"Francesca da Rimini, Op. 4, Act III, Scene 7: Benvenuto, signore mio cognato (Francesca, Paolo)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt had its release date on 1994. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #2 out of 47 tracks. Based on our data, Austria was the country where this track was produced or recorded. Francesca da Rimini, Op. 4, Act III, Scene 7: Benvenuto, signore mio cognato (Francesca, Paolo) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act III, Scene 7: Benvenuto, signore mio cognato (Francesca, Paolo) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt has a tempo of 66 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Francesca da Rimini, Op. 4, Act III, Scene 7: Benvenuto, signore mio cognato (Francesca, Paolo) being at 66 BPM, the half-time would be 33 BPM with a double-time of 132 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Giménez & Vives: El húsar de la guardia: "Un pobre nido" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | B♭ Major | 1 | 6B | 127 BPM | ||
| Puccini: Turandot, Act 1: "O giovinetto! Grazia! Grazia!" (Coro, Calaf) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Major | 0 | 12B | 135 BPM | ||
| Gli Ugonotti: Non lungi | Giacomo Meyerbeer, Franco Corelli, Franco Ferraris, Philharmonia Orchestra | A♭ Major | 1 | 4B | 77 BPM | ||
| Carmen / Act 2: Final: "Holà! Carmen! Holà!" | Georges Bizet, Agnes Baltsa, José Carreras, Heinz Zednik, Gino Quilico, Alexander Malta, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | G Major | 1 | 9B | 170 BPM | ||
| Francesca da Rimini, Op. 4, Act III, Scene 4: O dama, non ti disperare! (Smaragdi, Adonella, Biancofiore, Garsenda) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Lorena Espina, Jaroslava Horska, Anita Bader, Tunde Franko | D♭ Major | 0 | 3B | 147 BPM | ||
| Act III: Paolo, datemi pace! | Riccardo Zandonai, Leontyne Price, Francesco Molinari-Pradelli | A Minor | 2 | 8A | 97 BPM | ||
| Rossini: Soirées musicales: No. 1, La promessa | Gioachino Rossini, Rockwell Blake, Antonio Pappano | A♭ Major | 1 | 4B | 77 BPM | ||
| Donizetti: Don Pasquale, Act 3: "È finita, Don Pasquale" (Pasquale, Norina) | Gaetano Donizetti, Riccardo Muti, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra | C Major | 2 | 8B | 68 BPM | ||
| Il tabarro, SC 85: O Luigi! Luigi! ... Dimmi, perché gli hai chiesto | Giacomo Puccini, Jonathan Tetelman, Vida Miknevičiūtė, Önay Köse, PKF – Prague Philharmonia, Carlo Rizzi | F♯ Minor | 2 | 11A | 83 BPM | ||
| Carmen / Act 1: "Monsieur le brigadier?" / Duo:"Parle-moi de ma mère!" | Georges Bizet, Katia Ricciarelli, José Carreras, Jean Barney, Danièle Ajoret, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 81 BPM | ||
| Francesca da Rimini / Act 3: No, smaragdi, no!...Benvenuto, signore mio cognato | Riccardo Zandonai, Magda Olivero, Mario del Monaco, Monte-Carlo Philharmonic Orchestra, Nicola Rescigno | D♭ Major | 1 | 3B | 83 BPM | ||
| Francesca da Rimini, Op. 4, Act III, Scene 7: Benvenuto, signore mio cognato (Francesca, Paolo) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt | D♭ Major | 0 | 3B | 66 BPM | ||
| Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | ||
| Donizetti: Lucia di Lammermoor, Act I Scene 1: Preludio – Percorrete le spiaggie vicine (Normanno, Chorus) | Gaetano Donizetti, Orchestra del Teatro Bellini di Catania, Fabrizio Maria Carminati, Dean Power, Coro del Teatro Massimo Bellini di Catania | D Major | 2 | 10B | 141 BPM | ||
| Wagner: Tristan und Isolde, Act 1: "Frisch weht der Wind der Heimat zu" - "Mir erkoren, mir verloren" (Der junge Seemann, Isolde, Brangäne) | Richard Wagner, Herbert von Karajan, Christa Ludwig, Helga Dernesch, Peter Schreier, Berliner Philharmoniker | C Major | 1 | 8B | 131 BPM | ||
| Un ballo in maschera / Act 1: Su, profetessa...Di'tu se Fedele | Giuseppe Verdi, Ruggero Raimondi, Giovanni Foiani, Edita Gruberova, Plácido Domingo, Elena Obraztsova, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | ||
| Chopin: 17 Songs, Op. 74: No. 9, Melodia | Frédéric Chopin, Teresa Żylis-Gara, Halina Czerny-Stefanska | A♭ Major | 1 | 4B | 77 BPM | ||
| Francesca da Rimini, Act I: O Francesca, anima mia (Live) | Riccardo Zandonai, Orchestra Del Teatro Alla Scala, Milano, Pinuccia Perotti, Magda Olivero, Coro La Scala di Milano, Gianandrea Gavazzeni | G Minor | 10 | 6A | 96 BPM | ||
| Verdi: La forza del destino, Act 1: "Temea restasse" (Curra, Donna Leonora) | Giuseppe Verdi, Riccardo Muti, Francesca Garbi, Mirella Freni, Orchestra Del Teatro Alla Scala, Milano | G Major | 0 | 9B | 99 BPM | ||
| Donizetti: Don Pasquale, Act 2: "Ah! È rimasto là impietrato" (Malatesta, Pasquale, Norina, Ernesto) | Gaetano Donizetti, Riccardo Muti, Gösta Winbergh, Leo Nucci, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra | E Major | 2 | 12B | 75 BPM | ||
| L'elisir d'amore / Act II: Quanto amore! Ed io spietata! | Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 107 BPM | ||
| Un ballo in maschera / Act 1: "E la destra d'un grande" - "E scherzo od è follia" | Giuseppe Verdi, Elena Obraztsova, Edita Gruberova, Plácido Domingo, Ruggero Raimondi, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | ||
| Un ballo in maschera / Act 1: "Finisci il vaticinio" | Giuseppe Verdi, Plácido Domingo, Elena Obraztsova, Ruggero Raimondi, Giovanni Foiani, Renato Bruson, Luigi De Corato, Edita Gruberova, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | ||
| Andrea Chénier / Act 2: Ecco laggiù Gérard ... La donna che mi ha chiesto | Umberto Giordano, Giorgio Tadeo, Piero de Palma, Luciano Pavarotti, Leo Nucci, Tom Krause, Welsh National Opera Chorus, National Philharmonic Orchestra, Riccardo Chailly | B♭ Major | 3 | 6B | 92 BPM | ||
| Simon Boccanegra, Prologue: Che dicesti? | Giuseppe Verdi, José van Dam, Giovanni Foiani, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D Major | 1 | 10B | 93 BPM |