"プーランク:ピアノとオーボエとバソンのための三重奏曲より 第1楽章" by Francis Poulenc, のだめカンタービレ had its release date on October 17, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in のだめカンタービレ 巴里編, so we believe that "プーランク:ピアノとオーボエとバソンのための三重奏曲より 第1楽章" is a single. In terms of popularity, プーランク:ピアノとオーボエとバソンのための三重奏曲より 第1楽章 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of プーランク:ピアノとオーボエとバソンのための三重奏曲より 第1楽章 by Francis Poulenc, のだめカンタービレ is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
| Arabeske, Op. 18 | Robert Schumann, Tiffany Poon | C Major | 0 | 8B | 104 BPM | ||
| La lisonjera, Op. 50 | Cécile Chaminade, Péter Nagy | D♭ Major | 1 | 3B | 132 BPM | ||
| Les chemins de l'amour, FP. 106 | Francis Poulenc, Mischa Maisky, Daria Hovora | E Major | 1 | 12B | 67 BPM | ||
| Concerto for 2 Pianos and Orchestra in D minor, FP 61: 2. Larghetto | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | G Minor | 1 | 6A | 101 BPM | ||
| Lavender Field | Karen Tanaka, Signe Bakke | G Major | 0 | 9B | 197 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 50: II. Romanza. Andante con moto | Nikolai Medtner, Geoffrey Tozer, Neeme Järvi, London Philharmonic Orchestra | A♭ Major | 2 | 4B | 86 BPM | ||
| Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 96 BPM | ||
| 9 Preludes, Op. 1: No. 7 in C Minor. Moderato | Karol Szymanowski, Krystian Zimerman | D♭ Major | 0 | 3B | 67 BPM | ||
| Piano Quintet in C Minor: II. Scherzo: Allegro non troppo | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Major | 1 | 8B | 115 BPM | ||
| Morpheus | Rebecca Clarke, Philip Dukes, Sophia Rahman | G Minor | 0 | 6A | 93 BPM | ||
| Kinderszenen, Op. 15: XII. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
| Piano Concerto in E, Op. 59: II. Andante | Moritz Moszkowski, Joseph Moog, Nicholas Milton, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern | D♭ Minor | 0 | 12A | 87 BPM | ||
| Piano Sonata In F Minor, P. 16: II. Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Major | 0 | 4B | 132 BPM | ||
| 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Jean-Pierre Armengaud | B Minor | 0 | 10A | 70 BPM | ||
| Fantasie, Op. 28 | Alexander Scriabin, Alexander Melnikov | D Minor | 1 | 7A | 64 BPM | ||
| 4 Lyric Pieces, Op. 74: No. 2 Sanfter Westwind (Gentle West Wind) | Jean Sibelius, Håvard Gimse | F♯ Major | 0 | 2B | 78 BPM | ||
| Nocturne in B Major, Op. 22 | Charles-Valentin Alkan, Pascal Amoyel | B Major | 0 | 1B | 69 BPM | ||
| Hymnus for 12 Cellos, Op. 57 | Julius Klengel, Andreas Brantelid, Ingemar Brantelid, Henrik Dam Thomsen, Øystein Sonstad, Niels Ullner, Emilie Eskær, Jakob La Cour, Louisa Schwab, Morten Zeuthen, Live Johansson, Samira Dayyani, Lea Brøndal | G Major | 1 | 9B | 102 BPM | ||
| Stabat Mater, FP 148: I. Stabat mater dolorosa | Francis Poulenc, Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss | A Minor | 1 | 8A | 135 BPM | ||
| Impresiones intimas: V. Secreto (Secret) | Federico Mompou, Olena Kushpler | D♭ Major | 0 | 3B | 79 BPM | ||
| Forgotten Melodies I, Op. 38: No. 6; Canzona Serenata | Nikolai Medtner, Dmitry Shishkin | B Major | 0 | 1B | 69 BPM | ||
| Chamber Symphony No. 5 in A-Flat Major, Op. 118a: I. Andante | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | D♭ Major | 0 | 3B | 106 BPM | ||
| Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | B Major | 0 | 1B | 111 BPM | ||
| Saint-Saëns: 6 Études, Op. 111: No. 4, Les cloches de Las Palmas | Camille Saint-Saëns, Bertrand Chamayou | D♭ Minor | 1 | 12A | 133 BPM |