Rajendra Vaishampayan's 'Saripat' had a release date set for April 1, 2009. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Saripat's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rajendra Vaishampayan's "Mann Samvad" album is number 44 out of 56. On top of that, India appears to be the country where this track was created. Saripat is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Saripat by Rajendra Vaishampayan to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pitra Gayatri Mantra | Jeet Ojha | D♭ Major | 5 | 3B | 160 BPM | ||
| Asmin Paraathman 11 times | Sukeerti Ranganathan | B Major | 8 | 1B | 130 BPM | ||
| Bagla Pratyangira Kavach | Shubhangi Singh | F Major | 8 | 7B | 82 BPM | ||
| Nivadak Bodh Vachan | Rajendra Vaishampayan | F♯ Major | 2 | 2B | 78 BPM | ||
| Shree RamChandra Kripalu Bhajman | Rakesh Kumar Sharma, Arti Sharma, Bhavya Sharma, kritika Sharma, Dev Sharma | B Major | 10 | 1B | 149 BPM | ||
| Rahu Mantra | Umesh Joshi, Shantanu Herlekar, Vijay Dhuri, Rucha Soman, Pragati Joshi | G Minor | 3 | 6A | 116 BPM | ||
| Saptashati Ahdyay 3 | Rajendra Vaishampayan | D♭ Major | 2 | 3B | 186 BPM | ||
| Pradnya Vivartan Stotra | Rajendra Vaishampayan | F♯ Major | 2 | 2B | 78 BPM | ||
| Rudri Path- Adhyay 2 | Divya Jyoti Jagrati Sansthan | A♭ Major | 4 | 4B | 123 BPM | ||
| Iyyappan 108 Ashtothram | Veeramani Kannan, Subash Veeramani | F Minor | 4 | 4A | 113 BPM | ||
| Prasthavik | Rajendra Vaishampayan | A Minor | 4 | 8A | 80 BPM | ||
| Garuda Gamana Tava | Anudeep Dev, Lakshmi Meghana, Maneesha Pandranki, Arjun Vijay, J.V. Sudhanshu, Sindhuja Srinivasan | D Major | 5 | 10B | 140 BPM | ||
| Guros | Grihsam | D♭ Major | 1 | 3B | 125 BPM | ||
| Shree Ganpati Atharvashirsha श्री गणपती अथर्वशीर्ष (फलश्रुती सह) | Rupali Rajhans Apshankar | G Major | 3 | 9B | 174 BPM | ||
| Manthravarna Pathasthuthi | T. S. Aswini Sastry, T. S. Rohini Sastry | B♭ Major | 4 | 6B | 115 BPM | ||
| Durga Sukhtam | Sri Hari Atchuta Rama Sastry | C Major | 2 | 8B | 134 BPM | ||
| Saptashati Ahdyay 2 | Rajendra Vaishampayan | A♭ Major | 4 | 4B | 82 BPM | ||
| Shri Kuldevi Stotram | Dhanashree Deshpande | B♭ Major | 3 | 6B | 94 BPM | ||
| Vinayaka Ashtottaram | Bangalore Sisters, Ajey Warrior, M. S. Pareekshita Rao | F Major | 1 | 7B | 139 BPM | ||
| Hanuman Chalisa | Play Devotional | C Major | 1 | 8B | 136 BPM | ||
| Hari Sundar Mukanda | Deva Prabhupada | A♭ Major | 6 | 4B | 100 BPM | ||
| Namanthram | Bangalore Sisters | D♭ Major | 8 | 3B | 150 BPM | ||
| Shree Krishna Sharanam Mamah - Krishna Morning Mantra | Nidhi Dholakia | B♭ Major | 3 | 6B | 85 BPM | ||
| Sri Varamukhi Stavam | Bhandhavi | A Major | 2 | 11B | 109 BPM | ||
| Adhyayam, Pt .13 | J. Bhaktavatsalam, Ganesan, Na | C Major | 7 | 8B | 112 BPM |