- BPM
- 97
- Key
- G Minor
- Camelot
- 6A
Enigma Variations: B.G.N by London Philharmonic Orchestra Song Details
"Enigma Variations: B.G.N" by London Philharmonic Orchestra had its release date on 1998. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Enigma Variations: B.G.N's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 20 in Elgar: Enigma Variations by Paul Daniel. In terms of popularity, Enigma Variations: B.G.N is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Enigma Variations: B.G.N by London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 4%
- Loudness
- -28.858 dB
- Acousticness
- 98%
- Danceability
- 12%
- Energy
- 3%
- Instrumentalness
- 79%
- Liveness
- 45%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | |
 | Fantasia On a Theme By Thomas Tallis | Ralph Vaughan Williams, Sir Adrian Boult, London Philharmonic Orchestra | C Minor | 1 | 5A | 102 BPM | |
 | String Quintet No. 60 in C Major, G. 324 "La musica notturna delle strade di Madrid": V. "Los manolos" Modo di suono, e canto | Luigi Boccherini, Cuarteto Casals, Eckart Runge | G Major | 2 | 9B | 89 BPM | |
 | Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM | |
 | Symphony No. 5 in C Minor, Op. 67, "Fate": Allegro con brio | Ludwig van Beethoven, David Parry, London Philharmonic Orchestra | D Major | 1 | 10B | 84 BPM | |
 | Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Lars Hjalmar Joakim | A Major | 4 | 11B | 126 BPM | |
 | Kaiser (Emperor), Op. 437 : Kaiser Walzer (Emperor Waltz), Op. 437 | Strauss Festival Orchestra, Johann Strauss II | C Major | 0 | 8B | 181 BPM | |
 | VII. Finale | Igor Stravinsky, Brussels Philharmonic, Alexander Rahbari | D♭ Minor | 3 | 12A | 81 BPM | |
 | Edelweiß (From "The Sound of Music") | Richard Rodgers, André Rieu, Johann Strauss Orchestra | E♭ Major | 2 | 5B | 79 BPM | |
 | Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | |
| Les contes d'Hoffmann (The Tales of Hoffmann): Barcarolle | London Philharmonic Orchestra | D Major | 1 | 10B | 80 BPM | |
 | Vaughan Williams: Fantasia on a Theme by Thomas Tallis (Opening) | Ralph Vaughan Williams, Sir Adrian Boult, London Philharmonic Orchestra | B♭ Major | 1 | 6B | 62 BPM | |
 | Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) | Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 130 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ": Maestoso | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 1 | 8B | 49 BPM | |
 | VIII. Romance | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 138 BPM | |
 | Romeo And Juliet: Love Theme | Nino Rota, PKF – Prague Philharmonia, Nick Ingman | G Minor | 1 | 6A | 81 BPM | |
| Symphony No. 40 in G Minor, K. 550: Allegro molto | Wolfgang Amadeus Mozart, David Parry, London Philharmonic Orchestra | G Minor | 3 | 6A | 117 BPM | |
 | Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 16 Children's Songs, Op. 54: No. 10, Lullaby in a Storm | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | D Minor | 0 | 7A | 89 BPM | |
 | Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Sir Malcolm Sargent, BBC Symphony Orchestra | F Major | 2 | 7B | 86 BPM | |
 | Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | |
 | Zadok the Priest | George Frideric Handel, Thomas Tallis Chamber Choir, Royal Academy Consort, Jeremy Summerly | B♭ Major | 1 | 6B | 123 BPM | |
 | Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | |
 | Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | |
 | The Tales of Hoffmann: Barcarolle | Jacques Offenbach, Harry Rabinowitz | F Minor | 1 | 4A | 116 BPM | |
| Symphony No. 5 in C-Sharp Minor: IV. Adagietto | London Philharmonic Orchestra | F Major | 2 | 7B | 85 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records