- BPM
- 86
- Key
- E Minor
- Camelot
- 9A
Vaughan Williams: The Lark Ascending by Ralph Vaughan Williams, Nigel Kennedy, Sir Simon Rattle, City Of Birmingham Symphony Orchestra Song Details
"Vaughan Williams: The Lark Ascending" by Ralph Vaughan Williams, Nigel Kennedy, Sir Simon Rattle, City Of Birmingham Symphony Orchestra had its release date on November 1, 1997. This song appears to be safe for all ages as it is not explicit. The song is number 4 out of 4 in Elgar: Violin Concerto - Vaughan Williams: The Lark Ascending by Nigel Kennedy, Sir Simon Rattle, City Of Birmingham Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Vaughan Williams: The Lark Ascending is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Vaughan Williams: The Lark Ascending by Ralph Vaughan Williams, Nigel Kennedy, Sir Simon Rattle, City Of Birmingham Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 14%
- Loudness
- -28.066 dB
- Acousticness
- 87%
- Danceability
- 10%
- Energy
- 3%
- Instrumentalness
- 12%
- Liveness
- 8%
- Loudness
- 53%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Fantasia On Greensleeves | Ralph Vaughan Williams, English String Orchestra, William Boughton | B Minor | 0 | 10A | 71 BPM | |
 | Pärt: Spiegel im Spiegel (Excerpt) | Arvo Pärt, Tasmin Little, Martin Roscoe | F Major | 0 | 7B | 82 BPM | |
 | Mahler: Symphony No. 5 in C-Sharp Minor, Part. 3: IV. Adagietto (Sehr langsam) | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F Major | 0 | 7B | 80 BPM | |
 | Pavane, Op. 50 | Gabriel Fauré, London Philharmonic Orchestra, Bernard Herrmann | F♯ Minor | 1 | 11A | 130 BPM | |
 | Musica serena | Pēteris Vasks, Munich Radio Orchestra, Ivan Repušić | A Minor | 0 | 8A | 65 BPM | |
 | Scottish Rhapsody | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | D♭ Major | 2 | 3B | 142 BPM | |
 | Pärt: Spiegel im Spiegel | Arvo Pärt, Tasmin Little, Martin Roscoe | F Major | 0 | 7B | 80 BPM | |
 | Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto (Sehr langsam) | Gustav Mahler, Sir John Barbirolli, New Philharmonia Orchestra | F Major | 0 | 7B | 87 BPM | |
 | Materna Requiem: 6. Paradisum Interlude | Rebecca Dale, Royal Liverpool Philharmonic Orchestra, Clark Rundell | D♭ Major | 0 | 3B | 137 BPM | |
 | Apollo 13: The Launch - From "Apollo 13" | James Horner | G Major | 1 | 9B | 102 BPM | |
 | Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | |
 | Five Variants of "Dives and Lazarus" | Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth | B Minor | 1 | 10A | 85 BPM | |
 | In the Steppes of Central Asia | Alexander Borodin, Mariinsky Orchestra, Valery Gergiev | A Minor | 0 | 8A | 68 BPM | |
 | Le Carnaval des Animaux, R.125: Le Cygne | Camille Saint-Saëns, Mischa Maisky, Orchestre de Paris, Semyon Bychkov | G Major | 1 | 9B | 114 BPM | |
 | Vaughan Williams: Fantasia on a Theme by Thomas Tallis | London Philharmonic Orchestra, Sir Roger Norrington | G Major | 2 | 9B | 81 BPM | |
 | VI. Lullaby | Igor Stravinsky, Brussels Philharmonic, Ali Rahbari | A♭ Minor | 0 | 1A | 118 BPM | |
 | Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | A♭ Minor | 1 | 1A | 82 BPM | |
 | Mors et Vita: Judex | Charles Gounod, Richard Hickox Orchestra, Richard Hickox | C Minor | 1 | 5A | 95 BPM | |
 | Canteloube: Chants d'Auvergne, Vol. 1: No. 2, Baïlèro | Joseph Canteloube, Victoria de los Ángeles, Jean-Pierre Jacquillat, Orchestre Lamoureux | B♭ Major | 1 | 6B | 63 BPM | |
 | Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, LSO Wind Ensemble | E♭ Major | 0 | 5B | 65 BPM | |
 | Vaughan Williams: The Lark Ascending | Ralph Vaughan Williams, Sir Adrian Boult, Hugh Bean, New Philharmonia Orchestra | E Minor | 0 | 9A | 102 BPM | |
 | Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Concert Orchestra, Barry Wordsworth | E♭ Major | 1 | 5B | 80 BPM | |
 | Symphony No. 3 "Symphony of Sorrowful Songs": 2. Lento e largo | Henryk Górecki, Joanna Kozlowska, Warsaw Philharmonic Orchestra, Kazimierz Kord | B♭ Minor | 0 | 3A | 52 BPM | |
 | Pas de Deux: Part 1 | James Horner, Mari Samuelsen, Hakon Samuelsen, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B Minor | 0 | 10A | 133 BPM | |
 | Florida Suite: II. By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | G Major | 0 | 9B | 68 BPM |
- ISRC
- GBAYD9700152
- Label
- L-M Records/RCA Records