Frederick Delius, Royal Philharmonic Orchestra, Sir Thomas Beecham's ' "Delius: Brigg Fair "An English Rhapsody": Interlude. Slow and Very Quietly" was released on its scheduled release date, January 1, 1960. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 30 in Delius: Florida Suite, Over the Hills and Far Away & Brigg Fair by Frederick Delius, Sir Thomas Beecham, Royal Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Delius: Brigg Fair "An English Rhapsody": Interlude. Slow and Very Quietly's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Delius: Brigg Fair "An English Rhapsody": Interlude. Slow and Very Quietly by Frederick Delius, Royal Philharmonic Orchestra, Sir Thomas Beecham is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 1, GMW 11: IVb. Sehr gesangvoll | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| Eight Russian Folksongs for Orchestra, Op. 58: VI. Cradle Song (Lullaby). Moderato | Anatoly Lyadov, Alexander Gauk | C Minor | 2 | 5A | 72 BPM | ||
| Realmente Convincente | Sirenas Celestiales | C Minor | 0 | 5A | 80 BPM | ||
| Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 102 BPM | ||
| Vaughan Williams: 3 Preludes Founded on Welsh Hymn Tunes: No. 2, Rhosymedre (Arr. Foster for String Orchestra) | Ralph Vaughan Williams, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
| The Moon | William Lloyd Webber, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM | ||
| Toccata and Passacaglia: I. Toccata | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | G Major | 1 | 9B | 79 BPM | ||
| Badian: Concerto for Piano & Orchestra, Pt. 3 (Live) | Maya Badian, Winnipeg Symphony Orchestra, Peter Tiefenbach | G Minor | 5 | 6A | 74 BPM | ||
| Glazunov: Suite from Raymonda, Op. 57a: XI. Grand pas d'action. Grand adagio | Alexander Glazunov, José Serebrier, Royal Scottish National Orchestra | A Major | 2 | 11B | 90 BPM | ||
| Nebula Lullaby | Astrid Voix | D Major | 1 | 10B | 85 BPM | ||
| Love in Bath (1990 Digital Remaster): Hunting Scene | George Frideric Handel, Ilse Hollweg/Royal Philharmonic Orchestra/Sir Thomas Beecham, Sir Thomas Beecham, Royal Philharmonic Orchestra | G Major | 2 | 9B | 85 BPM | ||
| My Fair Lady, Act I Scene 11: Embassy Waltz | Frederick Loewe, Sinfonia Of London, John Wilson | E♭ Major | 2 | 5B | 96 BPM | ||
| Serenade for Strings: I. Barcarolle | William Lloyd Webber, Richard Hickox, City of London Sinfonia | B Minor | 1 | 10A | 80 BPM | ||
| Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod" | Edward Elgar, Royal Philharmonic Orchestra, Philip Ellis | E♭ Major | 1 | 5B | 112 BPM | ||
| Five Little Pieces (2006 - Remaster): 4. Lullaby for a Modern Baby (Very slow) | Frederick Delius, Bournemouth Sinfonietta/Eric Fenby/Elena Duran, Eric Fenby, Bournemouth Sinfonietta | G Major | 0 | 9B | 79 BPM | ||
| Miniature Dance Suite, Op. 124: Jig | Cecil Armstrong Gibbs, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 1 | 9B | 71 BPM | ||
| Satie: 5 Grimaces pour Le songe d'une nuit d'été: No. 5, Retraite. Pour sortir | Erik Satie, Orchestre Du Capitole De Toulouse, Michel Plasson | F Major | 0 | 7B | 106 BPM | ||
| Kashif: The Queen Symphony: III. Adagio. (Who Wants to Live Forever? - Save Me) [Orch. Kershaw] | Tolga Kashif, Francois Rive, Nicola Loud, Royal Philharmonic Orchestra | E Minor | 1 | 9A | 84 BPM | ||
| Enigma Variations, Op. 36: Var. 9. Adagio "Nimrod" | Edward Elgar, Royal Philharmonic Orchestra, Norman Del Mar | E♭ Major | 1 | 5B | 76 BPM | ||
| Grieg: Peer Gynt, Op. 23, Act 3: No. 12, The Death of Åse | Edvard Grieg, Sir Thomas Beecham, Royal Philharmonic Orchestra | D Major | 4 | 10B | 75 BPM | ||
| The Winter's Tale, Act II Scene 1: Florizel and Perdita's Tryst | Joby Talbot, Orchestra of the Royal Opera House, Covent Garden, Koen Kessels | F♯ Minor | 5 | 11A | 93 BPM | ||
| Peter and the Wolf, Op. 67: III. The Bird | Wiener Opernorchester | A♭ Major | 1 | 4B | 82 BPM | ||
| Militant Beauty | Danke Timi Briggs | B♭ Major | 2 | 6B | 152 BPM | ||
| New World Suite (Reconstructed by A. Walker): IX. Berceuse | Ignatz Waghalter, State Symphony Orchestra "Novaya Rossiya", Alexander Walker | E♭ Major | 1 | 5B | 130 BPM | ||
| Symphony No. 3, "Pastoral Symphony": IV. Lento - Moderato maestoso | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Major | 2 | 9B | 169 BPM |