- BPM
- 133
- Key
- G Major
- Camelot
- 9B
Concerto Grosso #1 - 4. Fugue by Howard Hanson Song Details
Howard Hanson's ' "Concerto Grosso #1 - 4. Fugue" was released on its scheduled release date, October 3, 2018. This song is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. The song is number 4 out of 9 in Ernest Bloch: Concerto Grosso No. 1 & No. 2 by Howard Hanson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Concerto Grosso #1 - 4. Fugue's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
The tempo marking of Concerto Grosso #1 - 4. Fugue by Howard Hanson is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Music Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -13.482 dB
- Acousticness
- 84%
- Danceability
- 49%
- Energy
- 34%
- Instrumentalness
- 22%
- Liveness
- 8%
- Loudness
- 78%
- Speechiness
- 4%
- Valence
- 63%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Grand Canyon Suite: 3. On the Trail | Ferde Grofé, Eastman-Rochester Orchestra, Howard Hanson | C Major | 3 | 8B | 94 BPM | |
 | L'Arlésienne Suite No. 2, WD 28: 1. Pastorale | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Major | 0 | 11B | 112 BPM | |
 | Suite algérienne, Op. 60: IV. Marche militaire française | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 118 BPM | |
 | Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | |
 | Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | |
 | Light Cavalry: Overture | Franz von Suppé, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 64 BPM | |
 | Piano Concerto in F Major: III. Allegro agitato | George Gershwin, Jon Nakamatsu, Jeff Tyzik, Rochester Philharmonic Orchestra | F Minor | 2 | 4A | 139 BPM | |
 | Symphony No. 2 in D-Flat Major, Op. 30, W 45 "Romantic": II. Andante con tenerezza | Howard Hanson, Cincinnati Pops Orchestra, Erich Kunzel | F Major | 0 | 7B | 65 BPM | |
 | Eine Alpensinfonie: II. Der Anstieg - Eintritt in den Wald | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 80 BPM | |
 | Pageant of P.T. Barnum: 4. Jenny Lind | Douglas Moore, Eastman-Rochester Orchestra, Howard Hanson | E Major | 1 | 12B | 88 BPM | |
 | Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | |
 | Symphony No. 5: I. Trauermarsch. Streng. Wie ein kondukt | Gustav Mahler, SWR Sinfonieorchester des Südwestrundfunks, Michael Gielen | D♭ Minor | 1 | 12A | 74 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | |
 | The Red Poppy: Russian Sailors' Dance | Reinhold Moritzewitsch Glière, Eugene Ormandy, Philadelphia Orchestra | A Minor | 5 | 8A | 88 BPM | |
 | Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | |
 | Peer Gynt Suite No. 1, Op. 46: II. Åse's Death | Edvard Grieg, Wiener Philharmoniker, Zubin Mehta | G Major | 0 | 9B | 99 BPM | |
 | The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | |
 | Walt Whitman Overture, Op. 7, H. 42 | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | |
| The Incredible Flutist - Ballet Suite: 2. Entrance of the Vendors | Walter Piston, Joseph Mariano, The Eastman-Rochester Orchestra, Howard Hanson | A♭ Major | 3 | 4B | 106 BPM | |
 | Concerto for Violin and Cello in A Minor, Op. 102: III. Vivace non troppo | Johannes Brahms, Bernard Haitink, Tim Hugh, Gordan Nikolitch, London Symphony Orchestra | A Major | 1 | 11B | 134 BPM | |
 | The Planets, Op. 32: III. Mercury, the Winged Messenger | Gustav Holst, Radio Sinfonieorchester Stuttgart des SWR, Sir Roger Norrington | F Major | 1 | 7B | 109 BPM | |
 | Merry Mount Suite, Op. 31: IV. Prelude to Act II and Maypole Dances | Howard Hanson, Nashville Symphony Orchestra, Kenneth Schermerhorn | G Major | 1 | 9B | 83 BPM | |
 | Symphony No. 2 in B Minor: IV. Finale | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | D Major | 1 | 10B | 129 BPM | |
 | Three Olympians: No. 1, Apollo | Peter Boyer, London Philharmonic Orchestra | D Major | 2 | 10B | 124 BPM | |
 | Lyric Suite, Op. 54: IV. Troldtog (March of the Dwarfs) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | B♭ Major | 1 | 6B | 118 BPM |
- ISRC
- GBACC1819204
- Label
- L-M Records/RCA Records