"Frohsinn Polka" by C. Tischer, WDR Rundfunkorchester Köln, Alfred Walter had its release date on January 1, 2000. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Orchestral Music - Manner, F. / Spohr, L. / Labitzky, J. / Kruttner, T. / Smetana, B. / Hoch, T.". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Frohsinn Polka is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Frohsinn Polka by C. Tischer, WDR Rundfunkorchester Köln, Alfred Walter having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Petit Ballet | London Philharmonic Orchestra | G Major | 1 | 9B | 120 BPM | ||
| Act I, 9 Pas de Cinq: Grand Allegro Duet Variation | Édouard Deldevez, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè | A Major | 2 | 11B | 68 BPM | ||
| Fächerpolonaise - Live | Carl Michael Ziehrer, André Rieu | D Major | 2 | 10B | 129 BPM | ||
| Little Ballet Music: VI. Marche de Kermesse | Richard Flury, Nuremberg Symphony Orchestra, Paul Mann | F Major | 2 | 7B | 110 BPM | ||
| Morgenblätter | Walzer Orchestra | G Major | 3 | 9B | 186 BPM | ||
| Hereinspaziert, op. 518, Walzer | Großes Wiener Rundfunkorchester, Robert Stolz | G Major | 3 | 9B | 68 BPM | ||
| Bullets And Bayonets | Slovak Radio Symphony Orchestra, John Philip Sousa | F Major | 3 | 7B | 128 BPM | ||
| Die Landstreicher: Overture | Carl Michael Ziehrer, WDR Sinfonieorchester Köln, Helmuth Froschauer | E♭ Major | 3 | 5B | 124 BPM | ||
| Morning, Noon and Night in Vienna: Overture | Franz von Suppé, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 139 BPM | ||
| Gaîté Parisienne: Ouverture (d'après La vie parisienne) | Jacques Offenbach, Fabien Gabel, Orchestre Symphonique De Québec | E Major | 2 | 12B | 153 BPM | ||
| Strauss I, J: Radetzky-Marsch, Op. 228 | Johann Strauss I, Nikolaus Harnoncourt, Wiener Philharmoniker | A Major | 4 | 11B | 94 BPM | ||
| Die Csardasfurstin (the Gypsy Princess) [Sung in Hungarian], Act I: Elojatek | Emmerich Kálmán, Kamill Feleki, Hanna Honthy, Erzsebet Hazy, Laszlo Palocz, Robert Ratonyi, Anna Zentay, Gyorgy Korondy, Laszlo Csakanyi, Ferencz Laszlo, Hungarian Radio and Television Chorus, Hungarian Radio And Television Symphony Orchestra, Tamás Bródy | C Minor | 4 | 5A | 149 BPM | ||
| Feuilles Du Matin | Various Artists | C Major | 7 | 8B | 127 BPM | ||
| Aïda Marche triomphale | Arthur Fiedler, Boston Pops Orchestra | D Major | 3 | 10B | 100 BPM | ||
| Kreuzritter-Fanfare | Deutsche Militärkapelle | B Minor | 4 | 10A | 107 BPM | ||
| No. 9 Spanierin: Allegro | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 181 BPM | ||
| Textilaku Marsch | Blasmusik by the Munich Philharmonic Orchestra, Munich Philharmonic Orchestra, Lorin Maazel | D♭ Major | 3 | 3B | 113 BPM | ||
| バレエ組曲「眠りの森の美女」 序奏 | ベルリン フィルハーモニー管弦楽団, ニューフィルハーモニア管弦楽団 | B Minor | 3 | 10A | 64 BPM | ||
| Sinfonía | Francisco Asenjo Barbieri, Filarmónica Beethoven Campo de Criptana, Juan José Fernández Olivares | E Minor | 4 | 9A | 83 BPM | ||
| Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): VI. Az el menes [Marching off] | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 149 BPM | ||
| Einzugsmarsch aus Der Zigeunerbaron | Menskes Chöre | B♭ Major | 6 | 6B | 113 BPM | ||
| Banditenstreiche: Overture | Franz von Suppé, Zubin Mehta, Wiener Philharmoniker | G Major | 3 | 9B | 117 BPM | ||
| Sensations-Nachricht! | C.M. Ziehrer Orchester | D Major | 4 | 10B | 83 BPM | ||
| Die schöne Galathée: Ouvertüre | Franz von Suppé, Lorin Maazel, Wiener Philharmoniker | D Major | 3 | 10B | 91 BPM | ||
| Faire Frou-Frou | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | G Major | 2 | 9B | 175 BPM |