Sampada Inamdar's 'Gaate Re Angai' had a release date set for January 10, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Gaate Re Angai and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Gaate Re Angai's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Gaate Re Angai by Sampada Inamdar to be Vivace (lively and fast) because the track has a tempo of 159 BPM, a half-time of 80BPM, and a double-time of 318 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pavamanasuktam | Govindarajan, Malola Kannan | B Major | 5 | 1B | 112 BPM | ||
| Mathur | Aditi Munshi | B Major | 5 | 1B | 130 BPM | ||
| Damodarastakam - Namamisvaram Saccidananda Rupam | Sadhana Sargam, Gopal Chaturvedi | F♯ Major | 3 | 2B | 80 BPM | ||
| Ayyappa Astotharam | Parupalli Ranganath | D Major | 2 | 10B | 94 BPM | ||
| Shri Krishna Palna | Poonam, Aparna Pitre, Smita Bhagwatwar | F Major | 7 | 7B | 89 BPM | ||
| Shuunyam | Grihsam | E♭ Minor | 1 | 2A | 124 BPM | ||
| Bhave Veen Bhakti | Ajit Kadkade | F Major | 5 | 7B | 104 BPM | ||
| Tumi Nirmolo koro | Chandrabali Rudra Dutta | E♭ Minor | 5 | 2A | 138 BPM | ||
| Chopai Raga Shivranajni | Jignesh Tilavat | C Major | 4 | 8B | 140 BPM | ||
| Padmanane Padma Rup - (Shri Lakshmi Stotram) | Vaishali Samant | D♭ Major | 2 | 3B | 90 BPM | ||
| JAY JAYTI JAY RAGHUVANSH | Hrdayeshsinh Rathod, RICHA ARYA | D Major | 5 | 10B | 140 BPM | ||
| Sri Ramakrishna Pronam Mantra - Version, 1 | Mahesh Ranjan Shome | D Major | 2 | 10B | 124 BPM | ||
| Shankeshwar Parshwanath Stuti, Pt. 1 | Prashant Shah (Dikubhai) | F♯ Major | 8 | 2B | 111 BPM | ||
| Gange Bhagavathi Devi Namosthuthe | Soumya Manoj | A Major | 3 | 11B | 176 BPM | ||
| Trigunatmak Trimurti (Traditional Aarti) | Ajit Kadkade | E♭ Major | 4 | 5B | 111 BPM | ||
| Kalki Stuthi 1 | V. Ramakrishna | F Minor | 2 | 4A | 88 BPM | ||
| Ujjwal Baron Gourabaro Dehong | Padma Palash | D♭ Major | 6 | 3B | 154 BPM | ||
| Megha Megha (From "Chaitrada Chiguru") | Rajesh Krishnan, V. Manohar | E Minor | 3 | 9A | 165 BPM | ||
| Datta Pathirakha | Mugdha Vaishampayan, Prathamesh Laghate | F Major | 4 | 7B | 124 BPM | ||
| Hare Krishna Vol 6 Part 5 | Bitu Samajpati | A Major | 6 | 11B | 117 BPM | ||
| Dattachi Aarti | Mandar Apte | D Major | 4 | 10B | 98 BPM | ||
| Jay Deva Ganesha Namo | Upasak - Manoj Tamhankar, Rahul Deshpande | A Minor | 5 | 8A | 110 BPM | ||
| Narasimha Gayathri Mantra | Shankara Sastry | C Major | 4 | 8B | 143 BPM | ||
| Kayena Vacha Manasendriyairva | Ritika Sahni, Children | C Major | 3 | 8B | 120 BPM | ||
| Maha Sudarshana Mantram | Bhandhavi | A♭ Minor | 3 | 1A | 82 BPM |