"Francesca da Rimini / Act 3: No, smaragdi, no!...Benvenuto, signore mio cognato" by Riccardo Zandonai, Magda Olivero, Mario del Monaco, Monte-Carlo Philharmonic Orchestra, Nicola Rescigno had its release date on November 13, 2020. This song is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. This song is part of Zandonai: Francesca da Rimini – Excerpts (Opera Gala – Volume 20) by Riccardo Zandonai, Magda Olivero, Mario del Monaco, Nicola Rescigno. The song's track number on the album is #2 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Francesca da Rimini / Act 3: No, smaragdi, no!...Benvenuto, signore mio cognato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini / Act 3: No, smaragdi, no!...Benvenuto, signore mio cognato by Riccardo Zandonai, Magda Olivero, Mario del Monaco, Monte-Carlo Philharmonic Orchestra, Nicola Rescigno has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini / Act 3: No, smaragdi, no!...Benvenuto, signore mio cognato being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Giménez & Vives: El húsar de la guardia: "Un pobre nido" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | B♭ Major | 1 | 6B | 127 BPM | ||
| I Puritani / Act 3: Suon d'araldi? | Vincenzo Bellini, Luciano Pavarotti, Piero Cappuccilli, Nicolai Ghiaurov, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | D Major | 4 | 10B | 120 BPM | ||
| Francesca da Rimini, Act II: È dolce cosa rivedere la vostra faccia (Live) | Riccardo Zandonai, Magda Olivero, Orchestra Del Teatro Alla Scala, Milano, Mario del Monaco, Gianandrea Gavazzeni | D♭ Minor | 2 | 12A | 176 BPM | ||
| Non ti scordar di me (Orch. G. Chiaramello) | Ernesto de Curtis, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | F Major | 2 | 7B | 85 BPM | ||
| Aida / Act 1: "Vieni, o diletta, appressati" | Giuseppe Verdi, Elena Obraztsova, Katia Ricciarelli, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 0 | 4B | 81 BPM | ||
| Giulietta e Romeo, Act I: Che fu? Le spade in pugno, uomini! (Tebaldo) | Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Renato Capecchi | C Minor | 1 | 5A | 62 BPM | ||
| Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
| Verdi: La forza del destino, Act 1: "Ah! Per sempre, o mio bell'angeli" (Don Alvaro, Donna Leonora, Curra) | Giuseppe Verdi, Riccardo Muti, Francesca Garbi, Mirella Freni, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano | E Major | 1 | 12B | 87 BPM | ||
| Maria Stuarda / Act 1: "Qui si attenda" | Gaetano Donizetti, Bavarian Radio Chorus, Munich Radio Orchestra, Giuseppe Patanè | B♭ Major | 3 | 6B | 127 BPM | ||
| Manon Lescaut / Act 2: In quelle trine morbide | Giacomo Puccini, Mirella Freni, Metropolitan Opera Orchestra, James Levine | D♭ Major | 1 | 3B | 163 BPM | ||
| Un ballo in maschera, Act I: Re dell'abisso – Su, fatemi largo | Giuseppe Verdi, Regina Resnik, Luciano Pavarotti, José van Dam, Mario Alessandrini, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Bruno Bartoletti | D Major | 0 | 10B | 98 BPM | ||
| Gianni Schicchi: "Prima un avvertimento!" | Giacomo Puccini, Leo Nucci, Ewa Podles, Roberto Alagna, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | G Major | 1 | 9B | 151 BPM | ||
| Meyerbeer: Les Huguenots, Acte 1: L'orgie. "Bonheur de la table" (Chœur) | Giacomo Meyerbeer, Cyril Diederich, Chœurs de l'Opéra de Montpellier, Orchestre Philharmonique De Montpellier | C Major | 5 | 8B | 137 BPM | ||
| Puccini : Tosca : Act 2 "Vissi d'arte" [Tosca] | Giacomo Puccini, Zubin Mehta, Orchestra Sinfonica | E Major | 1 | 12B | 106 BPM | ||
| Aida, Act I: Quale insolita gioia | Giuseppe Verdi, Elena Obraztsova, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 0 | 4B | 81 BPM | ||
| Tosca, Act II: Quanto? Quanto? Il prezzo! | Giacomo Puccini, Mirella Freni, Sherrill Milnes, National Philharmonic Orchestra, Nicola Rescigno | E♭ Minor | 3 | 2A | 85 BPM | ||
| Sadko, Scene 4: Song of the Hindu Merchant (Hindu Merchant) | Nikolai Rimsky-Korsakov, Gennady Rozhdestvensky, Philharmonia Orchestra, Sergej Larin | C Major | 0 | 8B | 81 BPM | ||
| Un ballo in maschera, Act I: S'avanza il conte - La rivedrà nell'estasi - Il cenno mio | Giuseppe Verdi, Edita Gruberova, Plácido Domingo, Giovanni Foiani, Ruggero Raimondi, Renato Bruson, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | ||
| Donizetti: Don Pasquale, Act 1: "Ah! Un foco insolito" (Pasquale) | Gaetano Donizetti, Riccardo Muti, Sesto Bruscantini, Philharmonia Orchestra | C Major | 4 | 8B | 75 BPM | ||
| L'elisir d'amore / Act I: "Una parola, Adina" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 0 | 6B | 114 BPM | ||
| I Puritani / Act 1: Dov'è Arturo? | Vincenzo Bellini, Dame Joan Sutherland, Piero Cappuccilli, Nicolai Ghiaurov, Gian Carlo Luccardi, Renato Cazzaniga, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | F Major | 2 | 7B | 88 BPM | ||
| Francesca da Rimini, Op. 4, Act III: Basta, Paolo! | Riccardo Zandonai, Christina Vasileva, Martin Mühle, Alejandro Lárraga Schleske, Benedicte Tauran, Viktória Mester, Vokalensemble der Hochschule für Musik Freiburg, Levente Molnár, Juan Orozco, Adriano Graziani, Kim-Lillian Strebel, Sally Wilson, Marija J | D♭ Major | 3 | 3B | 83 BPM | ||
| L'elisir d'amore / Act II: Quanto amore! Ed io spietata! | Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 107 BPM | ||
| La Cenerentola: Acto II: "Nacqui All'affanno e al Pianto" - "Non Più Mesta Accanto al Fuoco" | Victoria de los Ángeles | E Major | 2 | 12B | 114 BPM | ||
| Cavalleria rusticana: Part I: Fior di giaggiolo (Lola, Turiddu, Santuzza) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 2 | 9B | 156 BPM |