Rajalakshmee Sanjay's ' "Aditya Hrudayam Stotram" was released on its scheduled release date, October 1, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Aditya Hrudayam Stotram and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Aditya Hrudayam Stotram's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Aditya Hrudayam Stotram by Rajalakshmee Sanjay is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Upadrav Raksha Mantra | Jitender Singh | E♭ Major | 6 | 5B | 91 BPM | ||
| Adhyayam, Pt. 6 | J. Bhaktavatsalam, Ganesan, Na | C Major | 7 | 8B | 132 BPM | ||
| Gajendra Moksha | Rajalakshmee Sanjay | B♭ Major | 1 | 6B | 79 BPM | ||
| Shree Yamunashtakam - Raag Bhatiyaar | Prahar Vora | D♭ Major | 4 | 3B | 100 BPM | ||
| Gauri Gauri Gange | Yogi Hari | D♭ Major | 5 | 3B | 172 BPM | ||
| Mantra Jabam | T. S. Aswini Sastry, T. S. Rohini Sastry | B Major | 5 | 1B | 83 BPM | ||
| Chapter 7: Jnaana Vignaana Yoga | Sri Ganapathy Sachchidananda Swamiji | C Major | 1 | 8B | 179 BPM | ||
| Kaal Bhairav Mantra | Bhakti Sangrah | C Major | 3 | 8B | 148 BPM | ||
| Manache Shlok | Rajendra Vaishampayan & Natasha Dias | A♭ Major | 1 | 4B | 86 BPM | ||
| Sri Adi Varahi Stotram | Bhandhavi | F♯ Minor | 9 | 11A | 115 BPM | ||
| Siddha Kunjika Stotra Mantra | Shrikrishna Sawant | F Major | 2 | 7B | 143 BPM | ||
| Dhana Mora Nityananda | Vanara Sena | F Major | 6 | 7B | 105 BPM | ||
| Kumbhaam | Suresam | D♭ Major | 1 | 3B | 67 BPM | ||
| Mandra Pushpam | M.Ramani Sastrigal | F♯ Major | 6 | 2B | 120 BPM | ||
| Devi Athrva Seersham | S.Prakash Kaushik | G Major | 3 | 9B | 98 BPM | ||
| Gayatri Mantra | Rajalakshmee Sanjay | E Major | 6 | 12B | 84 BPM | ||
| Santana Prapaitti Vigneshwara Stotram | Bangalore Sisters, Ajey Warrior, M. S. Pareekshita Rao | F Major | 4 | 7B | 147 BPM | ||
| Vishwamitra Nadi Samvad - a Poetic Conversation between the Sage Vishwamitra & Two Rivers | Ved Vrind | C Major | 4 | 8B | 175 BPM | ||
| Lakshmi Ashtotharam | Nitya Santoshini, Gayathri | D Minor | 2 | 7A | 126 BPM | ||
| Jai Sadguru Maharaj | Jagadguru Shri Kripalu Ji Maharaj, Sangita Didi | C Major | 6 | 8B | 95 BPM | ||
| Om Hanu Hanumate Namah | Vivek Prakash | D♭ Major | 3 | 3B | 86 BPM | ||
| Manglacharan | Sadhu Yogicharandas | A♭ Major | 3 | 4B | 76 BPM | ||
| Shivopasana Mantra Nidhana Pataye Namaha | Sri Sathya Sai Official | A♭ Major | 6 | 4B | 101 BPM | ||
| Bhagavad Gita, Pt. 14 - Gunatraya Vibhaga Yoga | Pt. Ved Prakash Phondani | E♭ Major | 3 | 5B | 111 BPM | ||
| Shree Siddha Mangal Stotra | Kamalakar Tapasvi | D♭ Major | 6 | 3B | 80 BPM |