"Welcoming the Sabbath - A Friday Evening Service: Hashkiveinu (Cause Us O Lord to Lie Down in Peace)" by Sholom Secunda, Richard Tucker had its release date on 1950. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Welcoming the Sabbath by Sholom Secunda, Richard Tucker. The song's track number on the album is #6 out of 16 tracks. Based on our data, United States was the country where this track was produced or recorded. The popularity of Welcoming the Sabbath - A Friday Evening Service: Hashkiveinu (Cause Us O Lord to Lie Down in Peace) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Welcoming the Sabbath - A Friday Evening Service: Hashkiveinu (Cause Us O Lord to Lie Down in Peace) by Sholom Secunda, Richard Tucker has a tempo of 174 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Welcoming the Sabbath - A Friday Evening Service: Hashkiveinu (Cause Us O Lord to Lie Down in Peace) being at 174 BPM, the half-time would be 87 BPM with a double-time of 348 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kol Nidre Service (with Shofar): Ya-aleh (O May Our Supplications Rise) - Voice | Sholom Secunda, Richard Tucker | C Major | 2 | 8B | 77 BPM | ||
| Arum Dem Feier | Raasche | C Minor | 1 | 5A | 73 BPM | ||
| To Treno Fevgi Stis Okto (The Train Leaves At Eight) | Agnes Baltsa | E Minor | 1 | 9A | 78 BPM | ||
| Deux mélodies, Op. 46: No. 2, Clair de lune | Dilyana Georgieva, Galina Apostolova | G Major | 2 | 9B | 86 BPM | ||
| La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM | ||
| Norma (Ed. Biondi & Minasi), Act I Scene 1: Casta Diva | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
| Poème de Paul Verlaine: L'heure exquise | Reynaldo Hahn, Marie-Nicole Lemieux | B Major | 0 | 1B | 94 BPM | ||
| Minuet from String Quintet No.1 in E Major, Op. 13 No. 5, G. 275 | Luigi Boccherini, Saint Paul Chamber Orchestra, Bobby McFerrin | A Major | 0 | 11B | 91 BPM | ||
| Unser nigundl | Talila, Ensemble Kol Aviv | G Minor | 2 | 6A | 89 BPM | ||
| Drogoi dalneyou | Les Yeux Noirs | A Minor | 2 | 8A | 120 BPM | ||
| Gelem, Gelem | Nemanja Radulović, Ksenija Milošević, Miloš Mihajlović | A Minor | 1 | 8A | 88 BPM | ||
| La Sonnambula, Act 2 Scene 12: Ah! Non credea mirarti (Arr. for Countertenor & String Quartet by Eric Mouret) | Théophile Alexandre, Quatuor Zaïde | G Major | 1 | 9B | 101 BPM | ||
| Cantade: Usurpator tiranno (Arr. For jazz ensemble) | Roberta Mameli, La Venexiana, Claudio Cavina | G Minor | 1 | 6A | 68 BPM | ||
| Shir HaPalmach (Song of Commandos) | David Zahavi, Richard Tucker, Sholom Secunda | F Major | 4 | 7B | 130 BPM | ||
| Lerche | Puszta Company | D♭ Minor | 4 | 12A | 97 BPM | ||
| Falvo / Arr. Pluhar: Dicitencello vuje! | Rodolfo Falvo, Christina Pluhar, Vincenzo Capezzuto | E Minor | 0 | 9A | 100 BPM | ||
| Zariti laruah anchati | Sholom Secunda, David Ossenfort, John Musto | B♭ Major | 1 | 6B | 90 BPM | ||
| Ave Maria by Giulio Caccini | Ghada Ghanem | F♯ Minor | 2 | 11A | 80 BPM | ||
| Mester D'Amor | Arianna Savall | A Minor | 1 | 8A | 115 BPM | ||
| Dorme Mi Alma Donzeya | Fortuna | F♯ Major | 1 | 2B | 176 BPM | ||
| Tzena Tzena Tzena | Issachar Miron, Yechiel Haggiz, Julius Grossman, Richard Tucker, Sholom Secunda | F Major | 4 | 7B | 130 BPM | ||
| Andante cantabile for Cello and String Orchestra, Op. posthumous | Pyotr Ilyich Tchaikovsky, Saint Paul Chamber Orchestra, Bobby McFerrin | B Major | 0 | 1B | 77 BPM | ||
| La mélodie des choses | Las Hermanas Caronni | G Minor | 1 | 6A | 177 BPM | ||
| Die Yogenish in Fass: Friling | Giora Feidman, Jeff Israel, Manny Katz, Richard Sarpola, Peter Weitzner, Ali Hafid, Rick Cutler | F Minor | 0 | 4A | 69 BPM | ||
| DORNRÖSCHEN: Der Fluch der 13. | Radoslaw Pallarz, Ensemble Memoria Tenere | F Major | 0 | 7B | 85 BPM |