George Yanagi's ' "5 TO 0 (FIVE TO MIDNIGHT) - 2025 Remaster" was released on its scheduled release date, March 12, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in ゴールデン☆ベスト 柳ジョージ Warner Works, so we believe that "5 TO 0 (FIVE TO MIDNIGHT) - 2025 Remaster" is a single. In terms of popularity, 5 TO 0 (FIVE TO MIDNIGHT) - 2025 Remaster is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 5 TO 0 (FIVE TO MIDNIGHT) - 2025 Remaster by George Yanagi is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ビューティフル・エネルギー | Kai Band | D Minor | 7 | 7A | 134 BPM | ||
| 次の夢 | Keizo Nakanishi | A♭ Major | 5 | 4B | 94 BPM | ||
| 旅的途上(たびのとじょう) | Eigo Kawashima | C Major | 2 | 8B | 69 BPM | ||
| 朝焼けが消える前に | Seri Ishikawa | F♯ Minor | 5 | 11A | 100 BPM | ||
| 宿無し | Masanori Sera | A Major | 8 | 11B | 140 BPM | ||
| 君にいて欲しい | THE JAYWALK | G Major | 8 | 9B | 110 BPM | ||
| 甘い予感 | Ann Lewis | A Major | 8 | 11B | 108 BPM | ||
| わがまま | Masaki Ueda | F Major | 5 | 7B | 134 BPM | ||
| 雨に泣いてる…… - 日本語ヴァージョン | George Yanagi And Rainywood | D Minor | 6 | 7A | 129 BPM | ||
| 月のあかり | Masahiro Kuwana | G Major | 4 | 9B | 126 BPM | ||
| 逢いたいから | Toko Furuuchi | F♯ Major | 1 | 2B | 79 BPM | ||
| Mother | Akiko Wada | C Minor | 7 | 5A | 106 BPM | ||
| サクセス | Downtown Boogie Woogie Band | E Minor | 9 | 9A | 124 BPM | ||
| 悪戯されて | Keisuke Kuwata | D Major | 7 | 10B | 133 BPM | ||
| 伝わりますか | ASKA | E Major | 5 | 12B | 79 BPM | ||
| DIAMOND MOON - Remastered 2022 | Eikichi Yazawa | F Major | 6 | 7B | 114 BPM | ||
| 砂漠の薔薇 Rose de sable | Billy Ban Ban | G Major | 4 | 9B | 76 BPM | ||
| One More Glass of Red Wine | The Checkers | A Major | 5 | 11B | 84 BPM | ||
| もうひとつの土曜日(single / 1985) | Shogo Hamada | E♭ Major | 1 | 5B | 140 BPM | ||
| 酒と泪と男と女 | Eigo Kawashima | F Major | 2 | 7B | 70 BPM | ||
| 傷心 | Shogo Hamada | C Major | 6 | 8B | 122 BPM | ||
| TIME STOP | Kome Kome Club | B Major | 3 | 1B | 68 BPM | ||
| 海を抱きしめて | Masatoshi Nakamura | C Major | 4 | 8B | 143 BPM | ||
| 逆光線(シングル・オンリー) | Char | F Major | 8 | 7B | 184 BPM | ||
| 酒と泪と男と女('93シングルバージョン) | Eigo Kawashima | A Major | 4 | 11B | 140 BPM |