- BPM
- 105
- Key
- B♭ Major
- Camelot
- 6B
Imperial March, Op. 32 by Edward Elgar, BBC Philharmonic, George Hurst Song Details
Edward Elgar, BBC Philharmonic, George Hurst's 'Imperial March, Op. 32' had a release date set for August 20, 1993. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 5 in Elgar: Symphony No. 1 / Imperial March by Edward Elgar. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Imperial March, Op. 32 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Imperial March, Op. 32 by Edward Elgar, BBC Philharmonic, George Hurst is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 11%
- Loudness
- -18.507 dB
- Acousticness
- 89%
- Danceability
- 25%
- Energy
- 26%
- Instrumentalness
- 90%
- Liveness
- 8%
- Loudness
- 69%
- Speechiness
- 4%
- Valence
- 32%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Overture: Overture | Grażyna Bacewicz, BBC Symphony Orchestra, Sakari Oramo | B Major | 0 | 1B | 112 BPM | |
 | Two Songs Without Words, Op. 22: I. Country Song | Gustav Holst, Richard Hickox, City of London Sinfonia | G Major | 0 | 9B | 82 BPM | |
 | 10 Woodland Sketches, Op. 51: No. 1, To a Wild Rose (Arr. for String Orchestra by Victor Herbert) | Edward MacDowell, BBC Philharmonic, John Wilson | F♯ Minor | 1 | 11A | 79 BPM | |
 | Mors et Vita: Judex | Charles Gounod, Richard Hickox Orchestra, Richard Hickox | C Minor | 1 | 5A | 95 BPM | |
 | St. Paul's Suite, Op. 29 No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 131 BPM | |
 | Concerto Grosso: 2. Burlesca Ostinata | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 138 BPM | |
 | The Dam Busters March | Eric Coates, Central Band Of The Royal Air Force | C Major | 3 | 8B | 135 BPM | |
 | Imperial March, Op. 32 | Edward Elgar, BBC Philharmonic, George Hurst | B♭ Major | 3 | 6B | 105 BPM | |
 | Marche Caprice | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | C Major | 1 | 8B | 124 BPM | |
 | The Tsar's Bride - original version Tsarskaya Nevesta by Lev Mey: Overture | Nikolai Rimsky-Korsakov, Mariinsky Orchestra, Valery Gergiev | C Minor | 2 | 5A | 91 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | D♭ Major | 1 | 3B | 59 BPM | |
 | Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: VII. Romeo at Juliet's Grave | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | C Major | 1 | 8B | 78 BPM | |
 | Fantasia on British Sea Songs (excerpts): VI. See the Conquering Hero | Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | A Major | 0 | 11B | 72 BPM | |
 | Five Variants of "Dives and Lazarus" | Ralph Vaughan Williams, Iona Brown, Kenneth Heath, Skaila Kanga, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 87 BPM | |
 | Lohengrin, WWV 75: Prelude To Act III | Richard Wagner, Wiener Philharmoniker, Karl Böhm | G Major | 3 | 9B | 120 BPM | |
 | Mahler: Symphony No. 10 in F-Sharp Major: III. Purgatorio. Allegro moderato (1972 Cooke Version) | Gustav Mahler, Sir Simon Rattle, Bournemouth Symphony Orchestra | F Minor | 1 | 4A | 179 BPM | |
 | Enigma Variations, Op. 36: Var. 14. Finale. Allegro "E.D.U." | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | G Major | 4 | 9B | 80 BPM | |
 | Lord Peter's Stable-Boy | Percy Grainger, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 78 BPM | |
 | Tchaikovsky: Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 1 | 11B | 146 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ": Maestoso | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 1 | 8B | 49 BPM | |
| 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | E Minor | 0 | 9A | 79 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": Ib. Poco adagio | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 81 BPM | |
 | Scheherazade: Storm at Sea | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | C Major | 4 | 8B | 91 BPM | |
 | Symphony in F Major, Op. 8, H. 47 "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | |
 | VI. Galop | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 168 BPM |
- ISRC
- HKI199306001
- Label
- L-M Records/RCA Records