"プリムローズ・パス" by トルヴェール・クヮルテット, Toshiyuki Honda had its release date on January 19, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in トルヴェール・クヮルテット's "INNOCENT DOLLS" album is number 9 out of 12. On top of that, Japan appears to be the country where this track was created. Based on our statistics, プリムローズ・パス's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of プリムローズ・パス by トルヴェール・クヮルテット, Toshiyuki Honda to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| II. With tranquility | Paul Creston, Donald Sinta, Nelita True | A♭ Major | 0 | 4B | 60 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VII. Variation VI | Saverio Mercadante, Claudio Ferrarini | B♭ Minor | 1 | 3A | 139 BPM | ||
| フランス組曲 III. イル・ド・フランス | トルヴェール・クヮルテット, 小柳美奈子 | A Minor | 3 | 8A | 93 BPM | ||
| Sonata for trumpet and piano | Kent Kennan, Raymond Mase | G Major | 0 | 9B | 65 BPM | ||
| Souvenir du voyage: I. Lento: Molto tranquillo | Bernard Herrmann, Roeland Hendrikx Ensemble | B♭ Minor | 1 | 3A | 139 BPM | ||
| Brandt - Konzertstück No. 2 I | Vassily Brandt, Christian Lindberg, Sergei Nakariakov, Hercules Brass Ensemble | G Minor | 7 | 6A | 103 BPM | ||
| Elgar / Arr. Nakariakov for Flugelhorn and Piano: Salut d'amour, Op. 12 | Edward Elgar, Sergei Nakariakov, Maria Meerovitch | G Minor | 0 | 6A | 75 BPM | ||
| Viola Sonata: I. Impetuoso | Rebecca Clarke, Tabea Zimmermann, Kirill Gerstein | C Minor | 1 | 5A | 65 BPM | ||
| Quintet No. 1 in B-Flat Minor: I. Moderato | Victor Ewald, Center City Brass Quintet | B♭ Minor | 0 | 3A | 68 BPM | ||
| Ciudades: II. Sarajevo | Guillermo Lago, Fukio Ensemble | D♭ Major | 1 | 3B | 99 BPM | ||
| サクソフォーンのための演奏会用四重奏曲: サクソフォーンのための演奏会用四重奏曲: 第5楽章: エール | Jeanine Rueff, トルヴェール・クヮルテット | G Major | 0 | 9B | 174 BPM | ||
| Deep River (with Catherine Milledge) | Martin Smith | D♭ Major | 0 | 3B | 86 BPM | ||
| Sicilienne et allegro giocoso: I. Largamente | Gabriel Grovlez, Karen Geoghegan, Philip Edward Fisher | F Minor | 0 | 4A | 80 BPM | ||
| Solo de concert | Gabriel Pierné, Marc Trenel, Pascal Godart | F Major | 1 | 7B | 66 BPM | ||
| Play Piano Play: I. Moderato | Friedrich Gulda, Marc-André Hamelin | E Minor | 0 | 9A | 80 BPM | ||
| Suite, Op. 157b: I. Ouverture | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | D♭ Major | 0 | 3B | 66 BPM | ||
| サクソフォーンのための演奏会用四重奏曲: サクソフォーンのための演奏会用四重奏曲: 第6楽章: ロンド形式のフィナーレ | Jeanine Rueff, トルヴェール・クヮルテット | E Minor | 2 | 9A | 83 BPM | ||
| Someome to Watch over Me (with Catherine Milledge) | George Gershwin, Martin Smith | D♭ Major | 0 | 3B | 86 BPM | ||
| Sonata III in F major: Largo | Carl Lenthe | F Major | 0 | 7B | 66 BPM | ||
| Libertango | 宮田 大, ジュリアン・ジェルネ | B Major | 1 | 1B | 97 BPM | ||
| Piazzolla: Oblivion (Arranged for Brass Quintet) | Astor Piazzolla, Axiom Brass, Christian Lindberg | B♭ Minor | 1 | 3A | 139 BPM | ||
| Bottesini: Gran Concerto for Double Bass in F-Sharp Minor: II. Andante | Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic | D Major | 1 | 10B | 98 BPM | ||
| Quintet No. 3 in D-Flat Major, Op. 11: IV. Vivo | Victor Ewald, Center City Brass Quintet | D♭ Major | 1 | 3B | 123 BPM | ||
| Brass Quintet No. 2, Op. 6: I. Allegro risoluto | Victor Ewald, Stockholm Chamber Brass | E♭ Major | 0 | 5B | 71 BPM | ||
| サクソフォン・パラダイス I | トルヴェール・クヮルテット, Toshiyuki Honda | G Major | 2 | 9B | 113 BPM |