"Take It Off" by Cliff Martinez, Mac Quayle had its release date on 2013. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Take It Off's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Only God Forgives". In this album, this song's track order is #10. In terms of popularity, Take It Off is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Take It Off by Cliff Martinez, Mac Quayle having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lucy Is Going Out, Pt. 1 | Éric Serra | B♭ Major | 1 | 6B | 110 BPM | ||
| The Transported Man | The Prestige | E Major | 1 | 12B | 127 BPM | ||
| Autographs | Jason Hill | C Minor | 0 | 5A | 71 BPM | ||
| Title Card | Robert Levon Been, Jesse Mark Russell, Giancarlo Vulcano | D Major | 1 | 10B | 76 BPM | ||
| Face to Face | Carter Burwell | B♭ Major | 7 | 6B | 192 BPM | ||
| Thesaurus Tuus | Daniel Hart | D Major | 2 | 10B | 60 BPM | ||
| The Attic | Colin Stetson | G Major | 2 | 9B | 133 BPM | ||
| Fire It Up Again | Cliff Martinez | B♭ Minor | 0 | 3A | 168 BPM | ||
| Opening Titles / Blood Drips | David Julyan | D♭ Major | 1 | 3B | 116 BPM | ||
| Forced Entry | Max Richter | C Minor | 6 | 5A | 108 BPM | ||
| Trip to Neptune | Lorne Balfe | B♭ Minor | 1 | 3A | 108 BPM | ||
| Puntos Comunes | Universos Terrenales | B Minor | 1 | 10A | 91 BPM | ||
| 6th Floor | Oneohtrix Point Never | C Major | 3 | 8B | 80 BPM | ||
| Burial | Mica Levi | B Minor | 2 | 10A | 63 BPM | ||
| Murder / Mermaid / Heavy Labour | Mark Korven | C Major | 1 | 8B | 72 BPM | ||
| Time Machine | Nathan Johnson | B♭ Minor | 4 | 3A | 133 BPM | ||
| Mokhnenko | Atticus Ross, Nick Chuba | D Major | 6 | 10B | 170 BPM | ||
| Care to Dance? | Jon Ekstrand | A♭ Minor | 1 | 1A | 49 BPM | ||
| The Beginning | Danny Bensi and Saunder Jurriaans | D Major | 1 | 10B | 121 BPM | ||
| Skull Crushing | Cliff Martinez | A♭ Major | 2 | 4B | 77 BPM | ||
| Haunted Sequence | Rob | G Major | 5 | 9B | 115 BPM | ||
| Heels | Disasterpeace | F Major | 3 | 7B | 112 BPM | ||
| La lettre | Pierre Desprats | G Minor | 5 | 6A | 129 BPM | ||
| Salinger In Luxembourg | Tom Tykwer, Johnny Klimek, Reinhold Heil | D♭ Major | 2 | 3B | 115 BPM | ||
| Man's Reach Exceeds His Imagination | The Prestige | C Major | 1 | 8B | 91 BPM |