On January 1, 1999, the song "Navsala Pav Mazhya Shanideva" was released by Rucha Birari, Chorus. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Shinganapurcha Shri Shani Mahima". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. In terms of popularity, Navsala Pav Mazhya Shanideva is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Navsala Pav Mazhya Shanideva by Rucha Birari, Chorus having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Balumamachya Darshanala | Shakuntala Jadhav | D Major | 6 | 10B | 79 BPM | ||
| Mala Pahije Fakt Bayku | Anand Shinde | G Major | 7 | 9B | 158 BPM | ||
| Vittala Vittala Paanduranga | Sivasri Skandaprasad | A♭ Major | 9 | 4B | 122 BPM | ||
| Mero to Aadhar Dwarkesh Ke Charnarvind | Nidhi Dholakia | B Major | 4 | 1B | 168 BPM | ||
| Sod Gabhara Ekda | Anshuman More | A Major | 10 | 11B | 180 BPM | ||
| O Vishwapati Tara Vishvase -Trupti Dave | Studio Avsar | B♭ Minor | 6 | 3A | 148 BPM | ||
| Tai Aamchi Honar Navari | Shakuntala Jadhav | F♯ Major | 5 | 2B | 94 BPM | ||
| Ae Devi Maiya | MANOJ TIWARI | A♭ Major | 5 | 4B | 129 BPM | ||
| Laya God Sapan Padal | Shakuntala Jadhav | B♭ Minor | 6 | 3A | 79 BPM | ||
| Kalbhairav Bhutacha Raja | Vijay Sartape | F♯ Major | 7 | 2B | 109 BPM | ||
| Kalyug Me Momaji Ne Sivaru | Viru Nehad, Rekha Parmar | E♭ Major | 8 | 5B | 81 BPM | ||
| Mangalacharan | BAPS Swaminarayan Sanstha | F♯ Minor | 5 | 11A | 142 BPM | ||
| Luta Chait Ke Lahar | Khesari Lal Yadav | F Minor | 8 | 4A | 143 BPM | ||
| Aaj Re Sapana Ma Me To | Bhikhudan Gadhvi | E♭ Minor | 7 | 2A | 126 BPM | ||
| Badhawa He Ali Rangro Ro Badhawo | Seema Mishra | F♯ Major | 6 | 2B | 110 BPM | ||
| Bappa Gajanana Tu Gauri Nandana-Gajar | Samir Rama Kadam | A Major | 9 | 11B | 116 BPM | ||
| Bhejle Ba Pitri Ke Pahunchi Nishaan | Madan Rai | F♯ Minor | 5 | 11A | 160 BPM | ||
| Asa Kasa Devacha Dev Thakada | Gokul. M. Honde | F♯ Major | 5 | 2B | 164 BPM | ||
| Anjaneya Gatiyu Neene | Sri Ganapathy Sachchidananda Swamiji | F♯ Major | 7 | 2B | 88 BPM | ||
| Kora Kora Meesala Maaswamy | Shankar Babu | B♭ Minor | 9 | 3A | 59 BPM | ||
| Subrammanyana Aradhane | B. R. Chaya | F Major | 5 | 7B | 134 BPM | ||
| Kela Maaticha Pashupati - Sant Tukaram | Suresh Wadkar | F♯ Major | 5 | 2B | 166 BPM | ||
| Sakhi Ri Mohe Laaj Bairan Bhayi | Susmita Das | C Major | 6 | 8B | 148 BPM | ||
| Agagunni Pilise Hanumanthunni | Rama Devi | C Major | 8 | 8B | 128 BPM | ||
| Maje Kuldevata Tu Khandu Deva | Shankar Patil | F♯ Major | 6 | 2B | 75 BPM |