- BPM
- 62
- Key
- B♭ Major
- Camelot
- 6B
Vaughan Williams: Fantasia on a Theme by Thomas Tallis (Opening) by Ralph Vaughan Williams, Sir Adrian Boult, London Philharmonic Orchestra Song Details
"Vaughan Williams: Fantasia on a Theme by Thomas Tallis (Opening)" by Ralph Vaughan Williams, Sir Adrian Boult, London Philharmonic Orchestra had its release date on July 31, 2025. This song is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. There is only one song in "Melancholy" - Classical Moods, so we believe that "Vaughan Williams: Fantasia on a Theme by Thomas Tallis (Opening)" is a single. Vaughan Williams: Fantasia on a Theme by Thomas Tallis (Opening) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Vaughan Williams: Fantasia on a Theme by Thomas Tallis (Opening) by Ralph Vaughan Williams, Sir Adrian Boult, London Philharmonic Orchestra is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 16%
- Loudness
- -25.253 dB
- Acousticness
- 97%
- Danceability
- 6%
- Energy
- 7%
- Instrumentalness
- 60%
- Liveness
- 24%
- Loudness
- 58%
- Speechiness
- 5%
- Valence
- 3%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto (Excerpt) | Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra | D Minor | 2 | 7A | 110 BPM | |
 | Fanfare for the Common Man | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | B♭ Major | 2 | 6B | 73 BPM | |
 | Grieg: Piano Concerto In A Minor | London Festival Orchestra | A Minor | 1 | 8A | 121 BPM | |
 | Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic, David Nadien | C Minor | 1 | 5A | 105 BPM | |
 | Fantasia on Greensleeves | Ralph Vaughan Williams, BBC Concert Orchestra, Barry Wordsworth | C Minor | 0 | 5A | 96 BPM | |
 | Romeo And Juliet: Love Theme | Nino Rota, PKF – Prague Philharmonia, Nick Ingman | G Minor | 1 | 6A | 81 BPM | |
 | Elgar: 5 Pomp and Circumstance Marches, Op. 39: No. 1 in D Major | Edward Elgar, London Philharmonic Orchestra, Vernon Handley, David Bell | G Major | 3 | 9B | 122 BPM | |
 | Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 89 BPM | |
 | Love Theme - From "Ghost" | Maurice Jarre, Nino Rota, Royal Philharmonic Orchestra;Tolga Kashif | F Major | 3 | 7B | 85 BPM | |
 | Introit, Op. 6 | Gerald Finzi, Thomas Gould, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 96 BPM | |
 | Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne | Camille Saint-Saëns, John Ogdon, Hilary Robinson, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 107 BPM | |
 | Pavane, Op. 50 (Arr. J. Williams for Guitar & Orchestra) | Gabriel Fauré, John C. Williams, William Goodchild, BBC Concert Orchestra | F♯ Minor | 1 | 11A | 144 BPM | |
 | Vaughan Williams: The Lark Ascending | Ralph Vaughan Williams, Nigel Kennedy, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | E Minor | 0 | 9A | 86 BPM | |
 | The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, London Philharmonic Orchestra, Sir Georg Solti | C Minor | 3 | 5A | 68 BPM | |
 | Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesplé, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | |
 | I. Lent et grave | Erik Satie, Malmö Symphony Orchestra, James DePreist | A Minor | 0 | 8A | 66 BPM | |
 | Canon in D Major for Strings and Continuo | City of London Sinfonia, Andrew Watkinson | D Major | 2 | 10B | 111 BPM | |
 | 3 Pieces in Old Style: No. 1, Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Major | 0 | 6B | 75 BPM | |
 | Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | |
 | Apollo 13: The Launch - From "Apollo 13" | James Horner | G Major | 1 | 9B | 102 BPM | |
 | Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | |
 | Tu mancavi a tormentarmi, crudelissima speranza (Arr. L. Stokowski) | Antonio Cesti, Brussels Philharmonic, Richard Egarr | E Major | 1 | 12B | 87 BPM | |
 | Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | |
 | The Armed Man - A Mass For Peace: XI. Now the Guns Have Stopped | Karl Jenkins, London Philharmonic Orchestra | D Minor | 1 | 7A | 81 BPM | |
| Adagio for Strings, Op. 11a | London Philharmonic Orchestra | B♭ Minor | 2 | 3A | 78 BPM |
- ISRC
- GBAYD8500391
- Label
- L-M Records/RCA Records