"Fragments from a Woman's Diary: III. Tentative Beginnings" by Ruth Schönthal, Gary Steigerwalt had its release date on January 1, 2003. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 45 in the song's album "Schonthal, R.: Piano Music". In this album, this song's track order is #29. Furthermore, we believe that the track originated from United States. Fragments from a Woman's Diary: III. Tentative Beginnings is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fragments from a Woman's Diary: III. Tentative Beginnings by Ruth Schönthal, Gary Steigerwalt having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | G Major | 0 | 9B | 133 BPM | ||
| Chants sahariens, 5 poèmes touaregs: II La nuit passée | Maurice Jaubert, Felicity Lott, Armin Jordan, Kammersensemble de Paris, Jean-Claude Bouveresse | D♭ Major | 0 | 3B | 82 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Nacht (2) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | F♯ Minor | 3 | 11A | 129 BPM | ||
| Wildunger Liederzyklus Bd. I: Ingrids Lieder: No. 6, Manchmal | Ruth Schönthal, Pia Viola Buchert, Tatjana Dravenau | G Major | 0 | 9B | 133 BPM | ||
| String Quartet No. 5, H. 268: III. Allegro vivo | Bohuslav Martinů, Pavel Haas Quartet | G Minor | 3 | 6A | 143 BPM | ||
| String Quartet No. 6 (2001): IV. | Rudolf Kelterborn, Amaryllis Quartett | G Major | 0 | 9B | 133 BPM | ||
| Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: I. Lento assai - Allegro moderato | Karol Szymanowski, Belcea Quartet | F Major | 2 | 7B | 92 BPM | ||
| Smith: Desert Ecology: V. Cactus-Yucca Scrub | Gabriella Smith, Delirium Musicum, Étienne Gara | B♭ Minor | 1 | 3A | 89 BPM | ||
| Preludes and Fugues for Piano, Op.87: Prelude & Fugue No.1 in C major: Fugue | Dmitri Shostakovich, Vladimir Ashkenazy | A Minor | 0 | 8A | 92 BPM | ||
| Annelies: I. Introit - Prelude (Chamber Version) | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | C Minor | 1 | 5A | 88 BPM | ||
| Seven Songs of Love and Sorrow: No. 5 A Woman's Last Word | Ruth Schönthal, Pia Davila, Linda Leine | B♭ Major | 1 | 6B | 88 BPM | ||
| Concerto for String Orchestra: I. Allegro | Grażyna Bacewicz, Capella Bydgostiensis, Mariusz Smolij | C Major | 2 | 8B | 125 BPM | ||
| Ciudadano Sombra: III. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | D Major | 1 | 10B | 129 BPM | ||
| Symphony No. 1, GMW 11: IIIa. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| Nachklange: III. Sehnsuchtsthema (Nostalgig Theme) | Ruth Schönthal, Gary Steigerwalt | D Major | 0 | 10B | 112 BPM | ||
| Riessler: Bachmachine | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Sonata Santera: III. Bembe | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Transfigured Night, Op. 4 (Version for String Orchestra): Pesante - Grave | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | E Major | 0 | 12B | 73 BPM | ||
| Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | G Major | 0 | 9B | 133 BPM | ||
| Violin Concerto No.2 "The American Four Seasons" - Movement I | Philip Glass, Robert McDuffie, Marin Alsop, London Philharmonic Orchestra | G Minor | 3 | 6A | 120 BPM | ||
| Klavierstück IV | Karlheinz Stockhausen, Miharu Ogura | F Minor | 0 | 4A | 83 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| Viel Lärmen um Nichts, Op. 11, Act III Scene 1: Intermezzo | Erich Wolfgang Korngold, Holst Sinfonietta, Klaus Simon | C Major | 0 | 8B | 96 BPM | ||
| Prelude and Fugue: I. Prelude | Alfred Schnittke, Nicolas Stavy | F♯ Minor | 0 | 11A | 117 BPM |