Arthur Sullivan, George Baker/John Cameron/Glyndebourne Chorus/Peter Gellhorn/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra's ' "Trial by Jury: That seems a reasonable proposition (Judge, Counsel, Others)" was released on its scheduled release date, June 13, 2011. With This song being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Sullivan, Various Artists, Sir Malcolm Sargent's "Gilbert & Sullivan: HMS Pinafore" album is number 21 out of 49. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Trial by Jury: That seems a reasonable proposition (Judge, Counsel, Others)'s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Trial by Jury: That seems a reasonable proposition (Judge, Counsel, Others) by Arthur Sullivan, George Baker/John Cameron/Glyndebourne Chorus/Peter Gellhorn/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| H.M.S. Pinafore, Act II: Duet. Things Are Seldom What They Seem | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra, Thomas Allen, Felicity Palmer | C Major | 1 | 8B | 100 BPM | ||
| Carmen, WD 31: La cloche a sonné | Georges Bizet, Leontyne Price, Monique Linval, Geneviève Macaux, Herbert von Karajan | A Minor | 1 | 8A | 79 BPM | ||
| Cui: Prisoner of the Caucasus, Act 2: Aria. "Solntse v nebe yasnom svetit ne tak yarko" (Aboubeker) | César Cui, Ivan Grizounov, Unknown Orchestra | C Major | 2 | 8B | 135 BPM | ||
| Sea Pictures, Op. 37: No. 2, In Haven (Capri) | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Major | 1 | 8B | 86 BPM | ||
| The Mikado / Act 1: 14. With aspect stern and gloomy stride | Arthur Sullivan, Kenneth Sandford, John Reed, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | G Major | 1 | 9B | 117 BPM | ||
| Jerusalem | Hubert Parry, Royal Choral Society, BBC Concert Orchestra, Barry Wordsworth | D Major | 3 | 10B | 112 BPM | ||
| Wagner: Lohengrin, WWV 75, Act 3 Scene 1: Prelude (Sehr lebhaft) | Richard Wagner, Vienna State Opera Chorus, Rudolf Kempe, Wiener Philharmoniker | G Major | 3 | 9B | 80 BPM | ||
| Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | C Major | 2 | 8B | 89 BPM | ||
| Suor Angelica: Senza mamma, o bimbo | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | F Major | 3 | 7B | 75 BPM | ||
| My Fair Lady: Overture | Frederick Loewe, Sinfonia Of London, John Wilson | C Major | 2 | 8B | 87 BPM | ||
| Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
| Gounod: Faust, Act 3: "Je voudrais bien savoir" - Chanson. "Il était un roi de Thulé" (Marguerite) | Charles Gounod, Michel Plasson, Cheryl Studer, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| La Canción del Olvido: "Canción de Rosina: Canta el trovador" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Pilar Lorengar | E Minor | 1 | 9A | 111 BPM | ||
| The Music Makers, Op. 69: III. With wonderful deathless ditties | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
| Peter and the Wolf, Op. 67: IV. The Duck - Dialogue With the Birds - Attack of the Cat | Wiener Opernorchester | A♭ Major | 1 | 4B | 99 BPM | ||
| Messa di gloria, SC 6: IIe. Gloria. Cum Sancto Spiritu - Live | Giacomo Puccini, Bavarian Radio Chorus, Munich Radio Orchestra, Ivan Repušić | F♯ Minor | 0 | 11A | 109 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 1: "Yet doth the Lord see it not" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | C Major | 2 | 8B | 99 BPM | ||
| 27. Ah, leave me not to pine alone and desolate | Arthur Sullivan, Royal Philharmonic Orchestra, Isidore Godfrey, Valerie Masterson, Philip Potter | G Major | 0 | 9B | 84 BPM | ||
| Rossini: Petite messe solennelle: VIII. Cum Sancto Spiritu | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 112 BPM | ||
| Act 1: Scene One: | Engelbert Humperdinck, Suzzane Mentzer, Hansel, Heidi Grant Murphy, Gretel, Andreas Delfs | G Minor | 1 | 6A | 75 BPM | ||
| My Eyes Are Fully Open | The Pirates Of Penzance | A♭ Major | 5 | 4B | 117 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | C Major | 2 | 8B | 135 BPM | ||
| Der Rosenkavalier, Op. 59 / Act 2: "Mir ist die Ehre widerfahren" | Richard Strauss, Barbara Bonney, Susan Graham, Wiener Philharmoniker, Christoph Eschenbach | F♯ Major | 1 | 2B | 78 BPM | ||
| Gounod: Messe solennelle de Sainte Cécile: VII. Agnus Dei | Charles Gounod, Georges Prêtre, Barbara Hendricks, Choeur de Radio France, Laurence Dale, Nouvel Orchestre Philharmonique de Radio France | B♭ Major | 2 | 6B | 96 BPM | ||
| Say not the struggle naught availaeth - Soprano & Piano Version | Hilgrove Kenrick, Jessica Maton | B♭ Minor | 0 | 3A | 108 BPM |