"Carnival" by The Symphonic Strings had its release date on September 28, 2018. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Carnival's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 20 All Time Classical Greats, so we believe that "Carnival" is a single. Carnival is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carnival by The Symphonic Strings is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Fledermaus: Waltz | Johann Strauss II, Ronnie Munro Scottish Variety Orchestra, Ronnie Munro, David Java Orchestra, Harold Collins Orchestra, Harry Davidson Orchestra, Harry Fryer Orchestra, London Coliseum Orchestra, Phil Green Theatreland Orchestra, Reginald Pursglove Orchestra, Richard Crean Orchestra, Ronnie Munro Waltz Orchestra, Studio Orchestra, Symphony Orchestra, Wynford Reynolds Orchestra | F Major | 2 | 7B | 182 BPM | ||
| Don Quixote: Act I: Scene of the Toreadors | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Major | 3 | 11B | 128 BPM | ||
| Carmen Ballet Suite (after Bizet): II. Dance | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | D Major | 4 | 10B | 124 BPM | ||
| Voices Of Spring, Op. 410 | Johann Strauss II, Richard Genée, Marko Letonja, Lorina Gore, Tasmanian Symphony Orchestra | G Major | 2 | 9B | 70 BPM | ||
| Petrushka: Danse Russe | Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky | D Minor | 5 | 7A | 80 BPM | ||
| "The Trout" from Quintet for Strings and Piano, D 667, Op. 114 | Ensemble Piacevole | D Major | 1 | 10B | 121 BPM | ||
| Voices of Spring, Op. 410 | Johann Strauss II, Leonard Bernstein | B♭ Major | 2 | 6B | 110 BPM | ||
| Trisch Trasch Polka | Wiener Symphoniker | A Major | 6 | 11B | 80 BPM | ||
| Vienna Blood - Waltz Op. 354 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 178 BPM | ||
| Giselle, Peasant pas de deux, Act I: Allegretto: Adagio (Arr. March) | Friedrich Burgmüller, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 133 BPM | ||
| Offenbach: Orphée aux enfers, Act 2: Menuet et galop infernal "Can-Can" (Instrumental Version) | Jacques Offenbach, Royal Philharmonic Orchestra, Philip Ellis | D Major | 6 | 10B | 165 BPM | ||
| Radetzky March, Op. 228: Radesky March | Johann Strauss I, Edmonton Symphony Orchestra, Uri Mayer | A Major | 3 | 11B | 114 BPM | ||
| Peter and the Wolf, Op. 67: The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
| Giselle, Act II: Variation de Giselle | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 2 | 5B | 80 BPM | ||
| Cariolan Overture | The Symphonic Strings | D Major | 2 | 10B | 78 BPM | ||
| Giselle: Act I: Retour de la vendange et valse (The Grape-Pickers Return) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 134 BPM | ||
| Wiener Blut | Johann Strauss II, I Salonisti, Thomas Füri, Lorenz Hasler, Ferenc Szedlak, Bela Szedlak, Werner Giger | C Major | 1 | 8B | 179 BPM | ||
| Die Schlittschuhläufer, Op. 183 (The Ice Skater) | Émile Waldteufel | D Major | 1 | 10B | 96 BPM | ||
| Don Quixote, Act II: Spanish dance of Mercedes | Valery Zhelobinsky, Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | D Major | 2 | 10B | 176 BPM | ||
| Coppelia: Mazurka | Léo Delibes, Fuat Mansurov, Bolshoi Theatre Orchestra | D Major | 3 | 10B | 80 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jeremy Fisher (extract) | John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | C Major | 2 | 8B | 103 BPM | ||
| Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra, Oscar Shumsky | C Major | 3 | 8B | 181 BPM | ||
| Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
| Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
| Le Corsaire: Pas de Trois - Medora Variation | Baron Boris Fitinhof-Schnell, English National Ballet Philharmonic, Gavin Sutherland | F Major | 0 | 7B | 100 BPM |