Alla Rakha's ' "Surphakhta - Live" was released on its scheduled release date, August 2, 1999. This song appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Ustad Alla Rakha - The Multifaceted Genius". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. Based on our statistics, Surphakhta - Live's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Surphakhta - Live by Alla Rakha having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sabah | Zakir Hussain | F Major | 0 | 7B | 142 BPM | ||
| Raaga Kafi - Teentaal | Ronu Majumdar, Ajeet Pathak | F♯ Minor | 2 | 11A | 84 BPM | ||
| Bhimpalasi | Shruti Sadolikar | D♭ Major | 4 | 3B | 177 BPM | ||
| Raga kirvani : Râgamâlika - Vasanta-priyâ, khadyota-kânti | L. Subramaniam | E Major | 8 | 12B | 71 BPM | ||
| Kaapi Thillana | Jayanthi Kumaresh | B Minor | 5 | 10A | 96 BPM | ||
| Jaunpuri | Buddhadev DasGupta | F Minor | 4 | 4A | 112 BPM | ||
| Talk-e-Taal | Fazal Qureshi, Alla Rakha | D♭ Major | 4 | 3B | 105 BPM | ||
| Best Harmonium | Tanveer Anjum | E Minor | 4 | 9A | 148 BPM | ||
| Hemis | Milind Date | A Minor | 4 | 8A | 172 BPM | ||
| Raga Des Bhajan | G.S. Sachdev | F Major | 2 | 7B | 119 BPM | ||
| Cogadt ar Chogai | Koradan | D Minor | 5 | 7A | 115 BPM | ||
| Durga | Shruti Sadolikar | D♭ Major | 4 | 3B | 173 BPM | ||
| Paal | Bickram Ghosh, Kala Ramnath | G Major | 6 | 9B | 174 BPM | ||
| Nit De Vichore | Shujaat Khan | D♭ Major | 4 | 3B | 107 BPM | ||
| Dhun in Madhyam se Gara - Studio | Tejendra Majumdar, Swapan Chaudhuri | F Major | 2 | 7B | 101 BPM | ||
| Vilambit laya: Medium Tempo: Amad, Peshkar, Qaida & Chakradhar | Traditional, Alla Rakha, Zakir Hussain | D♭ Minor | 6 | 12A | 91 BPM | ||
| Sadra in Sankara Karan | Ali Akbar Khan | B♭ Major | 2 | 6B | 166 BPM | ||
| Nayan Ki Mat Maro Talwariya - Raga Bhairavi - Dadra Tala | Girija Devi | B♭ Major | 4 | 6B | 79 BPM | ||
| Invitation Five: Part 1 (Surphakta Taal: Part 1) | Alla Rakha | D♭ Minor | 8 | 12A | 111 BPM | ||
| Shankar: Morning Love | Ravi Shankar, Jean-Pierre Rampal, Alla Rakha, Kamala Chakravarty | E Minor | 3 | 9A | 176 BPM | ||
| Messenger | Alam Khan, Del Sol Quartet | C Minor | 2 | 5A | 170 BPM | ||
| 8.5 Beats | Anindo Chatterjee | B Minor | 6 | 10A | 124 BPM | ||
| Naima | Deepak Ram | A Major | 2 | 11B | 76 BPM | ||
| Vaisnava Bhajan | Vishwa Mohan Bhatt, Sukhvinder Singh Namdhari | D Major | 2 | 10B | 147 BPM | ||
| Krishnamurti | Banaras Baba & Kolkata Kid | D♭ Major | 7 | 3B | 143 BPM |