"Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod"" by Edward Elgar, Royal Philharmonic Orchestra, Philip Ellis had its release date on August 3, 2007. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Royal Philharmonic Orchestra's "Last Night of the Proms" album is number 2 out of 17. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod" is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod" by Edward Elgar, Royal Philharmonic Orchestra, Philip Ellis to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Funeral March | Philharmonic Wind Orchestra, Marc Reift Orchestra | C Major | 0 | 8B | 118 BPM | ||
| Beauty and the Beast - From "Beauty and the Beast" | Lang Lang, Royal Philharmonic Orchestra, Robert Ziegler | B♭ Major | 8 | 6B | 140 BPM | ||
| Rusalka, Op. 114: Song to the Moon (Arranged for Violin & Orchestra by Joshua Bell) | Antonín Dvořák, Joshua Bell, Michael Stern, Orchestra of St. Luke's | F♯ Major | 1 | 2B | 137 BPM | ||
| L'Arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 10 | 4B | 136 BPM | ||
| 633 Squadron | Ron Goodwin, Central Band Of The Royal Air Force | C Major | 5 | 8B | 99 BPM | ||
| Enigma Variations, Op. 36: Var. 9. Adagio "Nimrod" | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
| Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | F Major | 2 | 7B | 81 BPM | ||
| The Banks of Green Willow | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 90 BPM | ||
| Jazz Suite No. 2: III. Dance I | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | A Major | 4 | 11B | 79 BPM | ||
| Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII - Andante cantabile | Sergei Rachmaninoff, Daniel Harding, Wiener Philharmoniker, Igor Levit | D♭ Major | 1 | 3B | 183 BPM | ||
| The Sleeping Beauty, Op. 66: No. 9a Pas d'action. Rose Adagio | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden | B♭ Minor | 1 | 3A | 99 BPM | ||
| Khachaturian: Spartacus: Adagio of Spartacus and Phrygia | Aram Khachaturian, Royal Philharmonic Orchestra, Yuri Temirkanov | F♯ Minor | 1 | 11A | 90 BPM | ||
| Imperial March, Op. 32 | Edward Elgar, BBC Philharmonic, George Hurst | B♭ Major | 3 | 6B | 105 BPM | ||
| The Lark Ascending | Ralph Vaughan Williams, Andrew Davis, BBC Philharmonic, BBC Symphony Orchestra, Tasmin Little | E Minor | 0 | 9A | 80 BPM | ||
| Londonderry Air | Grimethorpe Colliery UK Coal Band | F♯ Major | 0 | 2B | 91 BPM | ||
| Isle Of Beauty: I. David Of The White Rock, II. Oft In The Stilly Night | The Band Of The Irish Guards | F Major | 2 | 7B | 69 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto | Jascha Horenstein, Royal Philharmonic Orchestra, Earl Wild | E Major | 1 | 12B | 54 BPM | ||
| Holst : The Planets Op.32 : IV Jupiter, the Bringer of Jollity | Giacomo Puccini, Gustav Holst, Royal Philharmonic Orchestra, Owain Arwel Hughes | B♭ Major | 1 | 6B | 132 BPM | ||
| Fantasia on a Theme by Thomas Tallis (excerpt) [Master and Commander: The Far Side of the World] | Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd | F Minor | 0 | 4A | 86 BPM | ||
| Má vlast, JB 1:112: II. Vltava "The Moldau" | Bedřich Smetana, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 78 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe | A Major | 0 | 11B | 79 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM | ||
| Barry Lyndon: Sarabande | Royal Philharmonic Orchestra | F Minor | 2 | 4A | 149 BPM |