"Symphony No. 1 in G Minor: II. Andante commodamente" by Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar had its release date on May 17, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar's "Kalinnikov: Symphonies Nos. 1 and 2" album is number 2 out of 8. On top of that, Hong Kong appears to be the country where this track was created. Symphony No. 1 in G Minor: II. Andante commodamente is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 1 in G Minor: II. Andante commodamente by Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nocturne in F-Sharp Minor | Vasily Kalinnikov, Vladimir Leyetchkiss | D Major | 0 | 10B | 115 BPM | ||
| Rachmaninov: Symphonic Dances, Op. 45: I. Non allegro | Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
| Suite No. 1, Op. 13: III. Nocturne | New Zealand Symphony Orchestra, Jules Massenet | A♭ Major | 0 | 4B | 85 BPM | ||
| Elgar: Serenade for Strings, Op. 20: II. Larghetto | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | C Major | 1 | 8B | 72 BPM | ||
| Keyboard Concerto in F Major, Hob. XVIII:6: II. Largo | Joseph Haydn, Antonio Pompa-Baldi, Solomiya Ivakhiv, Slovak National Symphony Orchestra, Theodore Kuchar | C Major | 0 | 8B | 96 BPM | ||
| Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 3, Moonlight | Benjamin Britten, André Previn, London Symphony Orchestra | G Minor | 1 | 6A | 117 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
| IV. Intelude | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Major | 0 | 2B | 62 BPM | ||
| Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, David Zinman | C Major | 0 | 8B | 73 BPM | ||
| Tchaikovsky: Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 1 | 11B | 146 BPM | ||
| Suk: Serenade for Strings in E-Flat Major, Op. 6: IV. Allegro giocoso ma non troppo presto | Josef Suk, Christopher Warren-Green, Andrew Shulman, Lyn Fletcher, Roger Chase, Nigel Warren-Green, London Chamber Orchestra | B♭ Major | 2 | 6B | 106 BPM | ||
| Le tombeau de Couperin, M. 68a: I. Prélude | Maurice Ravel, Chicago Symphony Orchestra, Sir Georg Solti | E Minor | 1 | 9A | 91 BPM | ||
| Grand Canyon Suite: 5. Cloudburst | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | E Major | 3 | 12B | 61 BPM | ||
| Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 7, Nocturne | Felix Mendelssohn, Rotterdam Philharmonic Orchestra, Jeffrey Tate | G Major | 1 | 9B | 96 BPM | ||
| Suite bergamasque, L. 75 (Arr. for Orchestra): I. Prélude | Claude Debussy, フランス国立リヨン管弦楽団, 準・メルクル | F Major | 1 | 7B | 90 BPM | ||
| 交響曲 第 1番 ト短調 2. Andante commodamente | Vasily Kalinnikov, Kazuki Yamada, Czech Philharmonic | B♭ Major | 5 | 6B | 151 BPM | ||
| VI. Galop | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 168 BPM | ||
| Préludes / Book 1, L. 117: La fille aux cheveux de lin (Arr. Koncz) | Claude Debussy, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 72 BPM | ||
| Pictures at an Exhibition: I. Gnomus | Modest Mussorgsky, Ukraine National Symphony Orchestra, Theodore Kuchar | D♭ Minor | 0 | 12A | 80 BPM | ||
| Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
| Le rouet d'Omphale, Op. 31: Le Rouet d'Omphale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | D Major | 0 | 10B | 121 BPM | ||
| Turkish Fragments, Op. 62: I. Caravan | Mikhail Ippolitov-Ivanov, Ukraine National Symphony Orchestra, Arthur Fagen | F Minor | 1 | 4A | 71 BPM | ||
| String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
| Concerto for 2 Pianos and Orchestra in D minor, FP 61: 2. Larghetto | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | G Minor | 1 | 6A | 101 BPM | ||
| Concerto Grosso #1 - 4. Fugue | Howard Hanson | F Major | 0 | 7B | 82 BPM |