"War Requiem, Op. 66: ii. Requiem Aeternam - Te decet hymnus" by Benjamin Britten, Gianandrea Noseda, Choir of Eltham College, London Symphony Chorus, London Symphony Orchestra had its release date on May 8, 2012. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 26 in Britten: War Requiem by Benjamin Britten, London Symphony Orchestra, Simon Keenlyside, Gianandrea Noseda, Ian Bostridge, London Symphony Chorus, Sabina Cvilak, Choir of Eltham College. In terms of popularity, War Requiem, Op. 66: ii. Requiem Aeternam - Te decet hymnus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of War Requiem, Op. 66: ii. Requiem Aeternam - Te decet hymnus by Benjamin Britten, Gianandrea Noseda, Choir of Eltham College, London Symphony Chorus, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 1: Infirma nostri corporis virtute firmans perpeti | Gustav Mahler, Tamara Wilson, Leah Crocetto, Mihoko Fujimura, Tamara Mumford, Simon O'Neill, Ryan McKinny, Morris Robinson, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 2 | 8B | 138 BPM | ||
| Brahms: Ein deutsches Requiem, Op. 45: I. Selig sind die da Leid tragen | Johannes Brahms, Sir Simon Rattle, Berliner Philharmoniker, Rundfunkchor Berlin | G Major | 1 | 9B | 132 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | ||
| Symphony No. 7 in E Minor "Song of the Night": III. Scherzo. Schattenhaft - Trio | Gustav Mahler, Gianandrea Noseda, National Symphony Orchestra, Kennedy Center | B♭ Major | 1 | 6B | 173 BPM | ||
| Szymanowski: Love Songs of Hafiz, Op. 26: No. 4, Pearls of My Soul | Karol Szymanowski, Sir Simon Rattle, Katarina Karnéus, City Of Birmingham Symphony Orchestra | B Major | 0 | 1B | 58 BPM | ||
| Vesperae solennes de confessore in C, K.339: 1. Dixit Dominus Domino meo | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | C Major | 3 | 8B | 137 BPM | ||
| Eine Alpensinfonie: I. Nacht - Sonnenaufgang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 88 BPM | ||
| Mass in C Major, Op. 86: I. Kyrie | Ludwig van Beethoven, Sir Colin Davis, Sally Matthews, Alastair Miles, London Symphony Chorus, John Mark Ainsley, Sara Mingardo, London Symphony Orchestra | C Major | 1 | 8B | 79 BPM | ||
| Requiem in D Minor, K. 626: No 8, Offertorium - Domine Jesu | Wolfgang Amadeus Mozart, Sir Colin Davis, London Symphony Orchestra, London Symphony Chorus, Andrew Kennedy, Anna Stephany, Darren Jeffery, Marie Arnet | F Major | 1 | 7B | 116 BPM | ||
| Mass in C Major, Op. 86: VI. Agnus Dei | Ludwig van Beethoven, Sir Colin Davis, Sara Mingardo, London Symphony Orchestra, Sally Matthews, London Symphony Chorus, Alastair Miles, John Mark Ainsley | C Major | 1 | 8B | 78 BPM | ||
| Orpheus, Scene I: Lento sostenuto | London Symphony Orchestra, Robert Craft | A Minor | 2 | 8A | 83 BPM | ||
| Vespers, Op. 37: VIII. "Kvalite imya Gospodne" | Sergei Rachmaninoff, St.Petersburg Chamber Choir, Nikolai Korniev | B♭ Major | 5 | 6B | 109 BPM | ||
| Feste romane (Roman Festivals): IV. La Befana | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | D Major | 6 | 10B | 104 BPM | ||
| Mother Goose: VI. Laideronnette | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | A♭ Minor | 0 | 1A | 124 BPM | ||
| Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | F Major | 1 | 7B | 74 BPM | ||
| Adams: Nixon in China: Act I, Scene 2 - "We No Longer Need Confucius." | John Adams, Edo de Waart, Orchestra of St. Luke's | D♭ Minor | 2 | 12A | 81 BPM | ||
| Alexander Nevsky, Op. 78: II. Song About Alexander Nevsky | Sergei Prokofiev, London Symphony Orchestra, Claudio Abbado, London Symphony Chorus | B♭ Major | 0 | 6B | 97 BPM | ||
| Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 2: No. 29, Juliet with Friar Laurence | Sergei Prokofiev, André Previn, London Symphony Orchestra | D Major | 0 | 10B | 91 BPM | ||
| Eine Alpensinfonie: IX. Ausklang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 72 BPM | ||
| Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
| Stabat Mater, FP 148: 3. O quam tristis | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F♯ Major | 0 | 2B | 111 BPM | ||
| Mass in C Major, Op. 86: IV. Sanctus | Ludwig van Beethoven, Sir Colin Davis, London Symphony Orchestra, London Symphony Chorus | B Minor | 1 | 10A | 137 BPM | ||
| Variations for Orchestra, Op. 31: Introduktion | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | C Major | 1 | 8B | 133 BPM | ||
| The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - Glorification of the Chosen Victim (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | B♭ Minor | 6 | 3A | 133 BPM | ||
| Parsifal, Act I: Nun achte wohl und laß mich seh'n | Richard Wagner, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | F Major | 1 | 7B | 57 BPM |