David Hopper's ' "Professor" was released on its scheduled release date, April 21, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Professor only contains only one song in the album, we like to consider this song as a single. Based on our statistics, Professor's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Professor by David Hopper having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| Sylvia: Act I: Faunes et Dryades (Scherzo) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 81 BPM | ||
| Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
| Islamey, Oriental fantasy, Op. 18 | Mily Balakirev, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel | F Major | 0 | 7B | 60 BPM | ||
| Symphonic Suite based on Rimsky-Korsakov’s Scheherazade, Op. 35: IV. Festival at Baghdad. The Sea. Ship Breaks upon a Cliff Surmounted by a Bronze Horseman | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | C Major | 3 | 8B | 99 BPM | ||
| Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
| Raymonda, Act I: Introduction (Moderato poco piu mosso) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | C Minor | 1 | 5A | 169 BPM | ||
| Le Carnaval des Animaux: Grand Fantaisie Zoologique: XII. Fossiles | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | E♭ Major | 2 | 5B | 114 BPM | ||
| Skazaniye o nevidimom grade Kitezhe i deve Fevronii (Legend of the Invisible City of Kitezh and the Maiden Fevroniya): Prelude. In praise of the wilderness | Nikolai Rimsky-Korsakov, Mikhail Kazakov, Vitaly Panfilov, Tatiana Monogarova, Mikhail Gubsky, Gevorg Hakobyan, Marika Gulordava, Riccardo Ferrari, Stefano Consolini, Valery Gilmanov, Alexander Naumenko, Rosanna Savoia, Elena Manistina, Cagliari Theatre C | B Minor | 0 | 10A | 102 BPM | ||
| No. 1, The Wounded Heart | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | F Major | 0 | 7B | 60 BPM | ||
| Petrouchka: Les déguisés | Ferenc Fricsay, Berliner Philharmoniker | B♭ Major | 7 | 6B | 164 BPM | ||
| Pictures at an Exhibition: Gnomus | Modest Mussorgsky, George Szell, Cleveland Orchestra | D♭ Major | 0 | 3B | 79 BPM | ||
| Grunge Groupie - Catfish Boogie Nelson Remix | David Hopper, Catfish Boogie Nelson | B Minor | 8 | 10A | 128 BPM | ||
| Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
| The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Fugue: Full Orchestra (Allegro molto) | Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra | D Major | 4 | 10B | 143 BPM | ||
| Roumanian Folk Dances for Orchestra, BB 76 (Sz. 68): 4. Horn Dance (from Bisztra) | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 1 | 10B | 170 BPM | ||
| Giselle, Act II: Entree de Loys - Pas de deux | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 144 BPM | ||
| VI. Galop | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 168 BPM | ||
| Ballet Suite No. 4 (arr. L. Atovmyan): Scherzo (The Bolt) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 3 | 8B | 77 BPM | ||
| Le Carnaval des Animaux: Grand Fantaisie Zoologique: IX. Le Coucou au fond des bois | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic, Tony Cirone, David Hopper, Ruth Segal, Naomi Segal, Gary Karr, Paula Robinson, Paul Green | E Major | 0 | 12B | 137 BPM | ||
| Children's Corner, CD 119: III. Serenade for the Doll | Claude Debussy, Pascal Rogé | A♭ Minor | 0 | 1A | 150 BPM | ||
| The Swan of Tuonela, Op. 22 No. 2 | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A Minor | 2 | 8A | 143 BPM | ||
| Mother Goose: I. Prélude | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | G Major | 0 | 9B | 84 BPM | ||
| The Calling - Cristian Van Gurgel Remix | DMorse, David Hopper | D♭ Major | 6 | 3B | 126 BPM | ||
| Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): II. Act II. Opening - Interlude 3 - Interlude 4 | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | B♭ Minor | 0 | 3A | 111 BPM |