Amanda Rontgen-Maier, Cecilia Zilliacus, Bengt Forsberg's ' "9 Pieces for Violin & Piano: No. 8, Nicht zu langsam" was released on its scheduled release date, June 15, 2019. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 69 in Amanda Maier: Complete Works by Amanda Rontgen-Maier, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, 9 Pieces for Violin & Piano: No. 8, Nicht zu langsam is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of 9 Pieces for Violin & Piano: No. 8, Nicht zu langsam by Amanda Rontgen-Maier, Cecilia Zilliacus, Bengt Forsberg is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ich ruf zu dir, Herr Jesu Christ, BWV 639 | Johann Sebastian Bach, Martin Fröst, Jonas Nordberg | G Minor | 0 | 6A | 139 BPM | ||
| Consolation | Alain Lefèvre | D Major | 1 | 10B | 169 BPM | ||
| 6 Pieces, Op. 51: No. 6. Valse sentimentale | Pyotr Ilyich Tchaikovsky, Pablo Ferrandez, Julien Quentin | D Minor | 1 | 7A | 109 BPM | ||
| La finta giardiniera, K. 196: Cavatina. Geme la tortorella (Arr. Isserlis for Cello and Orchestra) | Wolfgang Amadeus Mozart, Steven Isserlis, The Deutsche Kammerphilharmonie Bremen | A Major | 2 | 11B | 93 BPM | ||
| Beau soir, CD 84 (Arr. Parkin for Violin, Guitar, Accordion & Cello) | Claude Debussy, Nicola Benedetti, Plínio Fernandes, Samuele Telari, Thomas Carroll | E Major | 1 | 12B | 112 BPM | ||
| Aka tombo (Arr. Hough for Piano) | Kosaku Yamada, Stephen Hough | A Minor | 0 | 8A | 72 BPM | ||
| Track 3 | Eunike Tanzil, Sophie Kauer | D♭ Major | 0 | 3B | 81 BPM | ||
| Cello Sonata in E Major, Op. 121: III. Ballade "in böhmische Weise". Andantino | Ignaz Moscheles, Steven Isserlis, Connie Shih | D Minor | 1 | 7A | 117 BPM | ||
| Harp Concerto in B-Flat Major, HWV 294, Op. 4 No. 6: I. Andante - Allegro | George Frideric Handel, Xavier De Maistre, Lucerne Festival Strings | F Major | 1 | 7B | 93 BPM | ||
| Eccles: The Mad Lover: V. Aire. Ground (Arr. Diluka for Piano) | John Eccles, Shani Diluka | F Minor | 2 | 4A | 69 BPM | ||
| Remember Me (Arr. Hough for Piano) - From "Coco" | Stephen Hough | G Minor | 4 | 6A | 78 BPM | ||
| Zwiegespräche (Excerpts): No. 10, Allegro molto vivace | Amanda Rontgen-Maier, Bengt Forsberg | D Major | 1 | 10B | 77 BPM | ||
| Caprice sur des motifs de l'opéra 'Le comte Ory', Op. 3: I. Andantino sostenuto | Adrien François Servais, Sol Gabetta, Victor Julien-Laferrière | A Major | 1 | 11B | 115 BPM | ||
| Aria Goldberg Variation (After Goldberg Variations, BVW 988: Aria) [Arr. for Violin, String Quintet & Piano by Tim Allhoff] | Johann Sebastian Bach, Tim Allhoff, Eldbjørg Hemsing, Norwegian String Quintet | G Minor | 4 | 6A | 78 BPM | ||
| Ponce: Estrellita (Arr. Heifetz for Violin and Piano) | Manuel Ponce, Augustin Hadelich, Orion Weiss | C Major | 3 | 8B | 100 BPM | ||
| Violin Concerto in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Mariko Senju, Japan Philharmonic Orchestra, 岩村 力 | C Major | 1 | 8B | 83 BPM | ||
| Du bist wie eine Blume, Op. 25/24 | Nils Mönkemeyer | A♭ Major | 0 | 4B | 82 BPM | ||
| Bach Brandenburg Concerto Revisited (After Brandenburg Concerto No.1 in F Major, BWV 1046: I. Allegro) [Arr. for Violin, String Quintet & Piano by Jarkko Riihimäki] | Johann Sebastian Bach, Jarkko Riihimäki, Eldbjørg Hemsing, Norwegian String Quintet, Tim Allhoff | F Major | 3 | 7B | 81 BPM | ||
| Adoration | Florence Beatrice Price, Philippe Quint, Andrew Litton | G Major | 1 | 9B | 111 BPM | ||
| 24 Preludes for Violin & Piano, Op. 46: No. 15, Adagio sognando (Arr. Vennart for Saxophone & Ensemble) | Lera Auerbach, Jess Gillam, Jess Gillam Ensemble | D♭ Major | 0 | 3B | 71 BPM | ||
| Ertönt uns durch dein Güte Variation (After Jesus nahm zu sich die Zwölfe, BWV 22, No. 5: Ertöt uns durch dein Güte) [Arr. for Violin, String Quintet & Piano by Jan-Peter Klöpfel] | Johann Sebastian Bach, Jan-Peter Klöpfel, Eldbjørg Hemsing, Norwegian String Quintet, Tim Allhoff | B♭ Major | 2 | 6B | 80 BPM | ||
| Piano Concerto in D Major, K. 107 No. 1 (After J.C. Bach's W. A2): II. Andante | Wolfgang Amadeus Mozart, Manchester Camerata, Gábor Takács-Nagy, Jean-Efflam Bavouzet | D Major | 1 | 10B | 77 BPM | ||
| Tema con variazioni | George Frideric Handel, Xavier De Maistre | F Major | 2 | 7B | 155 BPM | ||
| Symphonie fantastique, H. 48: II. Un bal. Valse | Hector Berlioz, Orchestre de Paris, Klaus Mäkelä | A Major | 1 | 11B | 100 BPM | ||
| 6 Pieces for Violin & Piano: No. 5, Tranquillamente. Innig | Amanda Rontgen-Maier, Liv Migdal, Mario Häring | G Major | 1 | 9B | 95 BPM |