Grand Canyon Suite: 3. On the Trail by Ferde Grofé, Eastman-Rochester Orchestra, Howard Hanson Song Details

"Grand Canyon Suite: 3. On the Trail" by Ferde Grofé, Eastman-Rochester Orchestra, Howard Hanson had its release date on January 1, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Georges Miquelle, Eastman-Rochester Orchestra, Howard Hanson's "Grofé: Grand Canyon Suite; Mississippi Suite / Herbert: Cello Concerto No. 2" album is number 3 out of 12. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Grand Canyon Suite: 3. On the Trail is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Grand Canyon Suite: 3. On the Trail by Ferde Grofé, Eastman-Rochester Orchestra, Howard Hanson to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.

Music Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -12.874 dB
Acousticness: 86%
Danceability: 26%
Energy: 25%
Instrumentalness: 88%
Liveness: 14%
Loudness: 79%
Speechiness: 4%
Valence: 17%

Recommendations

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