Albert Roussel, Emanuele Torquati's 'Conte à la poupée' had a release date set for May 23, 2013. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Roussel: Promenade Sentimentale, Complete Piano Music". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Conte à la poupée is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Conte à la poupée by Albert Roussel, Emanuele Torquati having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | ||
| Damase: Berceuse pour cor et piano, Op. 19 | Jean-Michel Damase, David Pyatt, Martin Jones | B♭ Major | 0 | 6B | 69 BPM | ||
| Symphony No. 4, Op. 60 "Symphonie Concertante": III. Allegro non troppo, ma agitato ad ausioso | Karol Szymanowski, Szymon Nehring, Polish National Radio Symphony Orchestra, Marin Alsop | B Major | 0 | 1B | 90 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | E♭ Major | 0 | 5B | 87 BPM | ||
| Petrouchka: Les déguisés | Ferenc Fricsay, Berliner Philharmoniker | B♭ Major | 7 | 6B | 164 BPM | ||
| Digital Aurora | Lumi Risto | C Minor | 8 | 5A | 112 BPM | ||
| The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
| Roussel: Trio for Flute, Viola and Cello in F Major, Op. 40, L. 51: III. Allegro non troppo | Albert Roussel, Patrick Gallois, Michel Michalakakos, Jean Grout | F Major | 1 | 7B | 105 BPM | ||
| Liederkreis, Op. 39: No. 7, Auf einer Burg (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E♭ Major | 3 | 5B | 140 BPM | ||
| El Conde Sol: A) Danza de Sevilla B) Lamento C) Danza Popular de León - Remastered | Orquesta Popular de Madrid de la Orqanización Nacional de Ciegos, Rafael Rodriguez Albert | D Major | 1 | 10B | 112 BPM | ||
| Love's Labour's Lost, Op.28: 3. Soliloquy 3: On a day, alack the day - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 103 BPM | ||
| Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Finale | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | C Major | 1 | 8B | 60 BPM | ||
| 8 Pieces, Op. 83: III. Andante con moto – Andante | Max Bruch, Philon Trio | F♯ Minor | 0 | 11A | 63 BPM | ||
| Le marchand de sable qui passe, Op. 13: IV. Scène finale (Version for Piano) | Albert Roussel, Jean-Pierre Armengaud | A Major | 0 | 11B | 109 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: II. Andantino semplice. In modo d’una canzone | Karol Szymanowski, Belcea Quartet | F♯ Minor | 1 | 11A | 83 BPM | ||
| Symphony No. 3: III. Allegro comodo — Allegro deciso | Allan Pettersson, Christian Lindberg, Norrköping Symphony Orchestra | B Major | 0 | 1B | 90 BPM | ||
| Symphony No. 3 in A Minor, MWV N 18 "Scottish" (London Version, 1842): II. Scherzo. Vivace non troppo | Felix Mendelssohn, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | B Major | 0 | 1B | 90 BPM | ||
| Poèmes de Ronsard pour flûte et voix: II. Ciel, air et vent | Michel Moragues, Albert Roussel, Sandrine Piau | B Minor | 0 | 10A | 80 BPM | ||
| Roumanian Folk Dances for Orchestra, BB 76 (Sz. 68): 4. Horn Dance (from Bisztra) | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 1 | 10B | 170 BPM | ||
| Symphony No. 1, GMW 11: Ib. Immer sehr gemächlich | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | A Major | 0 | 11B | 95 BPM | ||
| Britten: Young Apollo, Op. 16 | Benjamin Britten, Martin James Bartlett, Mozarteumorchester Salzburg, Howard Griffiths | B Major | 0 | 1B | 90 BPM | ||
| Neon Waves | Lumi Risto | D Major | 1 | 10B | 130 BPM | ||
| Pierné: Impressions de music-hall, Op. 47: Berceuse. Hommage à Bobby, chien savant (Arr. Dushkin for Violin and Piano) | Gabriel Pierné, Henry Merckel, Marie-Louise Pugnet-Caillard | F♯ Minor | 1 | 11A | 97 BPM | ||
| Concerto for Orchestra, BB 123, Sz. 116: IV. Intermezzo interrotto | Béla Bartók, Toronto Symphony Orchestra, Gustavo Gimeno | B Major | 0 | 1B | 90 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM |