"Aniara (Excerpts): Vocalization" by Karl-Birger Blomdahl, Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegårdh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg had its release date on January 1, 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 42 in Aniara by Karl-Birger Blomdahl, Stig Westerberg, Swedish Radio Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. The popularity of Aniara (Excerpts): Vocalization is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aniara (Excerpts): Vocalization by Karl-Birger Blomdahl, Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegårdh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Te Deum, H. 118: I. Te Deum | Hector Berlioz, Martin Haselböck, European Community Youth Orchestra, Claudio Abbado, London Symphony Chorus, London Philharmonic Choir, Wooburn Singers, St. Alban's School Choir, Haberdasher's Aske's School Boy's Choir, Southend Boys Choir, Desborough School Choir, The Choir of Forest School, Winnersh, The Choirboys of High Wycombe Parish Church | F Major | 1 | 7B | 93 BPM | ||
| Symphony No. 9: IVc. Molto adagio subito - Live | Gustav Mahler, Royal Concertgebouw Orchestra, Leonard Bernstein | D♭ Major | 1 | 3B | 82 BPM | ||
| Wagner: Lohengrin, Act 1: "Nun höret mich und achtet wohl! (Herald, Lohengrin, Frederick, Henry, Elsa, Ortrud, Chorus) | Richard Wagner, Daniel Barenboim, Emily Magee, Falk Struckmann, Peter Seiffert, René Pape, Roman Trekel, Staatskapelle Berlin | F Major | 1 | 7B | 81 BPM | ||
| Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Magda, Yvette, Bianca, Prunier, Lisette, Suzy, Rambaldo, Périchaud, Gobin, Crébillon) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | B♭ Minor | 8 | 3A | 126 BPM | ||
| Stabat Mater: 1. Stabat Mater dolorosa | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio | G Minor | 0 | 6A | 83 BPM | ||
| Falstaff / Act I: "Falstaff!" - "Olà!" - "Sir John Falstaff!" | Giuseppe Verdi, Enrico Facini, Bryn Terfel, Anthony Mee, Anatolij Kotscherga, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
| Cäcilie, Op. 27 No. 2 (Version with Orchestra) | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | E♭ Minor | 3 | 2A | 97 BPM | ||
| Organ Concerto in G Minor, FP 93: VI. Tempo de I' Allegro intial | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | A♭ Minor | 0 | 1A | 71 BPM | ||
| Eugene Onegin, Op. 24, TH 5, Eugene Onegin, Op. 24, Act II: Uzhel ya zasluzhil ot vas nasmyeshku etu? | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | A Minor | 1 | 8A | 71 BPM | ||
| Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | B♭ Major | 2 | 6B | 77 BPM | ||
| Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 3, Song with Chorus. "Ye Spotted Snakes" | Felix Mendelssohn, Otto Klemperer, Heather Harper, Janet Baker, Philharmonia Chorus, Philharmonia Orchestra | G Major | 0 | 9B | 94 BPM | ||
| Gaspard de la nuit: I. Ondine (arr. M. Constant for orchestra) | Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン | D♭ Major | 0 | 3B | 115 BPM | ||
| The Queen of Spades, Op. 68: Introduction | Pyotr Ilyich Tchaikovsky, Boris Khaikin, Bolshoi Theatre Orchestra | D Major | 2 | 10B | 176 BPM | ||
| Verdi: Messa da Requiem: XIII. Hostias | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
| Gloria, FP 177: III. Domine Deus | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge, Susan Gritton | C Minor | 2 | 5A | 128 BPM | ||
| Requiem, Op. 48: 1. Introit et Kyrie (Chorus) | Gabriel Fauré, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann | B♭ Major | 0 | 6B | 87 BPM | ||
| Teatermusik No. 1 "Vaknatten" | Karl-Birger Blomdahl, Ostrobothnian Chamber Orchestra, Juha Kangas | E Minor | 1 | 9A | 85 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": I. Veni, Creator Spiritus | Gustav Mahler, Warsaw Philharmonic Choir, Polish Radio Choir, Cardinal Stefan Wyszynski University Choir, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 3 | 4B | 125 BPM | ||
| Luonnotar, Op. 70 | Jean Sibelius, Soile Isokoski, Gothenburg Symphony Orchestra, Neeme Järvi | F♯ Minor | 1 | 11A | 132 BPM | ||
| Ravel: Shéhérazade, M. 41: I. Asie | Maurice Ravel, Sir Simon Rattle, Maria Ewing, City Of Birmingham Symphony Orchestra | D♭ Minor | 1 | 12A | 77 BPM | ||
| Verdi: Messa da Requiem: XX. Requiem æternam | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Eric Ericson Chamber Choir, Orfeon Donostiarra, Swedish Radio Choir, Berliner Philharmoniker | F♯ Major | 1 | 2B | 81 BPM | ||
| Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace | Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi | G Major | 2 | 9B | 75 BPM | ||
| Stabat Mater, FP 148: X Fac ut portem | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | D♭ Minor | 1 | 12A | 76 BPM | ||
| Gurrelieder, Pt. 1: No. 1, Orchestral Prelude | Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado | E♭ Major | 0 | 5B | 83 BPM | ||
| L'oiseau de feu, K. 10. Suite 1919: VI. Berceuse | Igor Stravinsky, Budapest Festival Orchestra, Iván Fischer | A Minor | 0 | 8A | 103 BPM |