"Giulietta e Romeo, Act I: Che fu? Le spade in pugno, uomini! (Tebaldo)" by Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Renato Capecchi had its release date on 1955. This song is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. This song is part of Zandonai: Giulietta e Romeo by Riccardo Zandonai, Anna Maria Rovere, Angelo Lo Forese, Angelo Questa. The song's track number on the album is #4 out of 22 tracks. Giulietta e Romeo, Act I: Che fu? Le spade in pugno, uomini! (Tebaldo) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Giulietta e Romeo, Act I: Che fu? Le spade in pugno, uomini! (Tebaldo) by Riccardo Zandonai, Orchestra di Milano della RAI, Angelo Questa, Renato Capecchi has a tempo of 62 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Giulietta e Romeo, Act I: Che fu? Le spade in pugno, uomini! (Tebaldo) being at 62 BPM, the half-time would be 31 BPM with a double-time of 124 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Francesca da Rimini: Giulietta, son io! | Riccardo Zandonai, Mario del Monaco, The New Symphony Orchestra Of London, Alberto Erede | A Minor | 3 | 8A | 81 BPM | ||
| Puccini: Turandot, Act 1: "Notte senza lumicino" (Coro, Calaf, Pong, Pang, Ping, Timur) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Gregory Bonfatti, Jonas Kaufmann, Mattia Olivieri, Michele Pertusi, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia | A Minor | 1 | 8A | 98 BPM | ||
| Don Pasquale, Act I Prima scena: Son nov'ore (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini/Leo Nucci/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 1 | 8B | 111 BPM | ||
| Mozart: Così fan tutte, K. 588, Act 1: Quintetto. "Sento, o Dio, che questo piede" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) | Wolfgang Amadeus Mozart, Karl Böhm, Alfredo Kraus, Christa Ludwig, Elisabeth Schwarzkopf, Giuseppe Taddei, Heinrich Schmidt, Walter Berry, Philharmonia Orchestra | E♭ Major | 1 | 5B | 104 BPM | ||
| Donizetti: Don Pasquale, Act 1: "Pronta io son, purch'io non manchi" (Norina, Malatesta) | Gaetano Donizetti, Riccardo Muti, Gösta Winbergh, Leo Nucci, Mirella Freni, Philharmonia Orchestra | C Major | 2 | 8B | 83 BPM | ||
| Francesca da Rimini, Op. 4, Act III, Scene 7: Benvenuto, signore mio cognato (Francesca, Paolo) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt | D♭ Major | 0 | 3B | 66 BPM | ||
| Verdi: La forza del destino, Act 1: "Temea restasse" (Curra, Donna Leonora) | Giuseppe Verdi, Riccardo Muti, Francesca Garbi, Mirella Freni, Orchestra Del Teatro Alla Scala, Milano | G Major | 0 | 9B | 99 BPM | ||
| Giménez & Vives: El húsar de la guardia: "Un pobre nido" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | B♭ Major | 1 | 6B | 127 BPM | ||
| Grieg: Peer Gynt, Op. 23, Act 4: Solveig's Song. "Kanske vil der gå både Vinter og Vår" (Solveig) | Edvard Grieg, Elsa Dreisig, Massimo Zanetti, Orchestra del Teatro Carlo Felice di Genova | B♭ Major | 2 | 6B | 79 BPM | ||
| La Jolie Fille De Perth - Opéra En 4 Actes. Livret De Vernoy De Saint-Georges Et Adenis D'après Walter Scott. Version Originale Reconstituée Par David Lloyd Jones - Acte II - N°10 - Chanson À Boire : Tout Boit, Amis, Dans Ce Monde (Duc, Cho | Georges Bizet, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | D Minor | 3 | 7A | 62 BPM | ||
| La Cenerentola: Acto II: "Nacqui All'affanno e al Pianto" - "Non Più Mesta Accanto al Fuoco" | Victoria de los Ángeles | E Major | 2 | 12B | 114 BPM | ||
| Rossini: Petite messe solennelle: II. Gloria, 4. Domine Deus (Tenor). Allegro giusto | Gioachino Rossini, Antonio Pappano | F Major | 1 | 7B | 81 BPM | ||
| Manon Lescaut / Act 2: Poichè tu vuoi saper? | Giacomo Puccini, Dwayne Croft, Mirella Freni, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 76 BPM | ||
| Francesca da Rimini, Act II: Paolo! …Francesca! (Live) | Riccardo Zandonai, Renato Cioni, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Coro del Teatro Lirico Giuseppe Verdi di Trieste, Leyla Gencer, Eno Mucchiutti, Claudio Giombi, Franco Capuana | D♭ Major | 5 | 3B | 87 BPM | ||
| Gounod: Faust, Act 2: Invocation. "Avant de quitter ces lieux" (Valentin) | Charles Gounod, Michel Plasson, Thomas Hampson, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Penella: Don Gil de Alcalá: "Bendita cruz" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | D Major | 1 | 10B | 81 BPM | ||
| La pícara molinera, Act II: "Mi locura… Paxarín, tú que vuelas" (Juan) | Pablo Luna, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D♭ Major | 1 | 3B | 68 BPM | ||
| Wagner: Tristan und Isolde, Act 1: "Welcher Wahn! Welch' eitles Zürnen!" (Brangäne, Isolde) | Richard Wagner, Herbert von Karajan, Christa Ludwig, Helga Dernesch, Berliner Philharmoniker | C Major | 1 | 8B | 131 BPM | ||
| Puccini : Manon Lescaut : Act 1 "Tra voi, belle" [Des Grieux] | Giacomo Puccini, José Cura, Plácido Domingo, Philharmonia Orchestra | C Major | 1 | 8B | 131 BPM | ||
| Macbeth / Act II: Scena: "Perché mi sfuggi" | Giuseppe Verdi, Shirley Verrett, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E Minor | 0 | 9A | 89 BPM | ||
| Gounod: Faust, Act 1: Récitatif. "Mais ce Dieu, que peut-il pour moi?" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| L'elisir d'amore / Act II: Quanto amore! Ed io spietata! | Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 107 BPM | ||
| I Puritani / Act 1: I rito augusto si compia senza me | Vincenzo Bellini, Gian Carlo Luccardi, Anita Caminada, Nicolai Ghiaurov, Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 62 BPM | ||
| Un ballo in maschera, Act I: S'avanza il conte - La rivedrà nell'estasi - Il cenno mio | Giuseppe Verdi, Edita Gruberova, Plácido Domingo, Giovanni Foiani, Ruggero Raimondi, Renato Bruson, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | ||
| Giulietta e Romeo: Done piansite | Riccardo Zandonai, William Matteuzzi, Minsk Philharmonic Orchestra, Alain Guingal | A Minor | 0 | 8A | 170 BPM |