"Fresh from West Chester: II. Let's Sit It Out, I'd Rather Watch" by Samuel Barber, Ruth Slenczynska had its release date on February 18, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Barber: Fresh from West Chester: II. Let's Sit It Out, I'd Rather Watch and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Fresh from West Chester: II. Let's Sit It Out, I'd Rather Watch is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fresh from West Chester: II. Let's Sit It Out, I'd Rather Watch by Samuel Barber, Ruth Slenczynska is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
| Nimrod (Lux Aeterna) | Edward Elgar, VOCES8 | D♭ Major | 1 | 3B | 175 BPM | ||
| Valse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano) | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Kathryn Stott | A Minor | 0 | 8A | 85 BPM | ||
| The Piano: The Heart Asks Pleasure First | Michael Nyman, Valentina Lisitsa | A Minor | 0 | 8A | 159 BPM | ||
| Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
| Adagio for Strings, Op. 11 | Samuel Barber, Charles Münch, Boston Symphony Orchestra | B♭ Minor | 1 | 3A | 78 BPM | ||
| Satie / Orch. Ducros: Gymnopédie No. 1 | Erik Satie, Gautier Capuçon, Jerome Ducros, Adrien Perruchon, Orchestre de chambre de Paris | G Minor | 0 | 6A | 170 BPM | ||
| Spring 2 - 2012 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | D♭ Minor | 2 | 12A | 174 BPM | ||
| Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra ) | Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 82 BPM | ||
| Cello Sonata: II. — | Tamara Konstantin, Jiaxin Lloyd Webber | A Major | 0 | 11B | 70 BPM | ||
| Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Joaquín Rodrigo, Pepe Romero, Christine Pendrill, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 0 | 10A | 70 BPM | ||
| Glassworks: Opening | Philip Glass, Víkingur Ólafsson | E♭ Major | 0 | 5B | 213 BPM | ||
| Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
| Barber: Adagio for Strings - slowed + reverb | Samuel Barber, Classical Slowed + Reverb | A Minor | 1 | 8A | 80 BPM | ||
| Adagio for Strings, Op. 11 | Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Minor | 0 | 3A | 83 BPM | ||
| Adagio for Strings, Op. 11 - Live | Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Minor | 0 | 3A | 86 BPM | ||
| Death in Venice | Gustav Mahler, Junge Deutsche Philharmonie, Rudolf Barshai | F Major | 0 | 7B | 107 BPM | ||
| Theme From Schindler's List | John Williams, Itzhak Perlman, Boston Symphony Orchestra | D Minor | 1 | 7A | 99 BPM | ||
| The Four Seasons - Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro non molto | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | F Minor | 2 | 4A | 158 BPM | ||
| En Aranjuez Con Tu Amor | Joaquín Rodrigo, Alfredo Garcia Segura, Fernando Lima | A Minor | 1 | 8A | 110 BPM | ||
| L'Oiseau de feu, K10: X. Khorovod (Ronde) des princesses | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | F Minor | 0 | 4A | 68 BPM | ||
| Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
| Jazz Suite No. 2: VI. Waltz 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 2 | 5A | 108 BPM | ||
| Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
| Timelapse | Uno Helmersson, Mari Samuelsen, Jesper Söderqvist, Gunnar Flagstad, TrondheimSolistene | G Minor | 2 | 6A | 105 BPM |