"Matilde La Iniciacion" by Daniel Tarrab, Andrés Goldstein had its release date on February 16, 2006. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Matilde La Iniciacion's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Andrés Goldstein, Daniel Tarrab's "La Puta Y La Ballena (Original Soundtrack)" album is number 18 out of 19. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Matilde La Iniciacion is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Matilde La Iniciacion by Daniel Tarrab, Andrés Goldstein to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love Feelings | Annette Focks | D Minor | 1 | 7A | 84 BPM | ||
| The Prodigal Son (Orch. Dannheisser) | Lisa Batiashvili, London Metropolitan Orchestra, Andy Brown | B♭ Major | 1 | 6B | 101 BPM | ||
| Inner Sanctuary | Elena Pianova | B♭ Major | 0 | 6B | 126 BPM | ||
| Penelope at Night | Rachel Portman | E Minor | 1 | 9A | 114 BPM | ||
| En el mismo lugar II | Alberto Iglesias | A Minor | 1 | 8A | 86 BPM | ||
| Tadeusz et Zosia | Wojciech Kilar | G Major | 4 | 9B | 78 BPM | ||
| Lorenzo | Alberto Iglesias | D Minor | 0 | 7A | 137 BPM | ||
| Troisième leçon de ténèbres à deux voix: Lamed (Arr. for Cello and Electric Guitar by Sonia Wieder-Atherton) | François Couperin, Sonia Wieder-Atherton, Marius Atherton | C Minor | 2 | 5A | 85 BPM | ||
| At Midnight - Elevated Version | Jeremy Rodriguez | C Minor | 2 | 5A | 85 BPM | ||
| The Sea and the Forest | Andrés Goldstein, Daniel Tarrab | F♯ Minor | 7 | 11A | 98 BPM | ||
| Release And Farewell | Daniel Tarrab, Andrés Goldstein | F Minor | 0 | 4A | 115 BPM | ||
| Avistaje | Andrés Goldstein, Daniel Tarrab | A♭ Major | 1 | 4B | 138 BPM | ||
| End Title Wakefield | Aaron Zigman, Jean-Yves Thibaudet, Aaron Zigman Ensemble | A Minor | 0 | 8A | 65 BPM | ||
| Kauffman | Fernando Velázquez | G Minor | 0 | 6A | 86 BPM | ||
| Café in Paris | Paul Englishby, Jeremy Holland-Smith | G Major | 1 | 9B | 77 BPM | ||
| Sandpiper’s Grave | Mia Brentano, Benyamin Nuss, Deutsches Filmorchester Babelsberg, Christian Köhler | E♭ Major | 1 | 5B | 68 BPM | ||
| Culinary Harmony | Estoria | C Minor | 2 | 5A | 85 BPM | ||
| Viaje a la playa | Daniel Tarrab, Andrés Goldstein | E Major | 0 | 12B | 137 BPM | ||
| Palazzo Moulay | Paolo Buonvino | C Minor | 2 | 5A | 85 BPM | ||
| Trincheras / Decadance | Alberto Iglesias | A Minor | 2 | 8A | 165 BPM | ||
| ACT SMA | Pasquale Catalano | C Minor | 2 | 5A | 85 BPM | ||
| Le mi bémol ne sonne plus | Harry Allouche | A Minor | 1 | 8A | 113 BPM | ||
| Choosing Life | Philip Glass | B♭ Major | 0 | 6B | 88 BPM | ||
| Sin Anuncios | Ambientes Misticos | E♭ Major | 1 | 5B | 124 BPM | ||
| Main Title Theme (From "The English Patient") | Royal Liverpool Philharmonic Orchestra, Carl Davis | D Major | 0 | 10B | 72 BPM |