Rajendra Vaishampayan's ' "Adhay 02 Shlok 15 To Shlok 39" was released on its scheduled release date, February 3, 2024. This song appears to be safe for all ages as it is not explicit. There are a total of 78 in the song's album "Sampurn Dnyaneshwari Parayan". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. Adhay 02 Shlok 15 To Shlok 39 is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Adhay 02 Shlok 15 To Shlok 39 by Rajendra Vaishampayan having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jaya Madhava Madana Murari | ISKCON Bangalore | F♯ Major | 4 | 2B | 109 BPM | ||
| Shreeram Jayaram | Sri Ganapathy Sachichidananda Swamiji | B♭ Major | 4 | 6B | 174 BPM | ||
| Om Jai Shiv Omkara, Prabhu Har Shiv Omkara | Shyam Saajan | A♭ Major | 7 | 4B | 90 BPM | ||
| Sri Nrisimha Mangalam | T. S. Ranganathan | C Major | 4 | 8B | 91 BPM | ||
| Gaate Re Angai | Sampada Inamdar | E♭ Major | 6 | 5B | 159 BPM | ||
| Durga Saptshati Dashamo Adhyaya | SHRI PREM PRAKASH DUBEY | F♯ Minor | 4 | 11A | 80 BPM | ||
| Trisharan | Surykirti | D♭ Major | 3 | 3B | 83 BPM | ||
| Bhagavad Gita, Chapter 1 | Swami Paramarthananda | G Major | 4 | 9B | 149 BPM | ||
| Sri Laxmi Sukta | Tejeswini Ingle | A Major | 6 | 11B | 80 BPM | ||
| Khandoba Ashtak | Anandraj Manik Prabhu | E♭ Major | 6 | 5B | 180 BPM | ||
| Bhagavad Gita Adhyay, Pt. 9 | Shrirang Bhave | E♭ Major | 1 | 5B | 106 BPM | ||
| Narayan Suktam | Sri Sathya Sai Official | E♭ Major | 3 | 5B | 105 BPM | ||
| Shree Shreesha Guna Darpanam | Daasoham | B♭ Major | 4 | 6B | 88 BPM | ||
| Ugati Prabhae | Anoopam Mission | D♭ Major | 2 | 3B | 80 BPM | ||
| Ganpati Pooja | Rajendra Vaishampayan | D♭ Major | 6 | 3B | 133 BPM | ||
| Shree Siddha Mangal Stotra | Kamalakar Tapasvi | D♭ Major | 6 | 3B | 80 BPM | ||
| Adhay 03 Shlok 36 To Shlok 43 | Rajendra Vaishampayan | D♭ Major | 3 | 3B | 74 BPM | ||
| Guru Ashtakam | T. S. Aswini Sastry, T. S. Rohini Sastry | B♭ Major | 5 | 6B | 148 BPM | ||
| Shri Ghorkastoddharan Kastoddharan Stotra | Sandeep Mandke Guruji | C Major | 4 | 8B | 83 BPM | ||
| Kaal Bhairav Chalisa | Bhakti Sangrah | F♯ Major | 6 | 2B | 102 BPM | ||
| Saraswati Stuti | Vallari Ambekar, Inner Splendor, Vedika Godbole | B♭ Major | 3 | 6B | 106 BPM | ||
| Sri Varahi Nigrahastakam | Bhandhavi | B♭ Minor | 7 | 3A | 112 BPM | ||
| Prathana Mantra | Dr. Shri Balaji Tambe | C Major | 2 | 8B | 92 BPM | ||
| Sri Lakshmi Nrisimha Ashtotra Satanama Stotram | T. S. Ranganathan | C Major | 4 | 8B | 91 BPM | ||
| Nrusimha Mruthyumjayam Sththoram | Bangalore Sisters, Ramesh Chandra, Ajey Warrior | B♭ Minor | 3 | 3A | 113 BPM |