Francesco Durante, Friar Alessandro, London Studio Orchestra, Sally Herbert's 'Vergin Tutto Amor' had a release date set for January 1, 2012. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Voice From Assisi by Friar Alessandro. The song's track number on the album is #7 out of 14 tracks. Vergin Tutto Amor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vergin Tutto Amor by Francesco Durante, Friar Alessandro, London Studio Orchestra, Sally Herbert has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vergin Tutto Amor being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stabat mater: XIII. Fac me vere tecum flere | Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Porpora: Perdono, amata Nice "La gelosia": III. Aria. "Bei labbri, che Amore formò per suo nido" | Nicola Porpora, Philippe Jaroussky, Artaserse | F♯ Major | 3 | 2B | 124 BPM | ||
| Chelleri: Dio sul Sinai: "Caderà, perirà" (Dio) | Fortunato Chelleri, Philippe Jaroussky | A♭ Major | 3 | 4B | 91 BPM | ||
| Boretti: Eliogabalo, Act 3: "Chi scherza con Amor" (Eliogabalo) | Giovanni Antonio Boretti, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | B♭ Minor | 3 | 3A | 82 BPM | ||
| Requiem aeternam | Joseph Martin Kraus, Noémi Kiss, Judit Nemeth, Istvan Kovacs, Pal Benko, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 166 BPM | ||
| Sonata in C Minor, DürG 14: I. Largo | Johann Gottlieb Goldberg, Accademia dell'Annunciata, Riccardo Doni | B Minor | 1 | 10A | 64 BPM | ||
| Il Trionfo della Divina Giustizia: "Vanne o Sol d'eterna luce" | Nicola Porpora, Blandine Staskiewicz, Thibault Noally, Les Accents | F Minor | 1 | 4A | 132 BPM | ||
| Orfeo ed Euridice: Act I, Scene 1, Orfeo: Chiamo il mio ben così | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | F Major | 1 | 7B | 171 BPM | ||
| Marc'Antonio e Cleopatra: Morte col fiero aspetto (Aria) | Johann Adolf Hasse, Regula Mühlemann, La Folia Barockorchester, Robin Peter Müller | F♯ Minor | 3 | 11A | 120 BPM | ||
| Welcome Every Guest: I. Symphony | John Blow, Vincent Dumestre, Le Poème Harmonique | D♭ Major | 2 | 3B | 85 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act I: If Not for Mine, for Empire’s Sake - Pursue Thy Conquest, Love (Aeneas, Belinda) | Henry Purcell, Maxim Emelyanychev, Fatma Said, Il Pomo D'oro, Michael Spyres | F♯ Minor | 0 | 11A | 172 BPM | ||
| Concerto for Strings No. 4 in E Minor: IV. Presto | Francesco Durante, Concerto Köln | E♭ Minor | 1 | 2A | 48 BPM | ||
| Credo, RV. 591: Coro "Et resurrexit tertia die" | Antonio Vivaldi, Les Arts Florissants, Paul Agnew | B Minor | 1 | 10A | 75 BPM | ||
| L'Histoire de la femme adultère, C. 191: Simphonie | Louis-Nicolas Clérambault, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 0 | 4A | 117 BPM | ||
| VII. Dieses war auch das Verlangen | Georg Philipp Telemann, Hanna Herfurtner, Kölner Akademie, Michael Alexander Willens | E Major | 1 | 12B | 102 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 6. Duett. Deposuit potentes de sede (A, T) | Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Lothar Odinius, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | B Major | 1 | 1B | 135 BPM | ||
| Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset | G Major | 1 | 9B | 75 BPM | ||
| Magnificat in D Major, BWV 243: Suscepit Israel (Soprano, Alto) | Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | B Minor | 1 | 10A | 67 BPM | ||
| Sinfonia No. 6 in G Minor, Op. 5: III. Allegro | Johann Adolf Hasse, Le Concert de l'Hostel Dieu, Franck-Emmanuel Comte | D♭ Major | 3 | 3B | 120 BPM | ||
| De lamentatione Jeremiæ prophetæ, Lectio secunda: No. 9, Larghetto. Aleph. Quomodo obscuratum | Francesco Durante, Mechthild Bach, Margarete Joswig, Collegium Cartusianum, Peter Neumann | F♯ Minor | 1 | 11A | 129 BPM | ||
| Stabat mater in C Major: Stabat mater | Emanuele d'Astorga, Thomas Hengelbrock, Balthasar-Neumann-Chor | B Minor | 1 | 10A | 62 BPM | ||
| Magnificat in B flat major: Magnificat anima mea | Francesco Durante, Thomas Hengelbrock | A Major | 3 | 11B | 126 BPM | ||
| Concerto for Organ No. 2: I. Affetuoso - Presto | Tovijs Lifsics, Francesco Durante, Latvian Philharmonic Chamber Orchestra | G Minor | 2 | 6A | 123 BPM | ||
| Rameau: Les Fêtes de l'Hymen et de l'Amour, RCT 38 (1748 Version), Act 3 Scene 3: Ariette, "L'amant que j'adore allait former" (Une Bergère égyptienne) | Jean-Philippe Rameau, Patricia Petibon, Les Folies Françoises, Patrick Cohën-Akenine | F♯ Major | 1 | 2B | 109 BPM | ||
| Emily — No Prisoner Be: No. 24, ‘Tis true - They shut me in the Cold | Kevin Puts, Time For Three, Joyce DiDonato | D♭ Minor | 3 | 12A | 94 BPM |