On November 7, 2003, the song "Devar Maharo Re" was released by Rekha Rao, Parmeshwar Premi. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rekha Rao, Parmeshwar Premi's "Gori Nakhra Wali" album is number 4 out of 9. On top of that, India appears to be the country where this track was created. Devar Maharo Re is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Devar Maharo Re by Rekha Rao, Parmeshwar Premi to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hara Hu Baba Par Tujhpe Bharosa Hai | Bhakti Bhajan Sangrah | B♭ Minor | 7 | 3A | 78 BPM | ||
| Main Hoon Sharan Mein Teri | Ram Kumar Lakkha | B Minor | 9 | 10A | 91 BPM | ||
| Kahe Roye Yhan Tero Koinhi | Chotu Singh Rawna | C Major | 8 | 8B | 142 BPM | ||
| Fagun Ka Nazara | Raj Pareek | E♭ Major | 5 | 5B | 178 BPM | ||
| Humro Ke Chit Pe Chadha La | Rekha Rao, Shyam Dehati, Rajnish | F♯ Major | 10 | 2B | 145 BPM | ||
| Gadh Mandfiya Me Betho Sanvaro | Trisha Suthar | C Minor | 8 | 5A | 72 BPM | ||
| Ran Me Garaj Rahi Re Kalka | Shahnaz Akhtar | C Major | 6 | 8B | 120 BPM | ||
| Dhola Dhol Manjira Baje Re | Tej Karan Rao, Rekha Rao | F♯ Major | 7 | 2B | 80 BPM | ||
| Nath Main Tharoji Tharo | Radha Krishna Maharaj | A♭ Major | 7 | 4B | 127 BPM | ||
| Dori Khech Ke Rakhijo Ye Hai Baba Ko Nishan | Deepu Sharma | F♯ Minor | 8 | 11A | 130 BPM | ||
| Na Rol Maiye | Nitesh Garla | B Minor | 9 | 10A | 112 BPM | ||
| Chanda Mama Aare Aavs | MANOJ TIWARI, Rekha Rao | D♭ Major | 10 | 3B | 136 BPM | ||
| Jiski Ungli Pe Chalta Ye Sansaar Hai | Yash Baid | B Major | 9 | 1B | 128 BPM | ||
| Vijali Ne Chamkare Motida Parovi Santo | Damyanti Bardai | B Major | 7 | 1B | 105 BPM | ||
| Mere Man Mein Bhi Ram Mere Tan Mein Bhi Ram | Dhiraj Sharma | B Minor | 5 | 10A | 102 BPM | ||
| Kaisa Pyara ye Darbar hai | Mayank Agarwal | A♭ Major | 8 | 4B | 91 BPM | ||
| Bhole Tere Dar Pe Chale Ayenge | A-Jay M | C Major | 10 | 8B | 134 BPM | ||
| Chimte Di Chankar | Bandna Dhiman | A♭ Major | 10 | 4B | 132 BPM | ||
| Kauwa Leke Bhagal Choli | Pawan Singh, Rekha Rao | F♯ Major | 6 | 2B | 110 BPM | ||
| Durga Maayi Ke Tab Avtar Ho Gail | MANOJ TIWARI, Rekha Rao | D♭ Minor | 7 | 12A | 171 BPM | ||
| Rangeeli Holi Aai Re | Tej Karan Rao, Rekha Rao | F♯ Major | 6 | 2B | 97 BPM | ||
| Ghoomar | Rekha Rao | E♭ Major | 7 | 5B | 151 BPM | ||
| Tu Kundi Sota Thale | Pt. Ram Avtar Sharma, Rajneesh Sharma, Shivani Chanana | G Major | 9 | 9B | 132 BPM | ||
| Ram Naam Ke Heerey Moti Main Bikhraun Gali Gali | Shridhay Shri Mridul krishna shastri ji maharaj | G Minor | 6 | 6A | 143 BPM | ||
| Mohe Khatiya Pe Khatmal Kate | Arun Bakshi, Rekha Rao | E Major | 7 | 12B | 79 BPM |