God (Psalm 56) | Stanley Alcock, Gloriae Dei Cantores, Elizabeth C. Patterson | B♭ Minor | 1 | 3A | 100 BPM | |
 | Overwhelming | Jared Benjamin, John Wells | E Major | 0 | 12B | 117 BPM | |
 | Sleep (orch. Jim Clements) | Eric Whitacre, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Jack Liebeck, Barnaby Smith | C Minor | 1 | 5A | 78 BPM | |
 | Psalm 48: Great Is The Lord (Turle) | St. Thomas Choir Of Men And Boys, Gerre Hancock | A♭ Major | 1 | 4B | 67 BPM | |
 | All-night Vigil, Op. 44: Svete tihiy | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | D Minor | 1 | 7A | 78 BPM | |
 | Wenn ich ein Glöcklein wär | Cantilon Chamber Choir | D Major | 0 | 10B | 81 BPM | |
 | Duruflé: 4 Motets sur des thèmes grégoriens, Op. 10: No. 1, Ubi caritas et amor | Maurice Duruflé, Winchester Cathedral Choir, David Hill | E♭ Major | 0 | 5B | 55 BPM | |
 | Materna Requiem: 10. In Paradisum: If I Should Go | Rebecca Dale, Kantos Chamber Choir, Clark Rundell | B♭ Major | 1 | 6B | 133 BPM | |
 | They are All Gone into the World of Light | John Tavener, Wells Cathedral Choir, Matthew Owens | C Major | 1 | 8B | 79 BPM | |
 | 3 Chorale Preludes, Op. 20: No. 3, Chorale-Prelude on a Theme by Tallis | Harold Darke, Jonathan Rennert | F Major | 0 | 7B | 70 BPM | |
 | Communion Service in F Major: V. Agnus Dei | Harold Darke, Wakefield Cathedral Choir, Keith Wright, Jonathan Bielby | F Major | 0 | 7B | 138 BPM | |
 | How sweet the name of Jesus sounds (St Peter) | A. R. Reinagle, York Minster Choir, Philip Moore | E♭ Major | 1 | 5B | 83 BPM | |
 | Adieu des bergers | Hector Berlioz, L'offrande lyrique | G Major | 4 | 9B | 83 BPM | |
 | Now Thank We All Our God | Johann Crüger, Gloucester Cathedral Choir, Ian Ball, David Briggs | F Major | 1 | 7B | 81 BPM | |
 | O Gladsome Light | Harold Darke, The Choir of St Michael’s Cornhill, Jonathan Rennert | D♭ Major | 1 | 3B | 95 BPM | |
 | Miserere nostri, Domine: Miserere nostri, Domine | Thomas Tallis, Stile Antico | F Minor | 0 | 4A | 62 BPM | |
 | Stanford: Magnificat In A | Manchester Cathedral Choir, Jeffrey Makinson | A Major | 1 | 11B | 48 BPM | |
 | A Christmas Blessing | Philip Stopford, Truro Cathedral Choir, BBC National Orchestra Of Wales, Christopher Gray | D♭ Major | 1 | 3B | 80 BPM | |
 | Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | |
 | The Hovingham Sketches: No. 1, An Interlude | Harold Darke, Ian Le Grice | D♭ Minor | 0 | 12A | 70 BPM | |
 | Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | |
 | Ave Maria | Rebecca Clarke, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | A Minor | 1 | 8A | 140 BPM |
- ISRC
- GBXUX0837408
- Label
- L-M Records/RCA Records